Staging Conventions in Medieval English Theatre

Staging Conventions in Medieval English Theatre
Author: Philip Butterworth
Publisher: Cambridge University Press
Total Pages: 285
Release: 2014-06-26
Genre: Literary Criticism
ISBN: 1107015480

Examines staging conventions in the medieval English theatre and ways in which they conditioned the reactions of the audience.

Convention and Transgression

Convention and Transgression
Author: Jacqueline Eyring Bixler
Publisher: Bucknell University Press
Total Pages: 268
Release: 1997
Genre: Drama
ISBN: 9780838753545

Carballido's plays are a staple of the theatre scene in Mexico City and are also frequently staged in Europe, the United States, and throughout Latin America. He has written more than thirty full-length plays and more than sixty one-act pieces as well as movie scripts, adaptations, and works for children's theatre. More than fifteen years have passed since the last book appeared on Carballido's theatre, during which he has written a score of new plays.

Structuring Drama Work

Structuring Drama Work
Author: Jonothan Neelands
Publisher: Cambridge University Press
Total Pages: 175
Release: 2015-09-03
Genre: Education
ISBN: 1107530164

Structuring Drama Work is the only drama resource that explores 100 dramatic conventions and techniques and provides ideas for how to practise them. This book explains dramatic conventions and what they do, explores how dramatic techniques can be used, provides cultural connections and global contexts and includes examples of the techniques in the context of plays and texts. The compact size and simple format make this book convenient and easy to use. Suitable for IGCSE® students up to A Level, IB Diploma and beyond, this resource will give inspiration and ideas to students and save teachers valuable planning time by providing numerous examples in a global context.

Conferences and Conventions

Conferences and Conventions
Author: Tony Rogers
Publisher: Routledge
Total Pages: 422
Release: 2010-05-14
Genre: Business & Economics
ISBN: 1136415718

Providing a comprehensive, in-depth analysis of the international conference industry, Conferences and Conventions: a global industry second edition examines the industry's origins, structure, economics, career opportunities, and future development. It also explains its links with the wider tourism industry. Now in its second edition, it is packed with a wealth of new international case studies covering the city of Melbourne, Queen Elizabeth II conference centre, London, Abu Dhabi, MCI Group, the Scottish Exhibition and Conference Centre, Glasgow and team San Jose, California. It also has new sections on: * Market segmentation and web marketing * Conference and event budgeting * Technology and communications, from video conferencing to web casting and pod casting * Corporate social responsibility and sustainable and green events. Conferences and Conventions: a global industry is illustrated with case studies and examples from around the world, including Great Britain, Canada, Australasia, Dubai, Greece, Thailand, South Africa, USA, Austria and many other destinations. It also provides challenging and reflective questions at the end of each chapter so that readers can test their knowledge and think about the issues raised, accompanied by practical assignments. Tony Rogers is Executive Director of the British Association of Conference Destinations and Association of British Professional Conference Organisers, UK

Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre

Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre
Author: Philip Butterworth
Publisher: Routledge
Total Pages: 328
Release: 2022-02-07
Genre: History
ISBN: 1000531783

In this selection of research articles Butterworth focuses on investigation of the practical and technical means by which early English theatre, from the fifteenth to the early seventeenth century, was performed. Matters of staging for both 'pageant vehicle' and 'theatre-in-the-round' are described and analysed to consider their impact on playing by players, expositors, narrators and prompters. All these operators also functioned to promote the closely aligned disciplines of pyrotechnics and magic (legerdemain or sleight of hand) which also influence the nature of the presented theatre. The sixteen chapters form four clearly identified parts—staging, playing, pyrotechnics and magic—and drawing on a wealth of primary source material, Butterworth encourages the reader to rediscover and reappreciate the actors, magicians, wainwrights and wheelwrights, pyrotechnists, and (in modern terms) the special effects people and event managers who brought these early texts to theatrical life on busy city streets and across open arenas. The chapters variously explore and analyse the important backwaters of material culture that enabled, facilitated and shaped performance yet have received scant scholarly attention. It is here, among the itemised payments to carpenters and chemists, the noted requirements of mechanics and wheelwrights, or tucked away among the marginalia of suppliers of staging and ingenious devices that Butterworth has made his stamping ground. This is a fascinating introduction to the very ‘nuts and bolts’ of early theatre. Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre is a closely argued celebration of stagecraft that will appeal to academics and students of performance, theatre history and medieval studies as well as history and literature more broadly. It constitutes the eighth volume in the Routledge series Shifting Paradigms in Early English Drama Studies and continues the valuable work of that series (of which Butterworth is a general editor) in bringing significant and expert research articles to a wider audience. (CS 1105).

Convention and Innovation in Literature

Convention and Innovation in Literature
Author: Theo d'. Haen
Publisher: John Benjamins Publishing
Total Pages: 457
Release: 1989-01-01
Genre: Literary Collections
ISBN: 9027222096

This work is a critical evaluation of the concepts of convention and innovation as applied in the study of changing literary values, hierarchies and canons. Two approaches are analyzed: (1) the linking of convention and the subject's awareness of convention, and (2) systems theory. The merits of both approaches are discussed and an attempt is made to combine them and to regard systems of literary communication primarily as systems of conventions. Specific cases of changing conventions and innovation are illustrated with examples from the field of versification (Rimbaud), reception studies (Puskin, Goethe, George Eliot), the dichotomy of forgetting/remembering (Nietzsche, Proust), avant-garde, the American dream, and popular genres assimilated in Postmodernism.