Classical Arts Of Kerala
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Performing Arts of Kerala
Author | : Mallika Sarabhai |
Publisher | : University of Washington Press |
Total Pages | : 196 |
Release | : 1994 |
Genre | : Art |
ISBN | : |
Unlike other parts of India, Kerala's geographic location in the extreme south-west protected it from extraneous influences allowing its many splendoured arts to continue and evolve with a certain insularity. Besides the world-renowned Kathakali, Kerala boasts of the oldest form of Sanskrit theatre, Kootiattam; ritual dances where blood sacrifices are still prevalent; masked and trance performances where dancers wear headgear more than 5 metres high; the most ancient martial arts technique, Kalaripayattu, and many other little-known forms of dance, war and ritual. In a society where every act is codified and every colour symbolic, it needs a lifetime to understand the intricacies and the layers of meaning and sophistication that make up the culture of region. In this book, Kerala's many art and ritual forms are introduced by eminent scholars. Stunning colour visuals, many of rites never seen outside the temple, allow, for the first time, a comparative look into the intricacies of style, make-up, adornments and costumes, making this book a first-ever introduction to the mysterious arts of Kerala.
The Art of Mohiniyāttam
Author | : Bharati Shivaji |
Publisher | : Lancer Publishers |
Total Pages | : 128 |
Release | : 1986 |
Genre | : Performing Arts |
ISBN | : 9788170620037 |
Study of a classical dance form of Kerala.
Performers and Their Arts
Author | : Simon Charsley |
Publisher | : Taylor & Francis |
Total Pages | : 230 |
Release | : 2020-11-29 |
Genre | : Performing Arts |
ISBN | : 1000084183 |
Introduction Part I: Caste, Community and performance A ritual performance of Kerala, Vayala Vasudevan Pillai The Patuas of Bengal, Makbul Islam Bards and goddesses: The Pombalas in Tirupati, Anand Akundy Explorations in the art forms of the Cindu madigas in Andhra, Y A Sudhakar Reddy and R R Harischandra Caste identity and performance in a fisher-village of Assam, Kishore Bhattacharjee Part II: Performance Beyond Caste Telugu pady natakam in Andhra: Performance dynamics, P Subbachary Modernising tradition: The yaksagana in Karnataka, Guru Rao Bapat Kalarippayatt as aesthetics and the politics of invisibility in Kerala, P K Sasidharan India People’s Theatre Association in colonial Andhra, V Ramakrishna Gaddar and the politics and pain of singing, D Venkat Rao Reviving moghal tamsa in Orissa, Sachi Mohanty Part III: Classical Dance and its Successors New directions in Indian dance, Sunil Kothari Transpositions in kuchipudi dance, Aruna Bhikshu The impact of commercialization in dance, K Subadra Murthy Art addressing social problems, Ananda Shankar Jayant
AKASHVANI
Author | : All India Radio (AIR), New Delhi |
Publisher | : All India Radio (AIR),New Delhi |
Total Pages | : 82 |
Release | : 1967-03-05 |
Genre | : Antiques & Collectibles |
ISBN | : |
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 05 MARCH, 1967 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 82 VOLUME NUMBER: Vol. XXXII, No. 10 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 14-81 ARTICLE: 1. The Kerala Theatre 2. Chandigarh 3. Latest Advances In Medicine And Surgery: Medicine 4. Progress of Science AUTHOR: 1. Dr. K. N. Pisharoty 2. Dr. M. S. Randhawa 3. Dr. P. N. Chuttani 4. Dr. P. D. Bhavsar KEYWORDS : 1.Koothambalams,Kerala,Koothu,Folk 2.Committee,Chandigarh,India,Lahore 3.Drugs,Requirements,Oxygen,Stroke 4.Progress,Science,China,Council Document ID : APE-1967 (J-M) Vol-I-10 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Anchor India 2024
Author | : Infokerala Communications Pvt Ltd |
Publisher | : Infokerala Communications Pvt Ltd |
Total Pages | : 276 |
Release | : 2024-03-01 |
Genre | : Health & Fitness |
ISBN | : 8192128407 |
India, bounded by the majestic Himalayan ranges in the North and edged by an endless stretch of golden beaches, is the land of hoary tradition and cultural diverse. Vivid kaleidoscope of landscapes, glorious historical sites and royal cities, misty mountain hideaways, colourful people, rich civilizations and festivities craft India Incredible. The delightful South India where Indian heritage is more intact has much to offer to this ancient tradition. Humankind's medical odysseys in search of destinations of heavenly healing have a long history. In the modern age, man wanted to move around as he wanted to see places which had been alien to him hitherto. India is one of the prime places to fulfill the natural instinct of man to move from one place to another and get unperturbed. Now, he is exploring places not only for satiating his thirst for seeing newer lands alone but people travel across the globe in search of health destinations as well. With the most sought after professionals and excellent network of hospitals India is becoming the very hot medical tourism destination in the world. As in the magnificent past, nowadays India is extremely renowned for its coir, coconut, marine resources, tea and coffee. The financial institutions are playing an important role in the growth of the country. This great historical soil turns out to be an abode of investment. The prime place is specified to real estate. Real estate is akin to a gold mine. In times of misery, it will yield gold. And, we are equipped for you with some illuminations which enhance her significance in the world map. Anchor India depicts the most vibrant Indian scenario of medical tourism, banks, coir, coconut, coffee, tea, marine resources, space making and space makers along with the amazing tourism maturity of the country.
