Coleridge And Textual Instability
Download Coleridge And Textual Instability full books in PDF, epub, and Kindle. Read online free Coleridge And Textual Instability ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Jack Stillinger |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 268 |
| Release | : 1994 |
| Genre | : English poetry |
| ISBN | : 0195085833 |
Such multiplicity of versions raises interesting theoretical and practical questions about the make-up of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work.
| Author | : Jack Stillinger |
| Publisher | : Oxford University Press |
| Total Pages | : 268 |
| Release | : 1994-05-12 |
| Genre | : Literary Criticism |
| ISBN | : 0195358929 |
Jack Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower, Frost at Midnight, Kubla Khan, Christabel, and Dejection: An Ode. Such multiplicity of versions raises interesting theoretical and practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work. Providing much new information about the texts and production of Coleridge's major poems, Stillinger's study offers intriguing new theories about the nature of authorship and the constitution of literary works.
| Author | : Paul Magnuson |
| Publisher | : Princeton University Press |
| Total Pages | : 231 |
| Release | : 2014-07-14 |
| Genre | : Literary Criticism |
| ISBN | : 1400864798 |
Reading Public Romanticism is a significant new example of the linking of esthetics and historical criticism. Here Paul Magnuson locates Romantic poetry within a public discourse that combines politics and esthetics, nationalism and domesticity, sexuality and morality, law and legitimacy. Building on his well-regarded previous work, Magnuson practices a methodology of close historical reading by identifying precise versions of poems, reading their rhetoric of allusion and quotation in the contexts of their original publication, and describing their public genres, such as the letter. He studies the author's public signature or motto, the forms and significance of address used in poems, and the resonances of poetic language and tropes in the public debates. According to Magnuson, "reading locations" means reading the writing that surrounds a poem, the "paratext" or "frame" of the esthetic boundary. In their particular locations in the public discourse, romantic poems are illocutionary speech acts that take a stand on public issues and legitimate their authors both as public characters and as writers. He traces the public significance of canonical poems commonly considered as lyrics with little explicit social or political commentary, including Wordsworth's "Immortality Ode"; Coleridge's "This Lime-Tree Bower My Prison," "Frost at Midnight," and "The Ancient Mariner"; and Keats's "On a Grecian Urn." He also positions Byron's Dedication to Don Juan in the debates over Southey's laureateship and claims for poetic authority and legitimacy. Reading Public Romanticism is a thoughtful and revealing work. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : J.C.C. Mays |
| Publisher | : Springer |
| Total Pages | : 286 |
| Release | : 2019-01-22 |
| Genre | : Literary Criticism |
| ISBN | : 303004131X |
Coleridge's Dejection Ode completes J.C.C. Mays’ analysis of Coleridge’s poetry, following Coleridge’s Ancient Mariner (Palgrave 2016) and Coleridge’s Experimental Poetics (Palgrave 2013). "Dejection: An Ode" stands alone in Coleridge's oeuvre: written at a time of personal crisis, it reaches far back and deeply into his thinking in an attempt to find a poematic solution to ideas and problems he had mulled over for a long time. Mays reveals how the poem also marks the opening of the second half of Coleridge's career as both poet and thinker. In three central chapters Mays examines the new style that evolved in the process of writing the Ode: the technical means of metrics, rhyme and grammar; language and allusion; and symbol and structure. He recounts the complex, sometimes controversial critical history of the Ode, and suggests an editorial solution to the problem created by the Letter to Sara Hutchinson; re-evaluates the position of Wordsworth in the poem apropos the political statement it makes; clarifies the distinction between the views on Imagination expressed and those contained in Biographia Literaria; and traces the links of the concept "dejection" as it underpins Coleridge's late poems.
| Author | : Stephen Gill |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 417 |
| Release | : 2006-08-31 |
| Genre | : Literary Criticism |
| ISBN | : 0195180917 |
William Wordsworth's poem 'The Prelude' is a fascinating work, both as an autobiography and as a fragment of historical evidence from the revolutionary and post-revolutionary years. This volume gathers together 13 essays on 'The Prelude', and is useful as a companion for students and general readers of Wordsworth's greatest poem.
