Horn Concerto No. 4 in E-Flat Major, K. 495
Author | : Wolfgang Amadeus Mozart |
Publisher | : Alfred Music |
Total Pages | : 28 |
Release | : |
Genre | : Music |
ISBN | : 9781457475764 |
A French Horn solo composed by Wolfgang Amadeus Mozart.
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Author | : Wolfgang Amadeus Mozart |
Publisher | : Alfred Music |
Total Pages | : 28 |
Release | : |
Genre | : Music |
ISBN | : 9781457475764 |
A French Horn solo composed by Wolfgang Amadeus Mozart.
Author | : Wolfgang Amadeus Mozart |
Publisher | : Alfred Music Publishing |
Total Pages | : 36 |
Release | : 1985-03 |
Genre | : Music |
ISBN | : 9780769281889 |
Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.
Author | : Wolfgang Amadeus Mozart |
Publisher | : Performer's Edition |
Total Pages | : 41 |
Release | : 2009-01-06 |
Genre | : Music |
ISBN | : 1442106492 |
Wolfgang Amadeus Mozart's Eine Kleine Nachtmusik (A Little Night Music) is likely the most recognized (and most widely played) piece of classical music in the string quartet repertoire. This is a Performer's Edition pocket score designed for study and reference in a compact book. Material is from the Performer's Edition release of Eine Kleine Nachtmusik.
Author | : |
Publisher | : Alfred Music |
Total Pages | : 0 |
Release | : 1985-03 |
Genre | : Music |
ISBN | : 9780757905070 |
A French Horn solo composed by Wolfgang Amadeus Mozart.
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 344 |
Release | : 2005-10-27 |
Genre | : Music |
ISBN | : 9780521834834 |
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author | : Wolfgang Amadeus Mozart |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-27 |
Genre | : Music |
ISBN | : 9781017235395 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Robert Philip |
Publisher | : Yale University Press |
Total Pages | : 969 |
Release | : 2018-12-04 |
Genre | : Music |
ISBN | : 0300242727 |
An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.
Author | : Lewis Lockwood |
Publisher | : W. W. Norton & Company |
Total Pages | : 621 |
Release | : 2005-01-04 |
Genre | : Biography & Autobiography |
ISBN | : 0393326381 |
Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.
Author | : Michael Thomas Roeder |
Publisher | : Hal Leonard Corporation |
Total Pages | : 487 |
Release | : 1994 |
Genre | : Concerto |
ISBN | : 0931340616 |
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Author | : Herbert L. Clarke |
Publisher | : Colchis Books |
Total Pages | : 55 |
Release | : |
Genre | : Music |
ISBN | : |
There are many books written for the Piano, Violin, etc., entirely devoted to Technic. This Work is especially written to enable the Student, by practice and application, to overcome any obstacle which may occur in musical passages written for the Cornet. By controlling the Wind Power to play these Exercises as written, in one breath, the Student will acquire ENDURANCE without strain or injury. Train the Muscles which control the Lips, to make them elastic and strong, as only a slight pressure is necessary, and not brute force. The highest as well as the lowest notes can be played with equal tone quality if practiced according to the instructions that precede each Study. Every Cornet Player should have reached a degree of excellence before attempting to play these Exercises. To become an Expert on the Cornet, one should be familiar with as many Cornet Methods as possible, and so gain the experience of each. Every Exercise in this Book is possible, and not so very difficult if practiced slowly at first, and not too long at a time. I have used them for my daily practice for years, and they have been the means of my reaching the highest notes after playing a two-hour Concert, also of preserving my lips so that they never tire, and what has been a help to me is surely good for other Cornet Players. You cannot expect to attain the highest point of excellence without hard work and perseverance. Never be perfectly satisfied with yourself. Try to make some improvement each day, feeling that it is a pleasure to have conquered that which seemed an impossibility at first. Do not neglect to correct immediately the least fault you make. Bad habits are easily formed, but are difficult to remedy. There are few Celebrated Cornet Soloists, although thousands play the instrument. Most players abuse their practicing by not knowing the proper way, and neglecting to pay more attention to the elementary work. These Studies have been found to be excellent for Clarinet Players as well as Cornet Players. The Clarinet being a Wind Instrument also, all these Exercises will appeal to the Player of that Instrument by following the same instructions.