Contemporary Australian Television
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Author | : Stuart Cunningham |
Publisher | : UNSW Press |
Total Pages | : 198 |
Release | : 1994 |
Genre | : Popular culture |
ISBN | : 9780868403977 |
This book provides the first up-to-date introduction to the shape and style of Australian television in the 1980s, 1990s and beyond. Traditional formats like news, current affairs and sport as well as newer genres like tabloid and reality TV are treated in detail. The authors use their expertise in cultural and media studies to take apart the medium in terms of text, genre, audience, nation, culture, policy, industry and postmodernity. Trends and developments that are taking Australian television into the future, such as the increasingly international orientation of the local industry and new services like pay TV, community TV and ABC satellite TV are also examined in depth.
Author | : Andrea Waling |
Publisher | : Routledge |
Total Pages | : 223 |
Release | : 2019-07-10 |
Genre | : Social Science |
ISBN | : 1351801627 |
Spanning the disciplines of sociology, history, media and cultural studies, and popular culture, this book offers a historical exploration of Australian masculine tropes and an examination of contemporary representations of masculinity in the media. With attention to a range of thematic issues, including race, gender, sexuality, mythmaking, media representation, class, and nationality, it draws on new qualitative research and interview material to investigate the ways in which everyday Australian men take up or reject such ideas. White Masculinity in Contemporary Australia thus explores the contradictory resistance to and adoration of ideals of masculinity, forms of Othering used to differentiate the practice of "good" masculinity from that of "bad" masculinity, the relationship between heterosexuality, masculinity and Australian sporting culture as central to ideals of masculinity, and the existence of differing pressures to be masculine. As such it will appeal to scholars across the social sciences with interests in gender and sexuality, Australian studies, and contemporary popular culture.
Author | : Stuart Cunningham |
Publisher | : Cambridge University Press |
Total Pages | : 308 |
Release | : 1996 |
Genre | : Foreign television programs |
ISBN | : 9780521469746 |
Traces the emergence of Australia as a significant exporter of television to the world market.
Author | : Albert Moran |
Publisher | : Scarecrow Press |
Total Pages | : 548 |
Release | : 2009-08-04 |
Genre | : Performing Arts |
ISBN | : 0810870223 |
Australians have become increasingly visible outside of the country as speakers and actors in radio and television, their media moguls have frequently bought up foreign companies, and people around the world have been able to enjoy such Australian productions as The Flying Doctors, Neighbours, and Kath and Kim. The origins, early development, and later adaptations of radio and television show how Australia has gone from being a minor and rather parochial player to being a significant part of the international scene. The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry. This is accomplished through the use of a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations.
Author | : Susan Lever |
Publisher | : Australian Scholarly Publishing |
Total Pages | : 308 |
Release | : 2020-11-13 |
Genre | : Drama |
ISBN | : 1925984885 |
Television drama has been the dominant form of popular storytelling for more than sixty years, shaping the imaginations of millions of people. This book surveys the careers of the central creators of those stories for Australian television—the writers who learnt how to work in a new medium, adapting to its constraints and exploring its creative possibilities. Informed by interviews with many writers, it describes the establishment of Australian television drama production, observing the way writers grasped the creative and business opportunities that television presented. It examines the development of Australian versions of the major television genres—the sitcom, the police drama, the historical series, docudrama, and social drama— presenting a ‘canon’ of significant Australian television drama productions that deserve to be remembered. It offers an account of the emergence of work by Indigenous writers for television and it argues for the consideration of television drama alongside histories of Australian film and stage drama. ‘For years, Susan Lever has been talking to Australia’s best television writers about their work, their craft and their industry. Now it’s all here in this book; a toast to a vital part of Australian culture.’ – Geoffrey Atherden ‘This is a wonderful book. Meticulously researched and engagingly written, it tells in fascinating detail, from the writers’ points of view, the story of Australian scripted television from its beginnings in the 1950’s, to the present. Better yet, Susan Lever has allowed the writers themselves to speak about the work, about their visions and processes, their joys and frustrations. I am delighted to see television drama, docudrama and comedy acknowledged so generously for their role in Australian culture.’ – Sue Smith ‘Brilliantly researched, lucid, comprehensive … the big picture on writers for the small screen in Australia.’ – Ian David
Author | : Jonathan Rayner |
Publisher | : Manchester University Press |
Total Pages | : 218 |
Release | : 2017-06-01 |
Genre | : Performing Arts |
ISBN | : 1526125730 |
Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema.