| Author | : Samuel Coleridge |
| Publisher | : Penguin UK |
| Total Pages | : 998 |
| Release | : 2004-02-05 |
| Genre | : Poetry |
| ISBN | : 0141916427 |
One of the major figures of English Romanticism, Samuel Taylor Coleridge (1772-1834) created works of remarkable diversity and imaginative genius. The period of his creative friendship with William Wordsworth inspired some of Coleridge's best-known poems, from the nightmarish vision of the 'Rime of the Ancient Mariner' and the opium-inspired 'Kubla Khan' to the sombre passion of 'Dejection: An Ode' and the medieval ballad 'Christabel'. His meditative 'conversation' poems, such as 'Frost at Midnight' and 'This Lime-Tree Bower Mr Prison', reflect on remembrance and solitude, while late works, such as 'Youth and Age' and 'Constancy to an Ideal Object', are haunting meditations on mortality and lost love.
| Author | : Levy Michelle Levy |
| Publisher | : Edinburgh University Press |
| Total Pages | : 349 |
| Release | : 2020-02-14 |
| Genre | : Literary Criticism |
| ISBN | : 1474457096 |
A study of the production and circulation of literary manuscripts in Romantic-era BritainOffers a detailed examination of the practices of literary manuscript culture, particularly the production, circulation and preservation of manuscripts, based on extensive archival researchDemonstrates how literary manuscript culture co-evolved with print culture, in a nuanced study of the interactions between the two mediaExamines the changing cultural attitudes towards literary manuscripts, and how these changes affected practices and valuesSurveys the impact of digital media on our access to and understanding of historical manuscriptsThis book examines how manuscript practices interacted with an expanding print marketplace to nurture and transform the period's literary culture. It unearths the alternative histories manuscripts tell us about British Romantic literary culture, describing the practices by which handwritten documents were written, shared, altered and preserved, and explores the functions they served as instruments of expression and sociability. By demonstrating how literary manuscript culture co-evolved with print culture, this study illuminates the complex entanglements between the media of script and print.
| Author | : Martin Garrett |
| Publisher | : Springer Nature |
| Total Pages | : 224 |
| Release | : 2022-11-25 |
| Genre | : Literary Criticism |
| ISBN | : 3031155726 |
This volume explores ‘the labyrinth of what we call Coleridge’ (Virginia Woolf): his poems and prose, their sources, interpretation and reception; his life, troubled marriage and fatherhood, conversation, changing intellectual contexts and legacy. Major entries cover such canonical works as The Rime of the Ancient Mariner, Christabel, ‘Kubla Khan’, the ‘conversation poems’ and Biographia Literaria. But a fuller understanding of Coleridge must embrace many lesser-known poems – lyrics, satire, comical squibs. The prose – critical, philosophical, political, religious – ranges from his early radical writings to the more conservative On the Constitution of the Church and State, his influential Shakespeare lectures, and the vast resource of the notebooks. Coleridge read widely throughout his life and engaged extensively with the work of, among many others, Milton, Fielding, Berkeley, Priestley, Kant, Schelling. One of his most important relationships was with William Wordsworth. Another was with Sara Hutchinson. Entries trace Coleridge’s changing reputation, from brilliant young activist to the ‘Sage of Highgate’ to the later apostle of the theories of the imagination and of Practical Criticism. Other topics covered include opium, plagiarism, the French Revolution, Pantisocracy, Unitarianism, and the Salutation and Cat tavern.
| Author | : Heidi Thomson |
| Publisher | : Springer |
| Total Pages | : 285 |
| Release | : 2016-09-24 |
| Genre | : Literary Criticism |
| ISBN | : 3319319787 |
This book examines how Coleridge staged his private woes in the public space of the newspaper. It looks at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.
| Author | : Jalal Uddin Khan |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 495 |
| Release | : 2015-02-05 |
| Genre | : Literary Criticism |
| ISBN | : 1443875074 |
Perspectives: Romantic, Victorian, and Modern Literature is an up-to-date explication of various popular and classic subjects and authors arranged chronologically. The book, composed of thirteen essays, examines Blake; Coleridge; Byron; Shelley; Keats; Victorian medievalism; the Victorian reaction to British India; (Ben) Jonsonian elements in Yeats; Yeats and Maud Gonne; the treatment of the Irish civil war and Irish nationalism in Yeats; and the treatment of the Spanish civil war in the selected works of modern fiction and nonfiction. Marked by an originality of approach and a freshness and simplicity, the book takes note of contemporary theoretical, interdisciplinary and cultural discourse drawn from literature, history, politics and religion as necessary. However, it is far from being unnecessarily outweighed by the loaded clichés, oft-repeated jargon and overused euphemisms of modern literary or critical theory. The result is, regardless of its specialized treatment of otherwise commonplace or well-known texts or topics, that the overall discussion is as lucid, introductory and expository as it is deep and scholarly, making the book easily accessible and understandable to non-specialist readers, in addition to specialist researchers and academics.
