Commons Museums

Commons Museums
Author: Nuraini Juliastuti
Publisher: ICI Berlin Press
Total Pages: 101
Release: 2024-07-23
Genre: Art
ISBN: 3965580701

This chapbook centres pedagogy within a new model of museum practice that prioritizes community. It focuses on two cultural institutions in Indonesia, the Pagesangan School in Yogyakarta and the Lakoat.Kujawas in Mollo, East Nusa Tenggara, and uses the concept of the ‘commons museums’, which encompasses heritage, memory, and knowledge production to shape futures. The historical theft of cultural heritage and the extraction of natural resources are situated in Indonesia’s post-Reformation context, with collective archives becoming methodologies for survival. The commons museum expands perspectives around restitution, foregrounding collective research and community struggles as instruments for restoring justice and recovering knowledge.

Museums of the Commons

Museums of the Commons
Author: Nikos Papastergiadis
Publisher: Routledge
Total Pages: 210
Release: 2020-04-02
Genre: Art
ISBN: 1000045641

Museums of the Commons examines L’Internationale, an ongoing confederation between six museums and contemporary art institutions in Europe. Drawing on extensive interviews with the directors, curators, public programs officers in all the museums, as well as artists, critics and members associated with them, the book provides a transversal account that connects the ideas across the various institutions and situates this in the wider visual and social context. Chronicling the challenges faced by the museums, Papastergiadis goes on to situate their responses within the wider political and cultural context that is shaping the future of all contemporary art museums. Five key domains of research are explored within the book: the genealogy of the museum; the need for alternative models of trans-institutional governance; examples of innovation in the spaces of aesthetic production; experimentation in the forms of partnership and engagement with constituents; and finally, examination of the impact of a collaborative and collective regime of artistic practices. Museums of the Commons provides a multi-perspectival account of a trans-institutional and transnational collaboration, which will be of great interest to academics, researchers and postgraduate students working in the fields of Museum Studies, Cultural Studies, Art History, Media and Communication.

Museums in the New Mediascape

Museums in the New Mediascape
Author: Jenny Kidd
Publisher: Routledge
Total Pages: 177
Release: 2016-04-22
Genre: Language Arts & Disciplines
ISBN: 1317092740

The museum today faces complex questions of definition, representation, ethics, aspiration and economic survival. Alongside this we see burgeoning use of an array of new media including increasingly dynamic web portals and content, digital archives, social networks, blogs and online games. At the heart of this are changes to the idea of ’visitor’ and ’audience’ and their participation and representation in the new cultural sphere. This insightful book unpacks a number of contradictions that help to frame and articulate digital media work in the museum and questions what constitutes authentic participation. Based on original empirical research and a range of case studies the author explores questions about the museum as media from a number of different disciplines and shows that across museums and the study of them, the cultural logic is changing.

Plunder of the Commons

Plunder of the Commons
Author: Guy Standing
Publisher: Penguin UK
Total Pages: 228
Release: 2019-08-29
Genre: Political Science
ISBN: 0241396336

'One of the most important books I've read in years' Brian Eno We are losing the commons. Austerity and neoliberal policies have depleted our shared wealth; our national utilities have been sold off to foreign conglomerates, social housing is almost non-existent, our parks are cordoned off for private events and our national art galleries are sponsored by banks and oil companies. This plunder deprives us all of our common rights, recognized as far back as the Magna Carta and the Charter of the Forest of 1217, to share fairly and equitably in our public wealth. Guy Standing leads us through a new appraisal of the commons, stemming from the medieval concept of common land reserved in ancient law from marauding barons, to his modern reappraisal of the resources we all hold in common - a brilliant new synthesis that crystallises quite how much public wealth has been redirected to the 1% in recent decades through the state-approved exploitation of everything from our land to our state housing, health and benefit systems, to our justice system, schools, newspapers and even the air we breathe. Plunder of the Commons proposes a charter for a new form of commoning, of remembering, guarding and sharing that which belongs to us all, to slash inequality and soothe our current political instability.

Museum Activism

Museum Activism
Author: Robert R. Janes
Publisher: Routledge
Total Pages: 527
Release: 2019-01-10
Genre: Art
ISBN: 1351251023

Only a decade ago, the notion that museums, galleries and heritage organisations might engage in activist practice, with explicit intent to act upon inequalities, injustices and environmental crises, was met with scepticism and often derision. Seeking to purposefully bring about social change was viewed by many within and beyond the museum community as inappropriately political and antithetical to fundamental professional values. Today, although the idea remains controversial, the way we think about the roles and responsibilities of museums as knowledge based, social institutions is changing. Museum Activism examines the increasing significance of this activist trend in thinking and practice. At this crucial time in the evolution of museum thinking and practice, this ground-breaking volume brings together more than fifty contributors working across six continents to explore, analyse and critically reflect upon the museum’s relationship to activism. Including contributions from practitioners, artists, activists and researchers, this wide-ranging examination of new and divergent expressions of the inherent power of museums as forces for good, and as activists in civil society, aims to encourage further experimentation and enrich the debate in this nascent and uncertain field of museum practice. Museum Activism elucidates the largely untapped potential for museums as key intellectual and civic resources to address inequalities, injustice and environmental challenges. This makes the book essential reading for scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics. It will be a source of inspiration to museum practitioners and museum leaders around the globe.

