Contemporary Art In Baroda
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| Author | : Gulam Mohammed Sheikh |
| Publisher | : Tulika Publishers |
| Total Pages | : 304 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : |
This Book Traces The Evolution Of Baroda As An Important Centre Of Contemporary Art And Art Education, From The 1800S- 1900S. Art In Its Historical Context Art, And Education As Life -Vocations ; Art As An Effective Deterrent To Dehumanization ,The Formation Of A Distinct Vision Of Art Through A Mingling Of The Past And Present The Immediate And The Distant These Are Some Of The Complex Issues That The Book Attempts To Articulate Through Its Discussion Of The Work Of Three Generations Of Artists In Baroda.
| Author | : Priya Maholay-Jaradi |
| Publisher | : Marg Publications |
| Total Pages | : 164 |
| Release | : 2015 |
| Genre | : Architecture |
| ISBN | : |
Baroda, a leading center for the arts, spans plural domainsAs the writers approach Baroda from different vantage points, they render its story in unique ways: as first-person accounts, and as art critics, anthropologists and historians. Early artists, craftsmen and photographers engage with Sayajirao Gaekwad III; the royal patron in turn represents these practitioners at international exhibitions; itinerant builders and established European architects contribute to a fast-modernizing princely state; artists, art teachers and administrators set new directions for a Faculty of Fine Arts (FFA) in post-Independence Baroda/India; patrons, gallerists, scholars and artists shape contemporary Baroda's artistic culture.Priya Maholay-Jaradi, former Curator at the Asian Civilisations Museum, Singapore, is an independent art historian. She has an MA in art history from SOAS, London and a PhD from the National University of Singapore. She has initiated a post-doctoral project, Asian Collection Studies at the IIAS, Leiden (2013). She is the author of Portrait of a Community: Paintings and Photographs of the Parsees (2002) and Parsi Portraits from the Studio of Raja Ravi Varma (2011) and a forthcoming book on Baroda's modernity and nationalism.
| Author | : Rebecca M. Brown |
| Publisher | : Duke University Press |
| Total Pages | : 222 |
| Release | : 2009-03-17 |
| Genre | : Art |
| ISBN | : 0822392267 |
Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.
| Author | : Caroline Turner |
| Publisher | : ANU Press |
| Total Pages | : 278 |
| Release | : 2014-10-03 |
| Genre | : Art |
| ISBN | : 1925022005 |
“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergent areas of art historical study. ” — Dr Claire Roberts, Senior Lecturer in Art History, University of Adelaide This volume draws together essays by leading art experts observing the dramatic developments in Asian art and exhibitions in the last two decades. The authors explore new regional and global connections and new ways of understanding contemporary Asian art in the twenty-first century. The essays coalesce around four key themes: world-making; intra-Asian regional connections; art’s affective capacity in cross-cultural engagement; and Australia’s cultural connections with Asia. In exploring these themes, the essays adopt a diversity of approaches and encompass art history, art theory, visual culture and museum studies, as well as curatorial and artistic practice. With introductory and concluding essays by editors Michelle Antoinette and Caroline Turner this volume features contributions from key writers on the region and on contemporary art: Patrick D Flores, John Clark, Chaitanya Sambrani, Pat Hoffie, Charles Merewether, Marsha Meskimmon, Francis Maravillas, Oscar Ho, Alison Carroll and Jacqueline Lo. Richly illustrated with artworks by leading contemporary Asian artists, Contemporary Asian Art and Exhibitions: Connectivities and World-making will be essential reading for those interested in recent developments in contemporary Asian art, including students and scholars of art history, Asian studies, museum studies, visual and cultural studies.
| Author | : Saloni Mathur |
| Publisher | : Univ of California Press |
| Total Pages | : 232 |
| Release | : 2007-11-06 |
| Genre | : Social Science |
| ISBN | : 9780520941052 |
India by Design: Colonial History and Cultural Display maps for the first time a series of historical events—from the Raj in the mid-nineteenth century up to the present day—through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. Situated at the convergence of discussions in anthropology, art history, museum studies, and postcolonial criticism, this dynamic study investigates with vivid historical detail how Indian objects, bodies, images, and narratives circulated through metropolitan space and acquired meaning in an emergent nineteenth-century consumer economy. Through an examination of India as represented in department stores, museums, exhibitions, painting, and picture postcards of the era, the book carefully confronts the problems and politics of postcolonial display and offers an original and provocative account of the implications of colonial practices for visual production in our contemporary world.
| Author | : Menene Gras |
| Publisher | : Taylor & Francis |
| Total Pages | : 374 |
| Release | : 2022-12-30 |
| Genre | : Art |
| ISBN | : 1000821587 |
This substantial collection of newly commissioned essays presents an ambitious, entertaining, and accessible guide to developments in Asian art over the past 20 years of the epoch of globalization. The term ‘global Asia’ signals the genesis and evolution of contemporary art within the context of global economic, social, political, and intellectual change related to the end of the Cold War, decolonization, the emergence of postcolonial societies and cultures, and the rise of a global contemporary art world. In the handbook its editors establish, in an extended introductory section and in four section introductions, the theoretical, geographical, and historical parameters within which the contemporary visual arts of ‘global Asia’ may be described, analyzed, and evaluated. The collected chapters provide a diverse, multiauthored, heterogeneous, and genuinely plural account of art and its contexts. The democratic and inclusive character of globalization is reflected and produced within this anthology, which includes different styles of writing as well as varieties of analytic and thematic focus. The anthology will appeal to both scholars and students in art history, art practice, curation, contemporary art, fine art, cultural studies, and globalization studies.
| Author | : John Clark |
| Publisher | : University of Hawaii Press |
| Total Pages | : 352 |
| Release | : 1998-01-01 |
| Genre | : Art |
| ISBN | : 9780824821425 |
A seminal publication focusing on the modern art of Japan, China, India, Thailand, and Indonesia. A significant and challenging contribution to the discussion of the advent of modernism in Asia.
| Author | : Sasanka Perera |
| Publisher | : Springer |
| Total Pages | : 311 |
| Release | : 2019-02-23 |
| Genre | : Social Science |
| ISBN | : 3030058522 |
Taking South Asia as its focus, this wide-ranging collection probes the general reluctance of the cultural anthropology to engage with contemporary visual art and artists, including painting, sculpture, performance art and installation. Through case studies engaged equally in anthropology and visual studies, contributors examine art and artistic production in India, Sri Lanka, Pakistan, Bangladesh, and Nepal to bring the social and political complexities of artistic practice to the fore. Demonstrating the potential of the visual as a means to understand a society, its values, and its politics, this volume ranges across discourses of anthropology, sociology, biography, memory, art history, and contemporary practices of visual art. Ultimately, Intersections of Contemporary Art, Anthropology and Art History in South Asia simultaneously expands and challenges the disciplinary foci of two fields: it demonstrates to art criticism and art history the necessity of anthropological and sociological methodologies and theories, while at the same time challenging the “iconophobia” of social sciences.
| Author | : |
| Publisher | : VADEHRA ART GALLERY |
| Total Pages | : 106 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 8187737271 |
This book is a compilation of art work by 28 artists against the variety of forms that have developed since the 1990s.
| Author | : Kelly Chorpening |
| Publisher | : John Wiley & Sons |
| Total Pages | : 550 |
| Release | : 2020-11-10 |
| Genre | : Art |
| ISBN | : 1119194563 |
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.
