Coburn Three Plays
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Author | : Ann Coburn |
Publisher | : Oberon Books |
Total Pages | : 188 |
Release | : 2003 |
Genre | : Drama |
ISBN | : |
"On 14 October 1881, forty-five fishing boats set out from Eyemouth harbour, heart of the Scottish Borders's fishing industry. Only twenty-five returned. A small community was torn apart by the loss of husbands, brothers, fathers and sons. Get Up And Tie Your Fingers dramatises the daily lives of the herring lassies and fishwives who lived in this community: lives dominated by work, overshadowed by the moods of the sea, but released in the telling of stories and the singing of songs." "Safe plunders story-telling techniques of a different kind - namely fairytales - to investigate a very contemporary concern: the safety versus freedom debate for parents and children. As a group of parents gather in a disused warehouse to construct a carnival float, fairytale conventions and symbols begin to invade reality, and the parents have to face up to the dilemmas of modern parenting and the failings of their own fathers and mothers." "Devil's Ground is the story of an historical act of genocide, told through the personal tragedy of one Reiver family. These are parallels with Mafia families and with twenty-first century gang-warfare in this determinedly unromantic slant on the lives of sixteenth century bandits in the Scottish Borders. The political cynicism of James VI in ridding himself of old supporters who had become embarrassing liabilities also has contemporary echoes. An exploration of what happens to a family when left with no option but to stand and face its own destruction."--BOOK JACKET.
Author | : Dylan Coburn Gray |
Publisher | : Nick Hern Books |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Drama |
ISBN | : 9781848428508 |
A collection of three plays by Irish playwright Dylan Coburn Gray.
Author | : Jennifer Coburn |
Publisher | : Sourcebooks, Inc. |
Total Pages | : 321 |
Release | : 2022-10-11 |
Genre | : Fiction |
ISBN | : 1728250765 |
"Every historical fiction novel should strive to be this compelling, well-researched and just flat-out good." — Associated Press For fans of The Nightingale and The Handmaid's Tale, Cradles of the Reich uncovers a topic rarely explored in fiction: the Lebensborn project, a Nazi breeding program to create a so-called master race. Through thorough research and with deep empathy, this chilling historical novel goes inside one of the Lebensborn Society maternity homes that existed in several countries during World War II, where thousands of "racially fit" babies were bred and taken from their mothers to be raised as part of the new Germany. At the Heim Hochland maternity home in Bavaria, three women's lives coverage as they find themselves there under very different circumstances. Gundi is a pregnant university student from Berlin. An Aryan beauty, she's secretly a member of a resistance group. Hilde, only eighteen, is a true believer in the cause and is thrilled to carry a Nazi official's child. And Irma, a 44-year-old nurse, is desperate to build a new life for herself after personal devastation. Despite their opposing beliefs, all three have everything to lose as they begin to realize they are trapped within Hitler's terrifying scheme to build a Nazi-Aryan nation. A cautionary tale for modern times told in stunning detail, Cradles of the Reich uncovers a little-known Nazi atrocity but also carries an uplifting reminder of the power of women to set aside differences and work together in solidarity in the face of oppression. "Skillfully researched and told with great care and insight, here is a World War II story whose lessons should not—must not—be forgotten." — Susan Meissner, bestselling author of The Nature of Fragile Things
Author | : Tom A. Coburn |
Publisher | : HarperChristian + ORM |
Total Pages | : 288 |
Release | : 2013-04-15 |
Genre | : Political Science |
ISBN | : 1418565075 |
Tom A. Coburn, a congressional maverick who kept his promise to serve three terms and then leave Washington, offers a candid look at the inner workings of Congress-why the system changes politicians instead of vice versa. Breach of Trust shows readers, through shocking behind-the-scenes stories, why Washington resists the reform our country desperately needs and how they can make wise, informed decisions about current and future political issues and candidates. This honest and critical look at "business as usual" in Congress reveals how and why elected representatives are quickly seduced into becoming career politicians who won't push for change. Along the way, Coburn offers readers realistic ideas for how to make a difference.