Museums and Public Art?

Museums and Public Art?
Author: Cher Krause Knight
Publisher: Cambridge Scholars Publishing
Total Pages: 328
Release: 2018-06-11
Genre: Art
ISBN: 1527512002

While many museums have ignored public art as a distinct arena of art production and display, others have – either grudgingly or enthusiastically – embraced it. Some institutions have partnered with public art agencies to expand the scope of special exhibitions; other museums have attempted to establish in-house public art programs. This is the first book to contextualize the collaborations between museums and public art through a range of essays marked by their coherence of topical focus, written by leading and emerging scholars and artists. Organized into three sections it represents a major contribution to the field of art history in general, and to those of public art and museum studies in particular. It includes essays by art historians, critics, curators, arts administrators and artists, all of whom help to finally codify the largely unwritten history of how museums and public art have and continue to intersect. Key questions are both addressed and offered as topics for further discussion: Who originates such public art initiatives, funds them, and most importantly, establishes the philosophy behind them? Is the efficacy of these initiatives evaluated in the same way as other museum exhibitions and programs? Can public art ever be a “permanent” feature in any museum? And finally, are the museum and public art ultimately at odds, or able to mutually benefit one another?

Aphrodite and the Rabbis

Aphrodite and the Rabbis
Author: Burton L. Visotzky
Publisher: Macmillan + ORM
Total Pages: 261
Release: 2016-09-13
Genre: Religion
ISBN: 1250085772

Hard to believe but true: - The Passover Seder is a Greco-Roman symposium banquet - The Talmud rabbis presented themselves as Stoic philosophers - Synagogue buildings were Roman basilicas - Hellenistic rhetoric professors educated sons of well-to-do Jews - Zeus-Helios is depicted in synagogue mosaics across ancient Israel - The Jewish courts were named after the Roman political institution, the Sanhedrin - In Israel there were synagogues where the prayers were recited in Greek. Historians have long debated the (re)birth of Judaism in the wake of the destruction of Jerusalem and the Temple cult by the Romans in 70 CE. What replaced that sacrificial cult was at once something new–indebted to the very culture of the Roman overlords–even as it also sought to preserve what little it could of the old Israelite religion. The Greco-Roman culture in which rabbinic Judaism grew in the first five centuries of the Common Era nurtured the development of Judaism as we still know and celebrate it today. Arguing that its transformation from a Jerusalem-centered cult to a world religion was made possible by the Roman Empire, Rabbi Burton Visotzky presents Judaism as a distinctly Roman religion. Full of fascinating detail from the daily life and culture of Jewish communities across the Hellenistic world, Aphrodite and the Rabbis will appeal to anyone interested in the development of Judaism, religion, history, art and architecture.

Folklife and Museums

Folklife and Museums
Author: C. Kurt Dewhurst
Publisher: Rowman & Littlefield
Total Pages: 479
Release: 2016-12-15
Genre: Business & Economics
ISBN: 1442272937

This cutting-edge new book is the replacement for Folklife and Museums: Selected Readings which was published nearly thirty years ago in 1987. The editors of that volume, Patricia Hall and Charlie Seemann, are now joined by C. Kurt Dewhurst as a third editor, for this book which includes updates to the still-relevant and classic essays and articles from the earlier text and features new pioneering pieces by some of today’s most outstanding scholars and practitioners, to provide a more current overview of the field and addressing contemporary issues. Folklife and Museums: Twenty-First Century Perspectives is a brand new collection of cutting-edge essays that combine theoretical insights, practical applications, topical case studies (focusing on particular subject matter areas and specific cultural groups), accompanied by up-to-date “resources” and “suggested readings” sections. Each essay is preceded by an explanatory headnote contextualizing the essay and includes illustrative photographs.

Great Railroad Museums of the USA

Great Railroad Museums of the USA
Author: Jan Young
Publisher: Lulu.com
Total Pages: 197
Release: 2013-02-18
Genre: Reference
ISBN: 1300755555

Great Railroad Museums of the USA is a guide for the devoted railfan. It details the sixty-seven largest, most interesting and most important railroad museums in the country, which are classified into good, really good, great and really great groups. Individually the museums are discussed and highlights of their collections are listed. All are rated on their size, the rarity and antiquity of their collections, the quality of their work, the scope of their collections and their presentation to the public. The book is indexed and a map shows the museum's geographic locations. A special index lists more than a hundred-sixty especially interesting cars and locomotives and describes where they can be found; ninety photographs provide illustration. Bonus chapters list and describe the six best museum rail rides in the country and nineteen instances of significant rail preservation outside of traditional railroad museums.