Author | : Stuart Cunningham |
Publisher | : Routledge |
Total Pages | : 239 |
Release | : 2020-07-25 |
Genre | : Performing Arts |
ISBN | : 1000247910 |
Television is the most pervasive mass medium of the industrialised world. It is blamed for creating alienation and violence in society, yet at the same time regarded as trivial and unworthy of serious attention. It is the main purveyor of global popular culture, yet also intensely local. The Australian TV Book paints the big picture of the small screen in Australia. It examines industry dynamics in a rapidly changing environment, the impact of new technology, recent changes in programming, and the ways in which the television industry targets its audiences. The authors highlight what is distinctive about television in Australia, and how it is affected by international developments. This book is essential reading for anyone who wants to understand Australian television today. Stuart Cunningham is Professor of Media and Journalism at Queensland University of Technology. Graeme Turner is director of the Centre for Critical and Cultural Studies at the University of Queensland. They are editors of the leading textbook The Media in Australia and authors of many other works on the media.
Author | : Frances Bonner |
Publisher | : SAGE |
Total Pages | : 239 |
Release | : 2003-02-05 |
Genre | : Language Arts & Disciplines |
ISBN | : 0857026038 |
`Most cultural analysis focuses on the spectacular and the unusual. Frances Bonner has done us a great service by insisting on - and demonstrating - the importance of everyday TV. Ordinary Television breaks genuinely new ground′ - Toby Miller, New York University In this book, Frances Bonner provides a distinctive angle on a key area of research and teaching across media and cultural studies - the content of television and the relations between television genres and audiences. Hitherto most books on television have focused on drama, or news and current affairs. In other words, they tend to ignore ′ordinary′ television - lifestyle programmes and ′reality TV′, just the sort of programmes which increasing dominate the schedules. In Ordinary Television, Frances Bonner makes a distinctive argument for regarding these disparate shows as a whole. By examining a substantial range of these programmes, Frances Bonner uncovers their shared characteristics, especially through a consideration of the dominant and disguised discources which pervade them. In addition, the comparative nature of her study enables the author to launch a powerful critique of conventional theories in relation to the globalization of television. This book will be invaluable reading for anyone interested in television and the media in general.
Author | : Graeme Turner |
Publisher | : UNSW Press |
Total Pages | : 186 |
Release | : 2005 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780868408644 |
"Ending the Affair is a critical account of the state of current affairs television in Australia today. It questions its future, draws lessons from the past and shows why television current affairs matters."--BOOK JACKET.
Author | : Gareth Palmer |
Publisher | : Routledge |
Total Pages | : 228 |
Release | : 2016-04-15 |
Genre | : Social Science |
ISBN | : 1317137108 |
In the last decade lifestyle television has become one of the most dominant television genres, with certain shows now global brands with formats exploited by producers all over the world. What unites these programmes is their belief that the human subject has a flexible, malleable identity that can be changed within television-friendly frameworks. In contrast to the talk shows of the eighties and nineties where modest transformation was discussed as an ideal, advances in technology, combined with changing tastes and demands of viewers, have created an appetite for dramatic transformations. This volume presents case studies from across the lifestyle genre, considering a variety of themes but with a shared understanding of the self as an evolving project, driven by enterprise. Written by an international team of scholars, the collection will appeal to sociologists of culture and consumption, as well as to scholars of media studies and media production throughout the world.