Concerto No 4 For Piano And Orchestra G Major Op 58
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Author | : Ludwig van Beethoven |
Publisher | : Eulenburg |
Total Pages | : 139 |
Release | : 2017-05-01 |
Genre | : Music |
ISBN | : 3795714117 |
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 344 |
Release | : 2005-10-27 |
Genre | : Music |
ISBN | : 9780521834834 |
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author | : Tilman Skowroneck |
Publisher | : Cambridge University Press |
Total Pages | : 285 |
Release | : 2010-05-13 |
Genre | : Music |
ISBN | : 0521119596 |
This book offers an insight into Beethoven's career, showing in well-documented detail the rise and decline of his powers as a performer.
Author | : Robert Philip |
Publisher | : Yale University Press |
Total Pages | : 969 |
Release | : 2018-01-01 |
Genre | : Music |
ISBN | : 0300120699 |
An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer's intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.
Author | : D. Kern Holoman |
Publisher | : Univ of California Press |
Total Pages | : 74 |
Release | : 1988 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780520063822 |
Table of contents: Preface 1. Music Terminology 2. Narrative Text 3. Citations 4. Musical Examples 5. Tables and Illustrations 6. The Printed Program 7. Electronics 8. Best Practices for Student Writers Appendix: Problem Words and Sample Style Sheet Bibliography.
Author | : Cleveland Orchestra |
Publisher | : |
Total Pages | : 808 |
Release | : 1927 |
Genre | : Concert programs |
ISBN | : |
Author | : D. Kern Holoman |
Publisher | : W. W. Norton & Company |
Total Pages | : 768 |
Release | : 1992 |
Genre | : Music |
ISBN | : 9780393029369 |
Going to concerts is becoming, for large numbers of Americans, an increasingly frequent pleasure. For those who encounter unfamiliar traditions and terms in the concert hall, here is information and advice which tells all listeners what they need to know to be comfortable at an orchestral concert. Includes background, biographies, and discussions of 200 masterpieces. Drawings.
Author | : Charles Tuttle Howe |
Publisher | : |
Total Pages | : 70 |
Release | : 1898 |
Genre | : |
ISBN | : |
Author | : Norman Lebrecht |
Publisher | : Simon and Schuster |
Total Pages | : 297 |
Release | : 2023-05-02 |
Genre | : Biography & Autobiography |
ISBN | : 1639364129 |
Without Beethoven, music as we know it wouldn’t exist. By examining one hundred of his compositions, a portrait emerges of the man behind the music. Lebrecht has immersed himself in the rich catalog of Beethoven recordings and presents a unique picture of the man through his music. He selects the best recordings of one hundred key pieces, showing the composer as we’ve never seen him before. Unruly, offensive, and hopeless in so much of his life, yet driven to a fault and devoted to his art, conquering deafness to pen masterpieces. Norman Lebrecht has been grappling with this icon at the heart of music for his entire life. Who was the irascible, unpredictable, warped genius who stretched what music could do to the breaking point? In this unique examination, Lebrecht attempts to understand the power of this man through his compositions, the history of who has performed them, and what it has meant to successive generations of audiences. In turn a detective story (we learn who Elise of “Fur Elise” is for the first time) and a confession, Why Beethoven aims to rise to the challenge of how to encompass the relentless energy of this singular genius. With a narrative that mirrors the wayward sequence of Beethoven’s compositions, Beethoven emerges as a cornerstone of the world as we know it.
Author | : Gregory John Vitercik |
Publisher | : Taylor & Francis |
Total Pages | : 352 |
Release | : 1992 |
Genre | : Sonata form |
ISBN | : 9782881245367 |
The notion of closure pervades mathematics, especially in the fields of topology and projective geometry. Demonstrating this pervasiveness in the field, this graduate-level book provides a complete introduction to closure systems. With an emphasis on finite spaces and algebraic closures, the text covers graph theory, ordered sets, lattices, projective geometry, and formal logic as they apply to the study of closures. Each chapter presents a vignette to illustrate the topic covered. The author also includes numerous exercises as well as concrete examples to support the material discussed.