Colour Printing And Colour Printers Classic Reprint
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| Author | : R. M. Burch |
| Publisher | : New York : Baker & Taylor |
| Total Pages | : 384 |
| Release | : 1911 |
| Genre | : Color prints |
| ISBN | : |
Contains 23 plates, including "1 three color half-tone from nature, 1 three color halftone from an autochrome, 1 Zander Process Print, and 1 chromolithograph by the Offset method. This book is an important history of color printing and Gamble's chapter on photomechanical process is invaluable. Unfortunately, this copy does not have all of its plates." -- Hanson collection catalog, p. 140.
| Author | : R. M. Burch |
| Publisher | : Forgotten Books |
| Total Pages | : 380 |
| Release | : 2017-07-12 |
| Genre | : Art |
| ISBN | : 9780282921637 |
Excerpt from Colour Printing and Colour Printers The present volume is not offered to the reader as a complete history of Colour Printing, but merely constitutes an attempt to indicate some of the lines on which the compilation of such a book might proceed. It is mainly concerned with English colour work, although of course references to what was done in other countries could not very well be excluded. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 278 |
| Release | : 2015-08-24 |
| Genre | : Art |
| ISBN | : 9004290117 |
In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.
| Author | : Glyn Dewis |
| Publisher | : Pearson Education |
| Total Pages | : 289 |
| Release | : 2015 |
| Genre | : Business & Economics |
| ISBN | : 0134008464 |
Annotation This professional-level Photoshop book focuses on the Photoshop techniques that photographer and retoucher Glyn Dewis has become well known for. Combining compositing work and special effects in Photoshop has lead to Glyn's signature look, which readers want to know how to replicate.
| Author | : Eastman Kodak Company |
| Publisher | : Silver Pixel Press |
| Total Pages | : 80 |
| Release | : 1978 |
| Genre | : Color photography |
| ISBN | : 9780879850845 |
| Author | : Anne Farrer |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2021-12-08 |
| Genre | : Art |
| ISBN | : 9789004471894 |
Handbook of the Colour Print in China 1600-1800' is a ground-breaking volume of collected research into colour woodblock printed imagery produced in early modern China. The emergence and development of colour woodblock imagery occurred first in book illustrations and then in single-sheet prints. 0Leading scholars of Chinese print culture trace the emergence of a sophisticated and fully developed colour woodblock print technology between the late Ming and mid-Qing. This volume examines the impact of colour prints on Qing visual culture through interdisciplinary studies investigating literary and artistic contexts, social and economic histories, and dating through European inventoried collections. 0Richly illustrated with full-colour reproductions, this volume is an essential contribution to the future study of Chinese print and book culture.
| Author | : Wilfred Partington |
| Publisher | : |
| Total Pages | : 502 |
| Release | : 1919 |
| Genre | : Bibliography |
| ISBN | : |
| Author | : Charles Thomas Courtney Lewis |
| Publisher | : |
| Total Pages | : 372 |
| Release | : 1908 |
| Genre | : Color prints |
| ISBN | : |
| Author | : Katie Middleton |
| Publisher | : Routledge |
| Total Pages | : 197 |
| Release | : 2018-06-12 |
| Genre | : Art |
| ISBN | : 1351380540 |
Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and shows how to apply it directly toward make-up applications Make-up artists control color the same way a painter does. They choose color palettes, match colors, blend new colors, and create designs on a canvas that is always changing. Some colors cancel others, some balance each other, and some oppose other colors. However, painters seldom have to consider inconsistencies in how their art will be lit and where it will be displayed the way that a make-up artists does. This book teaches how to mix any color using just red, yellow, blue, and white. It discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick, and ideas and techniques are also described for painting prosthetics. The book also explains how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications. Whether you are a professional or a beginner, you will never stop learning. There will always be new products, techniques, and fashions – this book provides guidance and inspiration to keep practicing, creating, and honing your skills.
| Author | : Glyn Dewis |
| Publisher | : Rocky Nook, Inc. |
| Total Pages | : 443 |
| Release | : 2021-05-28 |
| Genre | : Photography |
| ISBN | : 1681987333 |
Learn to harness the full power of layers and selections in Photoshop—and let your creativity soar!
Learning the basics of Photoshop is an admirable feat. Unfortunately, that’s exactly where most people end their Photoshop journey: with a fundamental appreciation of the program and the ability to execute a few helpful techniques. But without a full understanding of and capability with layers and selections—arguably Photoshop’s most powerful tools—you’re leaving the vast majority of Photoshop’s power and potential untapped.
The Photoshop Layers and Selections Workshop is here to change all that. In this book, photographer and bestselling author Glyn Dewis focuses on these two key features of Photoshop, knowing that if you can learn and master them, you’ll have everything you need to maximize Photoshop’s potential, bring out the best in your work, and harness your full creativity.
In this book, you will:
• Start off with a detailed breakdown of the Photoshop Home screen and Workspace, including how to best set it up for your way of working.
• Grow your understanding of layers and learn how to maximize their potential in your selections workflow.
• Conquer selections and cutouts by mastering the use of tools including Select and Mask, the Pen Tool, Channel Pulls, Vector Masks, Color Range, and more.
• Learn how to make and fake the best possible hair and fur selections.
• Work your way through three selections workflows, combining tools and techniques to get the very best possible results.
• Learn some of Glyn's favorite Photoshop techniques in a bonus chapter.
TABLE OF CONTENTS
Introduction
Chapter 1: The Photoshop Workspace
Chapter 2: Layers
Chapter 3: Selections and 101
Chapter 4: Selection Tools
Chapter 5: The Pen Tool and Vector Masks
Chapter 6: Select and Mask
Chapter 7: Sky Replacement
Chapter 8: Cleaning Up Selections
Chapter 9: Selection Workflows
Chapter 10: Bonus Content
