Constantino Y La Bruja Blanca
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Author | : David J. Collins, S. J. |
Publisher | : Cambridge University Press |
Total Pages | : 897 |
Release | : 2015-03-02 |
Genre | : History |
ISBN | : 1316239497 |
This book presents twenty chapters by experts in their fields, providing a thorough and interdisciplinary overview of the theory and practice of magic in the West. Its chronological scope extends from the Ancient Near East to twenty-first-century North America; its objects of analysis range from Persian curse tablets to US neo-paganism. For comparative purposes, the volume includes chapters on developments in the Jewish and Muslim worlds, evaluated not simply for what they contributed at various points to European notions of magic, but also as models of alternative development in ancient Mediterranean legacy. Similarly, the volume highlights the transformative and challenging encounters of Europeans with non-Europeans, regarding the practice of magic in both early modern colonization and more recent decolonization.
Author | : Antonio Sáez Delgado |
Publisher | : |
Total Pages | : 442 |
Release | : 2010 |
Genre | : Art, Portuguese |
ISBN | : |
Author | : Luis Moreno Caballud |
Publisher | : Oxford University Press |
Total Pages | : 320 |
Release | : 2015 |
Genre | : History |
ISBN | : 1781381933 |
This book focuses on the rise of sharing and collaboration practices among peers in Spanish digital cultures and social movements in the wake of Spain's financial meltdown of 2008.
Author | : Robert Lima |
Publisher | : University Press of Kentucky |
Total Pages | : 282 |
Release | : 2021-10-21 |
Genre | : Literary Criticism |
ISBN | : 0813184509 |
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
Author | : Judith Page Horton |
Publisher | : |
Total Pages | : 198 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
This collection of essays, curriculum units, and study guides on Latin American art and musical traditions is designed to help interested teachers take a comprehensive approach to teaching these subjects. The introduction features the essay, "Media Resources Available on Latin American Culture: A Survey of Art, Architecture, and Music Articles Appearing in Americas" (K. Murray). Section 1, The Visual Arts of Latin America, has the following articles: "The Latin American Box: Environmental Aesthetics in the Classroom" (R. Robkin); "Mascaras y Danzas de Mexico y Guatemala" (J. Winzinger); "The Five Creations and Four Destructions of the Aztec World" (C. Simmons; R. Gaytan); "Art Forms of Quetzalcoatl: A Teaching Guide for Spanish, History, and Art Classes" (A. P. Crick); "The Art and Architecture of Mesoamerica: An Overview" (J. Quirarte); "Interpreting the Aztec Calendar" (L. Hall); "Mexican Muralism: Its Social-Educative Roles in Latin America and the United States" (S. Goldman); "Mexico: An Artist's History" (K. Jones); "A Historical Survey of Chicano Murals in the Southwest" (A. Rodriguez); and "El Dia de los Muertos" (C. Hickman). Section 2, The Musical Heritage of Latin America, has an introduction: "The Study of Latin American Folk Music and the Classroom" (G. Behague) and the following articles: "Value Clarification of the Chicano Culture through Music and Dance" (R. R. de Guerrero); "'La Bamba': Reflections of Many People" (J. Taylor); "The Latin American Art Music Tradition: Some Criteria for Selection of Teaching Materials" (M. Kuss); "Mariachi Guide" (B. San Miguel); "'El Tamborito': The Panamanian Musical Heritage" (N. Samuda); "A Journey through the History of Music in Latin America" (J. Orrego-Salas); "A Multicultural Tapestry for Young People" (V. Gachen); and "A Survey of Mexican Popular Music" (A. Krohn). A list of Education Service Centers in Texas is in the appendix. (DB)
Author | : Canal Zone |
Publisher | : |
Total Pages | : 436 |
Release | : 1910 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 2422 |
Release | : 2013 |
Genre | : |
ISBN | : |
Author | : Alfred Burdon Ellis |
Publisher | : |
Total Pages | : 428 |
Release | : 1894 |
Genre | : Africa, West |
ISBN | : |
Author | : Henry Craven |
Publisher | : |
Total Pages | : 286 |
Release | : 1883 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : Manuel Moreno Fraginals |
Publisher | : Holmes & Meier Publishers |
Total Pages | : 360 |
Release | : 1984 |
Genre | : History |
ISBN | : |