Concertos Piano Orchestra No3 Op37 C Minor Piano Concerto No3 Op37
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| Author | : Haruki Murakami |
| Publisher | : Vintage |
| Total Pages | : 267 |
| Release | : 2016-11-15 |
| Genre | : Music |
| ISBN | : 0385354355 |
A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and the former conductor of the Boston Symphony Orchestra. In Absolutely on Music, internationally Haruki Murakami sits down with his friend Seiji Ozawa, the revered former conductor of the Boston Symphony Orchestra, for a series of conversations on their shared passion: music. Over the course of two years, Murakami and Ozawa discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from Bartók to Mahler, and from pop-up orchestras to opera. They listen to and dissect recordings of some of their favorite performances, and Murakami questions Ozawa about his career conducting orchestras around the world. Culminating in Murakami’s ten-day visit to the banks of Lake Geneva to observe Ozawa’s retreat for young musicians, the book is interspersed with ruminations on record collecting, jazz clubs, orchestra halls, film scores, and much more. A deep reflection on the essential nature of both music and writing, Absolutely on Music is an unprecedented glimpse into the minds of two maestros.
| Author | : Ludwig van Beethoven |
| Publisher | : |
| Total Pages | : 70 |
| Release | : 1901 |
| Genre | : Concertos (Piano) |
| ISBN | : |
| Author | : Simon P. Keefe |
| Publisher | : Cambridge University Press |
| Total Pages | : 344 |
| Release | : 2005-10-27 |
| Genre | : Music |
| ISBN | : 9780521834834 |
A rare volume dedicated entirely to scholarship on the genre of the concerto.
| Author | : Antony Hopkins |
| Publisher | : Routledge Revivals |
| Total Pages | : 101 |
| Release | : 2019-06-04 |
| Genre | : Concertos |
| ISBN | : 9781138365551 |
First published in 1996, this volume counters the attitude of paying more attention to the performer than to the piece. Too often, Anthony Hopkins argues, music is simply regarded as a pleasant background noise to accompany our other activities, whereas Beethoven offers much more than that. Hopkins aim to promote hearing, rather than listening. He examines Beethoven's piano concertos numbers 1 through 5, along with the violin concerto in D Major, Op. 61, and the Triple Concerto, Op. 56.
| Author | : Ludwig van Beethoven |
| Publisher | : Eulenburg |
| Total Pages | : 139 |
| Release | : 2017-05-01 |
| Genre | : Music |
| ISBN | : 3795714117 |
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
| Author | : Simon P. Keefe |
| Publisher | : Cambridge University Press |
| Total Pages | : 591 |
| Release | : 2005-10-27 |
| Genre | : Music |
| ISBN | : 113982726X |
No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.
| Author | : Stephan D. Lindeman |
| Publisher | : Routledge |
| Total Pages | : 666 |
| Release | : 2006-11-06 |
| Genre | : Music |
| ISBN | : 1135922055 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
| Author | : William E. Caplin |
| Publisher | : Oxford University Press |
| Total Pages | : 320 |
| Release | : 2000-12-28 |
| Genre | : Music |
| ISBN | : 0199881758 |
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
| Author | : Ethan Mordden |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 588 |
| Release | : 1986 |
| Genre | : Music appreciation |
| ISBN | : 0195040414 |
This authoritative guide gives the non-musician the fundamentals of orchestral music. It begins with a general introduction to the symphony and various musical styles and then describes, chronologically, over seven hundred pieces--from Vivaldi to twentieth-century composers. Mordden also includes a glossary of musical terms and other useful aids for the music lover.
| Author | : Michael Thomas Roeder |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 487 |
| Release | : 1994 |
| Genre | : Concerto |
| ISBN | : 0931340616 |
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
