Contemporary Hollywoods Negative Hispanic Image
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Author | : Alfred Richard |
Publisher | : Greenwood |
Total Pages | : 698 |
Release | : 1994-07-26 |
Genre | : Language Arts & Disciplines |
ISBN | : |
"This highly specialized filmography will be a godsend to anyone investigating the image of Hispanics in films during the past four decades." Wilson Library Bulletin
Author | : Marsha J. Hamilton |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 312 |
Release | : 2003-03-30 |
Genre | : Performing Arts |
ISBN | : 0313052697 |
This comprehensive annotated bibliography reviews nearly 500 English-language studies published between 1915 and 2001 that examine the depiction of ethnic, racial, and national groups as portrayed in United States feature films from the inception of cinema through the present. Coverage includes books, reference works, book chapters within larger works, and individual essays from collections and anthologies. Concise annotations provide content summaries; unique features; major films and filmmakers discussed; and useful information on related titles, purpose, and intended readership. The studies included range from specialized scholarly treatises to popular illustrated books for general readers, making ^IProjecting Ethnicity and Race^R an invaluable resource for researchers interested in ethnic and racial film imagery. Entries are arranged alphabetically by title for easy access, while four separate indexes make the work simple to navigate by author, subject, gender, race, ethnic group, nationality, country, religion, film title, filmmaker, performer, or theme. Although the majority of studies published examine images of African Americans, Hispanic Americans, Native Americans, Asian Americans, and Asians in film, the volume contains studies of groups including Africans, Arabs, the British, Canadians, South Sea Islanders, Tibetans, Buddhists, and Muslims—making it a unique reference book with a wide range of uses for a wide range of scholars.
Author | : Daniel Bernardi |
Publisher | : U of Minnesota Press |
Total Pages | : 546 |
Release | : 2001 |
Genre | : Electronic books |
ISBN | : 9781452904085 |
Author | : David Ebner |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 252 |
Release | : 2001-09-30 |
Genre | : Performing Arts |
ISBN | : 0313016976 |
From the 1920s and 1930s, when American cinema depicted the South as a demi-paradise populated by wealthy landowners, glamorous belles, and happy slaves, through later, more realistic depictions of the region in films based on works by Erskine Caldwell, Tennessee Williams, William Faulkner, and Robert Penn Warren, Hollywood's view of the South has been as ever-changing as the place itself. This comprehensive reference guide to Southern films offers credits, plot descriptions, and analyses of how the stereotypes and characterizations in each film contribute to our understanding of a most contentious American time and place. Organized by subjects including Economic Conditions, Plantation Life, The Ku Klux Klan, and The New Politics, Hollywood's Image of the South seeks to coin a new genre by describing its conventions and attitudes. Even so, the Southern film crosses all known generic boundaries, including the comedy, the women's film, the noir, and many others. This invaluable guide to an under-recognized category of American cinema illustrates how much there is to learn about a time and place from watching the movies that aim to capture it.
Author | : Steven Mintz |
Publisher | : John Wiley & Sons |
Total Pages | : 453 |
Release | : 2016-03-07 |
Genre | : History |
ISBN | : 1118976495 |
Fully revised, updated, and extended, the fifth edition of Hollywood’s America provides an important compilation of interpretive essays and primary documents that allows students to read films as cultural artifacts within the contexts of actual past events. A new edition of this classic textbook, which ties movies into the broader narrative of US and film history This fifth edition contains nine new chapters, with a greater overall emphasis on recent film history, and new primary source documents which are unavailable online Entries range from the first experiments with motion pictures all the way to the present day Well-organized within a chronological framework with thematic treatments to provide a valuable resource for students of the history of American film
Author | : Daniel Bernardi |
Publisher | : Routledge |
Total Pages | : 417 |
Release | : 2007-09-12 |
Genre | : Performing Arts |
ISBN | : 1135976457 |
The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles. Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Who’s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez. Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema.