Author | : Illinois State University |
Publisher | : |
Total Pages | : 36 |
Release | : 1913 |
Genre | : |
ISBN | : |
Author | : Robyn L. Coburn |
Publisher | : U of Nebraska Press |
Total Pages | : 498 |
Release | : 2021-12 |
Genre | : Biography & Autobiography |
ISBN | : 1640125000 |
Dervish Dust is the authorized biography of "cool cat" actor James Coburn, covering his career, romances, friendships, and spirituality. Thoroughly researched with unparalleled access to Coburn's friends and family, the book's foundation is his own words in the form of letters, poetry, journals, interviews, and his previously unpublished memoirs, recorded in the months before his passing. Dervish Dust details the life of a Hollywood legend that spanned huge changes in the entertainment and filmmaking industry. Coburn grew up in Compton after his family moved from Nebraska to California during the Great Depression. His acting career began with guest character roles in popular TV series such as The Twilight Zone, Bonanza, and Rawhide. In the 1960s Coburn was cast in supporting roles in such great pictures as The Magnificent Seven, Charade, and The Great Escape, and he became a leading man with the hit Our Man Flint. In 1999 Coburn won an Academy Award for his performance in Affliction. Younger viewers will recognize him as the voice of Henry Waternoose, the cranky boss in Monsters, Inc., and as Thunder Jack in Snow Dogs. An individualist and deeply thoughtful actor, Coburn speaks candidly about acting, show business, people he liked, and people he didn't, with many behind-the-scenes stories from his work, including beloved classics, intellectually challenging pieces, and less well-known projects. His films helped dismantle the notorious Production Code and usher in today's ratings system. Known for drum circles, playing the gong, and participating in LSD research, Coburn was New Age before it had a name. He brought his motto, Go Bravely On, with him each time he arrived on the set in the final years of his life, when he did some of his best work, garnering the admiration of a whole new generation of fans.
Author | : Robyn L. Coburn |
Publisher | : U of Nebraska Press |
Total Pages | : 421 |
Release | : 2021-12 |
Genre | : Biography & Autobiography |
ISBN | : 1640124055 |
Dervish Dust is the first biography of Academy Award–winning Hollywood actor James Coburn.
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 530 |
Release | : 1948 |
Genre | : Copyright |
ISBN | : |
Author | : James Fisher |
Publisher | : Rowman & Littlefield |
Total Pages | : 810 |
Release | : 2017-11-22 |
Genre | : Performing Arts |
ISBN | : 1538107864 |
This book covers the history of theater as well as the literature of America from 1880-1930. The years covered by this volume features the rise of the popular stage in America from the years following the end of the Civil War to the Golden Age of Broadway, with an emphasis on its practitioners, including such diverse figures as William Gillette, Mrs. Fiske, George M. Cohan, Maude Adams, David Belasco, George Abbott, Clyde Fitch, Eugene O’Neill, Texas Guinan, Robert Edmond Jones, Jeanne Eagels, Susan Glaspell, The Adlers and the Barrymores, Tallulah Bankhead, Philip Barry, Maxwell Anderson, Mae West, Elmer Rice, Laurette Taylor, Eva Le Gallienne, and a score of others. Entries abound on plays of all kinds, from melodrama to the newly-embraced realistic style, ethnic works (Irish, Yiddish, etc.), and such diverse forms as vaudeville, circus, minstrel shows, temperance plays, etc. This second edition of Historical Dictionary of American Theater: Modernism covers the history of modernist American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 2,000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the American Theater in its greatest era.
Author | : Jeffrey Ullom |
Publisher | : SIU Press |
Total Pages | : 266 |
Release | : 2008-06-19 |
Genre | : Performing Arts |
ISBN | : 0809387085 |
Far from the glittering lights of Broadway, in a city known more for its horse racing than its artistic endeavors, an annual festival in Louisville, Kentucky, has transformed the landscape of the American theater. The Actors Theatre of Louisville—the Tony Award–winning state theater of Kentucky—in 1976 successfully created what became the nation's most respected new-play festival, the Humana Festival of New American Plays. The Humana Festival: The History of New Plays at Actors Theatre of Louisville examines the success of the festival and theater’s Pulitzer Prize–winning productions that for decades have reflected new-play trends in regional theaters and on Broadway—the result of the calculated decisions, dogged determination, and good luck of its producing director, Jon Jory. The volume details how Actors Theatre of Louisville was established, why the Humana Festival became successful in a short time, and how the event’s success has been maintained by the Louisville venue that has drawn theater critics from around the world for more than thirty years. Author Jeffrey Ullom charts the theater’s early struggles to survive, the battles between troupe leaders, and the desperate measures to secure financial support from the Louisville community. He examines how Jory established and expanded the festival to garner extraordinary local support, attract international attention, and entice preeminent American playwrights to premier their works in the Kentucky city. In The Humana Festival, Ullom provides a broad view of new-play development within artistic, administrative, and financial contexts. He analyzes the relationship between Broadway and regional theaters, outlining how the Humana Festival has changed the process of new-play development and even Broadway’s approach to discovering new work, and also highlights the struggles facing regional theaters across the country as they strive to balance artistic ingenuity and economic viability. Offering a rare look at the annual event, The Humana Festival provides the first insider’s view of the extraordinary efforts that produced the nation’s most successful new-play festival.