Concerto No I V For The Piano No 3 Op 37 C Minor
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Piano Concerto No. 4 G major
Author | : Ludwig van Beethoven |
Publisher | : Eulenburg |
Total Pages | : 139 |
Release | : 2017-05-01 |
Genre | : Music |
ISBN | : 3795714117 |
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Absolutely on Music
Author | : Haruki Murakami |
Publisher | : Vintage |
Total Pages | : 267 |
Release | : 2016-11-15 |
Genre | : Music |
ISBN | : 0385354355 |
A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and the former conductor of the Boston Symphony Orchestra. In Absolutely on Music, internationally Haruki Murakami sits down with his friend Seiji Ozawa, the revered former conductor of the Boston Symphony Orchestra, for a series of conversations on their shared passion: music. Over the course of two years, Murakami and Ozawa discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from Bartók to Mahler, and from pop-up orchestras to opera. They listen to and dissect recordings of some of their favorite performances, and Murakami questions Ozawa about his career conducting orchestras around the world. Culminating in Murakami’s ten-day visit to the banks of Lake Geneva to observe Ozawa’s retreat for young musicians, the book is interspersed with ruminations on record collecting, jazz clubs, orchestra halls, film scores, and much more. A deep reflection on the essential nature of both music and writing, Absolutely on Music is an unprecedented glimpse into the minds of two maestros.
Piano Concerto No. 3 in C Minor, Opus 37
Author | : Ludwig van Beethoven |
Publisher | : Alfred Music |
Total Pages | : 64 |
Release | : 1996-02-01 |
Genre | : Music |
ISBN | : 9781457472435 |
A Piano Duet for 2 pianos, 4 hands, composed by Ludwig van Beethoven.
The Violin Conspiracy
Author | : Brendan Slocumb |
Publisher | : Anchor |
Total Pages | : 353 |
Release | : 2022-02-01 |
Genre | : Fiction |
ISBN | : 059331543X |
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.
Variations on an original theme for orchestra
Author | : Edward Elgar |
Publisher | : |
Total Pages | : 88 |
Release | : 1905 |
Genre | : Piano music (4 hands), Arranged |
ISBN | : |
Concerto no. III in C minor for the pianoforte, op. 37
Author | : Ludwig van Beethoven |
Publisher | : |
Total Pages | : 154 |
Release | : 1901 |
Genre | : Concertos (Piano) |
ISBN | : |
Piano Concerto No. 23 in A, K. 488
Author | : Wolfgang Amadeus Mozart |
Publisher | : Alfred Music |
Total Pages | : 60 |
Release | : |
Genre | : Music |
ISBN | : 9781457475825 |
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Piano Concerto No. 3 C minor
Author | : Ludwig van Beethoven |
Publisher | : Eulenburg |
Total Pages | : 107 |
Release | : 2017-05-01 |
Genre | : Music |
ISBN | : 3795714109 |
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Cadence
Author | : William E. Caplin |
Publisher | : Oxford University Press |
Total Pages | : 649 |
Release | : 2024-09-20 |
Genre | : Music |
ISBN | : 0190056460 |
Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.