Colouring Book Leo Venezia Ediz Italiana E Inglese
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| Author | : Paul Stephenson |
| Publisher | : Harvard University Press |
| Total Pages | : 481 |
| Release | : 2022-02-08 |
| Genre | : History |
| ISBN | : 0674269454 |
A comprehensive new history of the Eastern Roman Empire based on the science of the human past. As modern empires rise and fall, ancient Rome becomes ever more significant. We yearn for Rome’s power but fear Rome’s ruin—will we turn out like the Romans, we wonder, or can we escape their fate? That question has obsessed centuries of historians and leaders, who have explored diverse political, religious, and economic forces to explain Roman decline. Yet the decisive factor remains elusive. In New Rome, Paul Stephenson looks beyond traditional texts and well-known artifacts to offer a novel, scientifically minded interpretation of antiquity’s end. It turns out that the descent of Rome is inscribed not only in parchments but also in ice cores and DNA. From these and other sources, we learn that pollution and pandemics influenced the fate of Constantinople and the Eastern Roman Empire. During its final five centuries, the empire in the east survived devastation by natural disasters, the degradation of the human environment, and pathogens previously unknown to the empire’s densely populated, unsanitary cities. Despite the Plague of Justinian, regular “barbarian” invasions, a war with Persia, and the rise of Islam, the empire endured as a political entity. However, Greco-Roman civilization, a world of interconnected cities that had shared a common material culture for a millennium, did not. Politics, war, and religious strife drove the transformation of Eastern Rome, but they do not tell the whole story. Braiding the political history of the empire together with its urban, material, environmental, and epidemiological history, New Rome offers the most comprehensive explanation to date of the Eastern Empire’s transformation into Byzantium.
| Author | : Andrea Canepari |
| Publisher | : |
| Total Pages | : 536 |
| Release | : 2021 |
| Genre | : Architecture |
| ISBN | : 9780916101107 |
| Author | : Giovanni Battista Piranesi |
| Publisher | : Getty Publications |
| Total Pages | : 192 |
| Release | : 2002 |
| Genre | : Architecture |
| ISBN | : 9780892366361 |
An impassioned plea for a Roman-Style eclecticism that draws freely on all artistic forms and traditions, Piranesi's Observations anticipates the contemporary debate between devotees of a rational, minimal architecture and advocates of an architecture rich in ornament and historical references."--BOOK JACKET.
| Author | : Barry Strauss |
| Publisher | : Simon and Schuster |
| Total Pages | : 368 |
| Release | : 2022-03-22 |
| Genre | : History |
| ISBN | : 1982116692 |
A “splendid” (The Wall Street Journal) account of one of history’s most important and yet little-known wars, the campaign culminating in the Battle of Actium in 31 BC, whose outcome determined the future of the Roman Empire. Following Caesar’s assassination and Mark Antony’s defeat of the conspirators who killed Caesar, two powerful men remained in Rome—Antony and Caesar’s chosen heir, young Octavian, the future Augustus. When Antony fell in love with the most powerful woman in the world, Egypt’s ruler Cleopatra, and thwarted Octavian’s ambition to rule the empire, another civil war broke out. In 31 BC one of the largest naval battles in the ancient world took place—more than 600 ships, almost 200,000 men, and one woman—the Battle of Actium. Octavian prevailed over Antony and Cleopatra, who subsequently killed themselves. The Battle of Actium had great consequences for the empire. Had Antony and Cleopatra won, the empire’s capital might have moved from Rome to Alexandria, Cleopatra’s capital, and Latin might have become the empire’s second language after Greek, which was spoken throughout the eastern Mediterranean, including Egypt. In this “superbly recounted” (The National Review) history, Barry Strauss, ancient history authority, describes this consequential battle with the drama and expertise that it deserves. The War That Made the Roman Empire is essential history that features three of the greatest figures of the ancient world.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 516 |
| Release | : 2020-07-27 |
| Genre | : History |
| ISBN | : 9004428879 |
This book investigates perceptions, modes, and techniques of Venetian rule in the early modern Eastern Mediterranean (1400–1700). Against the backdrop of the controversial notion of the Venetian realm as a colonial empire, essays from a range of specialists examine how Venice negotiated control over the territories, resources, and traditions of different empires (Byzantine, Roman, Mamluk, Ottoman) while developing its own claims of authority. Focusing in particular on questions of belonging and status in the Venetian overseas territories, the volume incorporates observations on the daily realities of Venetian rule: how did Venice negotiate claims of authority in light of former and ongoing imperial belongings? What was the status of colonial subjects and ships in the metropolis and in foreign territories? In what ways did Venice accept and continue old forms of imperial belonging? Did subordinate entities join in a shared communal identity? The volume opens new perspectives on Venetian rule at the crossroads of empire and early modern statehood: a polity negotiating and entangling empire. Contributors are Housni Alkhateeb Shehada, Georg Christ, Giacomo Corazzol, Nicholas Davidson, Renard Gluzman, Deborah Howard, David Jacoby (z’’l), Marianna Kolyvà, Franz-Julius Morche, Reinhold C. Mueller, Monique O’Connell, Gerassimos D. Pagratis, Tassos Papacostas, Maria Pia Pedani (†), Dorit Raines, and E. Natalie Rothman.