Author | : Steven W. Bender |
Publisher | : NYU Press |
Total Pages | : 309 |
Release | : 2003-09-01 |
Genre | : Law |
ISBN | : 081470901X |
Although the origin of the term “greaser” is debated, its derogatory meaning never has been. From silent movies like The Greaser’s Revenge (1914) and The Girl and the Greaser (1913) with villainous title characters, to John Steinbeck's portrayals of Latinos as lazy, drunken, and shiftless in his 1935 novel Tortilla Flat, to the image of violent, criminal, drug-using gang members of East LA, negative stereotypes of Latinos/as have been plentiful in American popular culture far before Latinos/as became the most populous minority group in the U.S. In Greasers and Gringos, Steven W. Bender examines and surveys these stereotypes and their evolution, paying close attention to the role of mass media in their perpetuation. Focusing on the intersection between stereotypes and the law, Bender reveals how these negative images have contributed significantly to the often unfair treatment of Latino/as under American law by the American legal system. He looks at the way demeaning constructions of Latinos/as influence their legal treatment by police, prosecutors, juries, teachers, voters, and vigilantes. He also shows how, by internalizing negative social images, Latinos/as and other subordinated groups view themselves and each other as inferior. Although fighting against cultural stereotypes can be a daunting task, Bender reminds us that, while hard to break, they do not have to be permanent. Greasers and Gringos begins the charge of debunking existing stereotypes and implores all Americans to re-imagine Latinos/as as legal and social equals.
Author | : Matthew Bush |
Publisher | : University of Pittsburgh Press |
Total Pages | : 334 |
Release | : 2022-10-04 |
Genre | : Art |
ISBN | : 0822988968 |
Grounded in perspectives of affect theory, Other Americans examines the writings of Roberto Bolaño and Daniel Alarcón; films by Alfonso Cuarón, Claudia Llosa, Matt Piedmont, and Joel and Ethan Coen; as well as the Netflix serials Narcos and El marginal. These widely consumed works about Latin America—equally balanced between narratives produced in the United States and in the region itself—are laden with fear, anxiety, and shame, which has an impact that exceeds the experience of reception. The negative feelings encoded in visions of Latin America become common coinage for US audiences, shaping their ideological relationship with the region and performing an affective interpellation. By analyzing the underlying melodramatic structures of these works that would portray Latin America as an implicit other, Bush examines a process of affective comprehension that foments an us/them, or north/south binary in the reception of Latin America’s globalized art.
Author | : Ronald E Hall |
Publisher | : Springer Nature |
Total Pages | : 191 |
Release | : 2022-01-01 |
Genre | : Social Science |
ISBN | : 3030843351 |
This topical book shows that racism by skin color is much more embedded and prevalent in the modern world than racism by race. In the aftermath of globalization, humanity has experienced unprecedented levels of interaction. This book presents evidence to show that in the 21st century which is dependent on ever-expanding communication technologies, and new forms of visual media actually exacerbate historical mores of colorism in the lives of humanity, i.e.: African, Asian, Latinx, Native and European descent. The book discusses the historical roots and current values of idealization of light skin, skin bleaching practices, stereotypes of skin color developed through migration and cultural assimilation, and health and educational consequences of colorism.
Author | : Scott L. Baugh |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 340 |
Release | : 2012-04-13 |
Genre | : Performing Arts |
ISBN | : 0313380376 |
Latino American cinema is a provocative, complex, and definitively American topic of study. This book examines key mainstream commercial films while also spotlighting often-underappreciated documentaries, avant-garde and experimental projects, independent productions, features and shorts, and more. Latino American Cinema: An Encyclopedia of Movies, Stars, Concepts, and Trends serves as an essential primary reference for students of the topic as well as an accessible resource for general readers. The alphabetized entries in the volume cover the key topics of this provocative and complex genre—films, filmmakers, star performers, concepts, and historical and burgeoning trends—alongside frequently overlooked and crucially ignored items of interest in Latino cinema. This comprehensive treatment bridges gaps between traditional approaches to U.S.-Latino and Latin American cinemas, placing subjects of Chicana and Chicano, Puerto Rican, Cuban and diasporic Cuban, and Mexican origin in perspective with related Central and South American and Caribbean elements. Many of the entries offer compact definitions, critical discussions, overviews, and analyses of star artists, media productions, and historical moments, while several foundational entries explicate concepts, making this single volume encyclopedia a critical guide as well.