Freedom and Despair
Author | : David Shulman |
Publisher | : University of Chicago Press |
Total Pages | : 207 |
Release | : 2018-10-04 |
Genre | : Political Science |
ISBN | : 022656665X |
Lately, it seems as if we wake up to a new atrocity each day. Every morning is now a ritual of scrolling through our Twitter feeds or scanning our newspapers for the latest updates on fresh horrors around the globe. Despite the countless protests we attend, the phone calls we make, or the streets we march, it sometimes feels like no matter how hard we fight, the relentless crush of injustice will never abate. David Shulman knows intimately what it takes to live your beliefs, to return, day after day, to the struggle, despite knowing you are often more likely to lose than win. Interweaving powerful stories and deep meditations, Freedom and Despair offers vivid firsthand reports from the occupied West Bank in Palestine as seen through the eyes of an experienced Israeli peace activist who has seen the Israeli occupation close up as it impacts on the lives of all Palestinian civilians. Alongside a handful of beautifully written and often shocking tales from the field, Shulman meditates deeply on how to understand the evils around him, what it means to persevere as an activist decade after decade, and what it truly means to be free. The violent realities of the occupation are on full display. We get to know and understand the Palestinian shepherds and farmers and Israeli volunteers who face this situation head-on with nonviolent resistance. Shulman does not hold back on acknowledging the daily struggles that often leave him and his fellow activists full of despair. Inspired by these committed individuals who are not prepared to be silent or passive, Shulman suggests a model for ordinary people everywhere. Anyone prepared to take a risk and fight their oppressive political systems, he argues, can make a difference—if they strive to act with compassion and to keep hope alive. This is the moving story of a man who continues to fight for good in the midst of despair. An indispensable book in our era of reactionary politics and refugee crises, political violence and ecological devastation, Freedom and Despair is a gripping memoir of struggle, activism, and hope for peace.
The Square and the Circle of the Indian Arts
Author | : Kapila Vatsyayan |
Publisher | : Abhinav Publications |
Total Pages | : 210 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9788170173625 |
The Square and the Circle of the Indian Arts is a major contribution in Indian art history. More than a book on the theories of arts, it has far-reaching implications for the way one thinks about the future of indology and art history. It provides a model to be emulated for inter-disciplinary research, not only between the arts but also the sciences and the arts. The book begins by re-examining the imagery of the Vedas and the Upanisads, highlighting some aspects of early speculative thought which influenced the enunciation of aesthetic theories, particularly of Bharata in the Natyasastra. The next chapter introduces a new methodology of analyzing the rituals (yajna) as laid down in the Yajurveda and the Satapatha Brahmana, the best way to focus the relationship between the text and the practice. Four chapters follow – one each on drama (natya), architecture (vastu), sculpture (silpa), and music (sangita). Each presents some fundamental concepts of speculative thought, concerned with each of the arts and purposefully correlates these with actual examples both of the past and the present. The afterward to this second edition remains an event not only because the book benefits from the works published since the first edition, but also because it presents the author’s integral vision and her unique adventure into the boundaries of several disciplines. It demonstrates the efficacy of her earlier approach of investigating the imagery and the metaphors as basic to the discourse of the Indian tradition. She proposes a multi-layered cluster of concepts and metaphors which enable one to uncode the complex multi-dimensional character of the Indian Arts. Also significantly she suggests a deeper comprehension of the relevance of the developments in the field of traditional mathematics and biology for the study of the language of form of the Indian Arts.
Cultural Entrenchment of Hindutva
Author | : Daniela Berti |
Publisher | : Taylor & Francis |
Total Pages | : 275 |
Release | : 2020-11-29 |
Genre | : History |
ISBN | : 1000083683 |
The book reflects on the discreet influence of Hindutva in situations/places outside or at the margins of its organisational and mobilisational arena, where people denying any commitment to the Sangh Parivar, incidentally, show affinities and parallelisms with its discourse and practice. This study looks at Hindutva’s entrenchment not so much as an orchestration from above but more as an outcome of a process that evolves in relation to specific social and cultural milieus. The contributors analyse Hindutva’s entrenchment, emphasising on the ethnography of the forms of mediation and/or convergence produced in certain contexts. The 11 case studies highlight three different dynamics of Hindutva’s cultural entrenchment. The first section gathers cases where RSS-affiliated organisations have set up specific cultural or artistic programmes at the regional level, involving the meditation of local people whose interest in these programmes does not necessarily mean that they endorse the Hindutva agenda completely. The next deals with convergence and refers to cases where the followers gather around a charismatic personality, whose precepts and practice may bring them towards a closer affinity with the Hindutva programme. The last section deals with the contexts of resistance, where social milieus engaged in opposing Hindutva may, in fact, paradoxically, and even inadvertently, imbibe some of its ideas and practices in order to contest its claims.