| Author | : Philip Steadman |
| Publisher | : UCL Press |
| Total Pages | : 418 |
| Release | : 2021-04-13 |
| Genre | : Art |
| ISBN | : 1787359158 |
Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.
| Author | : Natalie Zemon Davis |
| Publisher | : Walters Art Gallery |
| Total Pages | : 143 |
| Release | : 2012 |
| Genre | : Africans in art |
| ISBN | : 9780911886788 |
"This publication accompanies the exhibition Revealing the African Presence in Renaissance Europe, held at the Walters Art Museum from October 14, 2012, to January 21, 2013, and at the Princeton University Art Museum from February 16 to June 9, 2013."
| Author | : Achille Bonito Oliva |
| Publisher | : Mondadori Electa |
| Total Pages | : 324 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : |
| Author | : Giorgio Bertellini |
| Publisher | : University of California Press |
| Total Pages | : 328 |
| Release | : 2019-01-15 |
| Genre | : Performing Arts |
| ISBN | : 0520301366 |
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.
| Author | : Simone Luzzatto |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 448 |
| Release | : 2019-07-08 |
| Genre | : History |
| ISBN | : 3110528231 |
In 1638, a small book of no more than 92 pages in octavo was published “appresso Gioanne Calleoni” under the title “Discourse on the State of the Jews and in particular those dwelling in the illustrious city of Venice.” It was dedicated to the Doge of Venice and his counsellors, who are labelled “lovers of Truth.” The author of the book was a certain Simone (Simḥa) Luzzatto, a native of Venice, where he lived and died, serving as rabbi for over fifty years during the course of the seventeenth century. Luzzatto’s political thesis is simple and, at the same time, temerarious, if not revolutionary: Venice can put an end to its political decline, he argues, by offering the Jews a monopoly on overseas commercial activity. This plan is highly recommendable because the Jews are “wellsuited for trade,” much more so than others (such as “foreigners,” for example). The rabbi opens his argument by recalling that trade and usury are the only occupations permitted to Jews. Within the confines of their historical situation, the Venetian Jews became particularly skilled at trade with partners from the Eastern Mediterranean countries. Luzzatto’s argument is that this talent could be put at the service of the Venetian government in order to maintain – or, more accurately, recover – its political importance as an intermediary between East and West. He was the first to define the role of the Jews on the basis of their economic and social functions, disregarding the classic categorisation of Judaism’s alleged privileged religious status in world history. Nonetheless, going beyond the socio-economic arguments of the book, it is essential to point out Luzzatto’s resort to sceptical strategies in order to plead in defence of the Venetian Jews. It is precisely his philosophical and political scepticism that makes Luzzatto’s texts so unique. This edition aims to grant access to his works and thought to English-speaking readers and scholars. By approaching his texts from this point of view, the editors hope to open a new path in research into Jewish culture and philosophy that will enable other scholars to develop new directions and new perspectives, stressing the interpenetration between Jews and the surrounding Christian and secular cultures.
