Color Mixing Manual
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Author | : John Barber |
Publisher | : |
Total Pages | : 0 |
Release | : 2010-09 |
Genre | : Color in art |
ISBN | : 9780764145094 |
(back cover) A complete visual reference to mixing the 25 most popular artistÂ's colors in acrylics, oils, and watercolors At-a-glance guide to more than 2000 hues and shades in each medium Enables artists to recreate what they see on their palette and on their work of art
Author | : Helen Van Wyk |
Publisher | : |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Color guides |
ISBN | : 9780929552187 |
This is a basic book on the theory of color mixing -- but it's not your ordinary color theory book by any means. This one comes from Helen Van Wyk, recognized by her many thousands of fans and by her contemporaries as the quintessential expert on color mixing. She explains color mixing clearly so that oil and acrylic painters will learn how to put color theory into action. They'll see how they can paint any subject with the six basic colors plus white and gray.
Author | : Simon Jennings |
Publisher | : Chronicle Books |
Total Pages | : 200 |
Release | : 2003-11-27 |
Genre | : Art |
ISBN | : 9780811841436 |
Developed by the same team that created "Artist's Manual"and "Art Class," both top-selling art reference books, "Artist's Color Manual" is the ultimate guide to color for visual artists.
Author | : John Barber |
Publisher | : Rowman & Littlefield |
Total Pages | : 193 |
Release | : 2022-04-15 |
Genre | : Art |
ISBN | : 0811770303 |
Take the guesswork out of color mixing! With just 25 common paint colors, you can make 2,400 different hues, and they are all illustrated in this comprehensive guide. That’s 2,400 hues for each medium—oils, acrylics, and watercolors—with each hue visually represented for your easy reference. Better yet, each color mix uses only two paint colors, so matching results are easy to obtain and your colors remain vibrant and true, not muddied by too many pigments as you often get from mixes with many paint colors. Pro mixing tips for each type of paint are included to help you achieve winning results. This simple-to-master color mixing system will help you find and mix just the right color, every time!
Author | : John L. King |
Publisher | : Good Press |
Total Pages | : 102 |
Release | : 2023-07-10 |
Genre | : Fiction |
ISBN | : |
"Color mixing guide" by John L. King. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author | : Michael Rogondino |
Publisher | : Chronicle Books |
Total Pages | : 262 |
Release | : 2000-05 |
Genre | : Art |
ISBN | : 0811827577 |
Due to demand Computer Color has been revised and expanded and now features 14,000 more process colours. A perforated card is included to facilitate matching colours and the book is spiral-bound for ease of use.
Author | : Julie Collins |
Publisher | : Search Press Limited |
Total Pages | : 48 |
Release | : 2015-07-08 |
Genre | : Art |
ISBN | : 1781268096 |
A clear, comprehensive guide to colour mixing for the watercolour artist. It begins with simple colour theory and a colour wheel, with a template provided so that readers can paint their own; a vital step towards understanding colour. There is vividly illustrated guidance on complementary, warm and cool colours, colour tone, using a limited palette, dull and bright colours and factoring in local colour. There follows an array of essential colour mixes using widely available Winsor & Newton colours. A beautifully presented and practical guide to understanding and mixing colours. Watercolour artists from beginners to more experienced painters will find this a handy, comprehensive guide.
Author | : Mate ART |
Publisher | : Jan Matěják |
Total Pages | : 128 |
Release | : |
Genre | : Art |
ISBN | : |
You may be surprised by my subsequent statement right at the beginning, but did you know that colors don’t really exist, and light is invisible? You’re probably wondering now if I’ve lost my mind. How can I write a book about colors and say such nonsense at the same time? No, don’t worry, I’m not crazy, and in the following chapters, I’ll convince you of my claim. In this publication by the Czech artist Jan Matejak (MATE ART) you will find a lot of useful, and practical information that will help you to elevate your art creation to a whole new level. You will gain knowledge about additive and subtractive mixing, you will learn how to choose colors on your palette and you will reveal the secret of light and color, color mixing, and color harmony. The book focuses mainly on oil painting. Thanks to the QR codes that you will find in the book, the whole learning process will be easier, faster, and more fun. If you are an artist or painter who enjoys discovering the secrets of colors and their visually captivating world, this book is just for you!
Author | : |
Publisher | : |
Total Pages | : 71 |
Release | : 1923 |
Genre | : Colors |
ISBN | : |
Author | : David Paterson |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781022458925 |
First published in 1900, this book is a comprehensive guide to the science of color mixing. Aimed at dyers, calico printers, and color chemists, the book covers topics such as the properties of light, the nature of color, and the mixing of colored pigments. With detailed illustrations and practical examples, this book remains a valuable resource for anyone working with color today. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.