Comtesse Ernestine and Other Stories
Author | : Josephine Evans Williams |
Publisher | : |
Total Pages | : 190 |
Release | : 1913 |
Genre | : Authors, Enblish |
ISBN | : |
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Author | : Josephine Evans Williams |
Publisher | : |
Total Pages | : 190 |
Release | : 1913 |
Genre | : Authors, Enblish |
ISBN | : |
Author | : Hermynia Zur Mühlen |
Publisher | : Open Book Publishers |
Total Pages | : 302 |
Release | : 2010 |
Genre | : Biography & Autobiography |
ISBN | : 1906924279 |
First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.
Author | : Marquis de Sade |
Publisher | : OUP Oxford |
Total Pages | : 400 |
Release | : 2005-03-10 |
Genre | : Fiction |
ISBN | : 0191604682 |
'Senneval, you see in me your sister, the girl you seduced at Nancy, the woman who murdered your son, the wife of your own father and the ignoble creature who sent your mother to the gallows...' Who but the Marquis de Sade would write, not of the pain, tragedy, and joy of love but of its crimes? Murder, seduction, and incest are among the cruel rewards for selfless love in his stories; tragedy, despair, and death the inevitable outcome. Sade's villains will stop at nothing to satisfy their depraved passions, and they in turn suffer under the thrall of love. Psychologically astute, and defiantly unconventional, these stories show Sade at his best. A skilled and artful storyteller, he is also an intellectual who asks questions about society, about ourselves, and about life, for which we have yet to find the answers. This new selection includes 'An Essay on Novels', Sade's penetrating survey of the novelist's art. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author | : Marijn S. Kaplan |
Publisher | : Routledge |
Total Pages | : 168 |
Release | : 2020-04-19 |
Genre | : Literary Criticism |
ISBN | : 1000071723 |
Marie Jeanne Riccoboni’s Epistolary Feminism: Fact, Fiction, and Voice argues that Riccoboni is among the most significant women writers of the French Enlightenment due to her "epistolary feminism". Locating its source in her first novel Lettres de Mistriss Fanni Butlerd (1757), between fact and fiction, public and private, Marijn S. Kaplan provides new evidence supporting both the novel’s autobiography theory and de Maillebois hypothesis. Kaplan then traces how Riccoboni progressively develops a proto-feminist poetics of voice in her epistolary fiction, empowering women to resist patriarchal efforts to silence and appropriate them, which culminates in her final novel Lettres de Milord Rivers (1777). In nineteen relatively unknown letters (included, with translations) written over three decades to her publisher Humblot, several editors, Diderot, Laclos, Philip Thicknesse etc., Riccoboni is shown similarly to defend her oeuvre, her reputation, and her authority as a woman (writer), refusing to be manipulated and silenced by men.
Author | : Jules Barbey d’Aurevilly |
Publisher | : U of Minnesota Press |
Total Pages | : 311 |
Release | : 2015-10-08 |
Genre | : Fiction |
ISBN | : 145294475X |
With its six trenchant tales of perverse love, Diaboliques proved so scandalous on its original appearance in 1874 that it was declared a danger to public morality and seized on the grounds of blasphemy and obscenity. More shocking in our day is how little known this masterpiece of French decadent fiction is, despite its singular brilliance and its profound influence on writers from Charles Baudelaire to Marcel Proust, Oscar Wilde, J. K. Huysmans, and Walter Benjamin. This new, finely calibrated translation—the first in nearly a century—returns Jules Barbey d’Aurevilly’s signature collection to its rightful place in the ranks of literary fiction that tests the bounds of culture. Psychologically intense in substance and style, the stories of Diaboliques combine horror, comedy, and irony to explore the affairs and foibles of men and women whose aristocratic world offers neither comfort nor protection from romantic failure or sexual outrage. Conquest and seduction, adultery and revenge, prostitution and murder—all are within Barbey d'Aurevilly ’s purview as he penetrates the darker recesses of the human heart. Raymond N. MacKenzie, whose deft translation captures the complex expression of the original with its unique blend of the literary high and low, also includes an extensive introduction and notes, along with the first-ever translation of Barbey d'Aurevilly’s late story “A Page from History” and the important preface to his novel The Last Mistress.