Classical Tragedy Greek And Roman
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Author | : Robert Willoughby Corrigan |
Publisher | : Hal Leonard Corporation |
Total Pages | : 580 |
Release | : 1990 |
Genre | : Drama |
ISBN | : 9781557830463 |
(Applause Books). A collection of eight plays along with accompanying critical essays. Includes: "The Oresteia" Aeschylus; "Prometheus Bound" Aeschylus; "Oedipus the King" Sophocles; "Antigone" Sophocles; "Medea" Euripides; "The Bakkhai" Euripides; "Oedipus" Seneca; "Medea" Seneca.
Author | : Robert Willoughby Corrigan |
Publisher | : Hal Leonard Corporation |
Total Pages | : 500 |
Release | : 1987 |
Genre | : Drama |
ISBN | : 9780936839851 |
Gathers comedies by Aristophanes, Menander, Plautus, and Terence and discusses the background of each play
Author | : Robin Mitchell-Boyask |
Publisher | : A&C Black |
Total Pages | : 158 |
Release | : 2013-12-12 |
Genre | : Literary Criticism |
ISBN | : 1472519639 |
The "Eumenides", the concluding drama in Aeschylus' sole surviving trilogy, the "Oresteia", is not only one of the most admired Greek tragedies, but also one of the most controversial and contested, both to specialist scholars and public intellectuals. It stands at the crux of the controversies over the relationship between the fledgling democracy of Athens and the dramas it produced during the City Dionysia, and over the representation of women in the theatre and their implied status in Athenian society. The "Eumenides" enacts the trial of Agamemnon's son Orestes, who had been ordered under the threat of punishment by the god Apollo to murder his mother Clytemnestra, who had earlier killed Agamemnon.In the "Eumenides", Orestes, hounded by the Eumenides (Furies), travels first to Delphi to obtain ritual purgation of his mother's blood, and then, at Apollo's urging, to Athens to seek the help of Athena, who then decides herself that an impartial jury of Athenians should decide the matter. Aeschylus thus presents a drama that shows a growing awareness of the importance of free will in Athenian thought through the mythologized institution of the first jury trial.
Author | : Edith Hall |
Publisher | : A&C Black |
Total Pages | : 320 |
Release | : 2010-03-25 |
Genre | : Literary Criticism |
ISBN | : 0715638262 |
Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective.
Author | : Vayos Liapis |
Publisher | : Cambridge University Press |
Total Pages | : 431 |
Release | : 2019 |
Genre | : Drama |
ISBN | : 1107038553 |
What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.
Author | : Aeschylus |
Publisher | : Penguin UK |
Total Pages | : 271 |
Release | : 2004-08-26 |
Genre | : Drama |
ISBN | : 0141961716 |
Agememnon is the first part of the Aeschylus's Orestian trilogy in which the leader of the Greek army returns from the Trojan war to be murdered by his treacherous wife Clytemnestra. In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father. Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.
Author | : Edith Hall |
Publisher | : Routledge |
Total Pages | : 586 |
Release | : 2020-02-26 |
Genre | : History |
ISBN | : 1315446588 |
A People’s History of Classics explores the influence of the classical past on the lives of working-class people, whose voices have been almost completely excluded from previous histories of classical scholarship and pedagogy, in Britain and Ireland from the late 17th to the early 20th century. This volume challenges the prevailing scholarly and public assumption that the intimate link between the exclusive intellectual culture of British elites and the study of the ancient Greeks and Romans and their languages meant that working-class culture was a ‘Classics-Free Zone’. Making use of diverse sources of information, both published and unpublished, in archives, museums and libraries across the United Kingdom and Ireland, Hall and Stead examine the working-class experience of classical culture from the Bill of Rights in 1689 to the outbreak of World War II. They analyse a huge volume of data, from individuals, groups, regions and activities, in a huge range of sources including memoirs, autobiographies, Trade Union collections, poetry, factory archives, artefacts and documents in regional museums. This allows a deeper understanding not only of the many examples of interaction with the Classics, but also what these cultural interactions signified to the working poor: from the promise of social advancement, to propaganda exploited by the elites, to covert and overt class war. A People’s History of Classics offers a fascinating and insightful exploration of the many and varied engagements with Greece and Rome among the working classes in Britain and Ireland, and is a must-read not only for classicists, but also for students of British and Irish social, intellectual and political history in this period. Further, it brings new historical depth and perspectives to public debates around the future of classical education, and should be read by anyone with an interest in educational policy in Britain today.
Author | : George Harrison |
Publisher | : BRILL |
Total Pages | : 601 |
Release | : 2013-03-15 |
Genre | : Literary Criticism |
ISBN | : 9004245456 |
Drawing on insights from various disciplines (philology, archaeology, art) as well as from performance and reception studies, this volume shows how a heightened awareness of performance can enhance our appreciation of Greek and Roman theatre.
Author | : Marianne McDonald |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2007-05-31 |
Genre | : Drama |
ISBN | : 1139827251 |
This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.
Author | : Susanna Braund |
Publisher | : Bloomsbury Publishing |
Total Pages | : 177 |
Release | : 2015-12-17 |
Genre | : Literary Criticism |
ISBN | : 1474234801 |
Oedipus, king of Thebes, is one of the giant figures of ancient mythology. Through the centuries, his story has inspired works of epic poetry, lyric poetry, tragedy, opera, a gospel musical and more. The myth has been famously deployed in psychology by Sigmund Freud. It may not be too bold to claim that Oedipus is the name from Greco-Roman mythology best known beyond the academy at the present time, thanks to Freud's famous phrase 'the Oedipus complex'. The most famous version of the Oedipus myth from antiquity is the Greek play by Sophocles. But there is another version, the Latin drama by the Roman philosopher and politician Seneca. Seneca's version is an entirely different treatment from that of Sophocles and reflects concerns special to the author and his Roman audience in the first century AD. Moreover, the play actually exercised a much greater influence on European literature and thought than has usually been suspected. This book offers a compact and incisive study of the multi-faceted Oedipus myth, of Seneca as dramatist, of the distinctive characteristics of Seneca's play and of the most important aspects of the reception of the play in European drama and culture. The scope of the book ranges chronologically from Homer's treatment of Oedipus myth in the Odyssey down to a twenty-first century Senecan treatment by a Lebanese Canadian dramatist. No knowledge of Latin or other foreign languages is required.