Concerto No 17 In G Major
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Concerto no. 17 in G major for the piano, [Köchel 453]
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : 84 |
Release | : 1950 |
Genre | : Concertos (Piano) |
ISBN | : |
Piano concerto, G major, no.17, K. 453, with the composer's cadenzas
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : 80 |
Release | : 1972 |
Genre | : Concertos (Piano) |
ISBN | : |
Concerto No. 17 : in G Major : K.453 : for Piano and Orchestra
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : 72 |
Release | : 1973 |
Genre | : Concertos (Piano) |
ISBN | : |
Concerto, piano and orchestra. No. 17, G major, K. 453
Author | : Wolfgang Amadeus Mozart |
Publisher | : |
Total Pages | : 64 |
Release | : 1944 |
Genre | : Concertos (Piano) |
ISBN | : |
Piano Concerto 17 K. 453 G Major
Author | : Wolfgang Amadeus Mozart |
Publisher | : Schott & Company Limited |
Total Pages | : 110 |
Release | : 1986-03 |
Genre | : Music |
ISBN | : 9783795769239 |
inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire of•Bach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
Structural Novelty and Tradition in the Early Romantic Piano Concerto
Author | : Stephan D. Lindeman |
Publisher | : Pendragon Press |
Total Pages | : 368 |
Release | : 1999 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781576470008 |
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR