Convention Et Theatre
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Author | : Philip Butterworth |
Publisher | : Cambridge University Press |
Total Pages | : 285 |
Release | : 2014-06-26 |
Genre | : Literary Criticism |
ISBN | : 1107015480 |
Examines staging conventions in the medieval English theatre and ways in which they conditioned the reactions of the audience.
Author | : Jacqueline Eyring Bixler |
Publisher | : Bucknell University Press |
Total Pages | : 268 |
Release | : 1997 |
Genre | : Drama |
ISBN | : 9780838753545 |
Carballido's plays are a staple of the theatre scene in Mexico City and are also frequently staged in Europe, the United States, and throughout Latin America. He has written more than thirty full-length plays and more than sixty one-act pieces as well as movie scripts, adaptations, and works for children's theatre. More than fifteen years have passed since the last book appeared on Carballido's theatre, during which he has written a score of new plays.
Author | : Jonothan Neelands |
Publisher | : Cambridge University Press |
Total Pages | : 175 |
Release | : 2015-09-03 |
Genre | : Education |
ISBN | : 1107530164 |
Structuring Drama Work is the only drama resource that explores 100 dramatic conventions and techniques and provides ideas for how to practise them. This book explains dramatic conventions and what they do, explores how dramatic techniques can be used, provides cultural connections and global contexts and includes examples of the techniques in the context of plays and texts. The compact size and simple format make this book convenient and easy to use. Suitable for IGCSE® students up to A Level, IB Diploma and beyond, this resource will give inspiration and ideas to students and save teachers valuable planning time by providing numerous examples in a global context.
Author | : International Alliance of Theatrical Stage Employees and Moving Picture Machine Operators of the United States and Canada |
Publisher | : |
Total Pages | : 888 |
Release | : 1926 |
Genre | : |
ISBN | : |
Author | : Tony Rogers |
Publisher | : Routledge |
Total Pages | : 422 |
Release | : 2010-05-14 |
Genre | : Business & Economics |
ISBN | : 1136415718 |
Providing a comprehensive, in-depth analysis of the international conference industry, Conferences and Conventions: a global industry second edition examines the industry's origins, structure, economics, career opportunities, and future development. It also explains its links with the wider tourism industry. Now in its second edition, it is packed with a wealth of new international case studies covering the city of Melbourne, Queen Elizabeth II conference centre, London, Abu Dhabi, MCI Group, the Scottish Exhibition and Conference Centre, Glasgow and team San Jose, California. It also has new sections on: * Market segmentation and web marketing * Conference and event budgeting * Technology and communications, from video conferencing to web casting and pod casting * Corporate social responsibility and sustainable and green events. Conferences and Conventions: a global industry is illustrated with case studies and examples from around the world, including Great Britain, Canada, Australasia, Dubai, Greece, Thailand, South Africa, USA, Austria and many other destinations. It also provides challenging and reflective questions at the end of each chapter so that readers can test their knowledge and think about the issues raised, accompanied by practical assignments. Tony Rogers is Executive Director of the British Association of Conference Destinations and Association of British Professional Conference Organisers, UK
Author | : Philip Butterworth |
Publisher | : Routledge |
Total Pages | : 328 |
Release | : 2022-02-07 |
Genre | : History |
ISBN | : 1000531783 |
In this selection of research articles Butterworth focuses on investigation of the practical and technical means by which early English theatre, from the fifteenth to the early seventeenth century, was performed. Matters of staging for both 'pageant vehicle' and 'theatre-in-the-round' are described and analysed to consider their impact on playing by players, expositors, narrators and prompters. All these operators also functioned to promote the closely aligned disciplines of pyrotechnics and magic (legerdemain or sleight of hand) which also influence the nature of the presented theatre. The sixteen chapters form four clearly identified parts—staging, playing, pyrotechnics and magic—and drawing on a wealth of primary source material, Butterworth encourages the reader to rediscover and reappreciate the actors, magicians, wainwrights and wheelwrights, pyrotechnists, and (in modern terms) the special effects people and event managers who brought these early texts to theatrical life on busy city streets and across open arenas. The chapters variously explore and analyse the important backwaters of material culture that enabled, facilitated and shaped performance yet have received scant scholarly attention. It is here, among the itemised payments to carpenters and chemists, the noted requirements of mechanics and wheelwrights, or tucked away among the marginalia of suppliers of staging and ingenious devices that Butterworth has made his stamping ground. This is a fascinating introduction to the very ‘nuts and bolts’ of early theatre. Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre is a closely argued celebration of stagecraft that will appeal to academics and students of performance, theatre history and medieval studies as well as history and literature more broadly. It constitutes the eighth volume in the Routledge series Shifting Paradigms in Early English Drama Studies and continues the valuable work of that series (of which Butterworth is a general editor) in bringing significant and expert research articles to a wider audience. (CS 1105).
Author | : Society of Nigerian Theatre Artists. Annual Convention |
Publisher | : |
Total Pages | : 72 |
Release | : 2006 |
Genre | : Theater |
ISBN | : |
Author | : Theo d'. Haen |
Publisher | : John Benjamins Publishing |
Total Pages | : 457 |
Release | : 1989-01-01 |
Genre | : Literary Collections |
ISBN | : 9027222096 |
This work is a critical evaluation of the concepts of convention and innovation as applied in the study of changing literary values, hierarchies and canons. Two approaches are analyzed: (1) the linking of convention and the subject's awareness of convention, and (2) systems theory. The merits of both approaches are discussed and an attempt is made to combine them and to regard systems of literary communication primarily as systems of conventions. Specific cases of changing conventions and innovation are illustrated with examples from the field of versification (Rimbaud), reception studies (Puskin, Goethe, George Eliot), the dichotomy of forgetting/remembering (Nietzsche, Proust), avant-garde, the American dream, and popular genres assimilated in Postmodernism.
Author | : |
Publisher | : |
Total Pages | : 316 |
Release | : 1920 |
Genre | : Drama |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 200 |
Release | : 1924 |
Genre | : Drama |
ISBN | : |