Cinemas Sinister Psychiatrists
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| Author | : Sharon Packer, M.D. |
| Publisher | : McFarland |
| Total Pages | : 257 |
| Release | : 2012-09-18 |
| Genre | : Performing Arts |
| ISBN | : 0786492414 |
Film history is merged with psychiatric history seamlessly, to show how and why bad depictions of mind doctors (especially hypnotists) occur in early film, long before Hannibal Lecter burst upon the scene. The German Expressionist Dr. Caligari is not cinema's first psychotic charlatan, but he launches the stereotype of screen psychiatrists who are sicker than their patients. Many film psychiatrists function as political metaphors, while many more reflect real life clinical controversies. This book discusses films with diabolical drugging, unethical experimentation, involuntary incarceration, sexual exploitation, lobotomies, "shock schlock," conspiracy theories and military medicine, to show how fact informs fantasy, and when fantasy trumps reality. Traditional asylum thrillers changed after hospital stays shortened and laws protected people against involuntary commitment. Except for six short "golden years" from 1957 to 1963, portrayals of bad psychiatrists far outnumber good ones and this book tells how and why that was.
| Author | : Dr. Lynne Fenton |
| Publisher | : Penguin |
| Total Pages | : 313 |
| Release | : 2022-07-19 |
| Genre | : True Crime |
| ISBN | : 0593101308 |
A compelling look at violence and trauma from the psychiatrist who treated mass shooter James Holmes, perpetrator of the infamous movie theater massacre. As an expert and speaker on mass shootings and gun violence, Dr. Lynn Fenton knew it was impossible to “spot a killer.” But when she met her new patient, troubled grad student James Holmes, the hair on her arms stood up. She feared he was going to kill. Yet she could find no way to thwart him. A few months later, Holmes struck: he entered a packed movie theater and opened fire, killing twelve people and wounding seventy; some were left brain damaged, several were paralyzed for life. Immediately the familiar debates reignited: The crisis of mental health access. More restrictive gun laws vs more “good guys with guns.” The morality of the death penalty. The legitimacy of the insanity defense. But what about the victims and bystanders whose lives would never be the same? Dr. Fenton’s memoir is a voice for them. Her inability to thwart Holmes’s mass murder made her a scapegoat and elicited innumerable death threats. Her chilling account provides an intimate look at her life before and after the Aurora massacre, as well as alarming insight into the sinister patient who called himself “fear incarnate.” With unprecedented access to thousands of pages of documents, audio and video recordings, trial transcripts, medical records, and notes, Aurora attempts to answer the question Holmes himself posed in his infamous notebook: “Why? Why? Why?”
| Author | : Dr. Lynne Fenton |
| Publisher | : Penguin |
| Total Pages | : 313 |
| Release | : 2022-07-19 |
| Genre | : True Crime |
| ISBN | : 0593101294 |
A compelling look at violence and trauma from the psychiatrist who treated mass shooter James Holmes, perpetrator of the infamous movie theater massacre. As an expert and speaker on mass shootings and gun violence, Dr. Lynn Fenton knew it was impossible to “spot a killer.” But when she met her new patient, troubled grad student James Holmes, the hair on her arms stood up. She feared he was going to kill. Yet she could find no way to thwart him. A few months later, Holmes struck: he entered a packed movie theater and opened fire, killing twelve people and wounding seventy; some were left brain damaged, several were paralyzed for life. Immediately the familiar debates reignited: The crisis of mental health access. More restrictive gun laws vs more “good guys with guns.” The morality of the death penalty. The legitimacy of the insanity defense. But what about the victims and bystanders whose lives would never be the same? Dr. Fenton’s memoir is a voice for them. Her inability to thwart Holmes’s mass murder made her a scapegoat and elicited innumerable death threats. Her chilling account provides an intimate look at her life before and after the Aurora massacre, as well as alarming insight into the sinister patient who called himself “fear incarnate.” With unprecedented access to thousands of pages of documents, audio and video recordings, trial transcripts, medical records, and notes, Aurora attempts to answer the question Holmes himself posed in his infamous notebook: “Why? Why? Why?”
| Author | : Sharon Packer MD |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 217 |
| Release | : 2007-09-30 |
| Genre | : Performing Arts |
| ISBN | : 1573567280 |
By looking at the interactions between cinema and psychology, Packer offers readers clear and basic insights into some of the most fundamental reasons why film is such an important influence upon our lives today. Movies and the Modern Psyche first describes the basic concepts of psychoanalysis, experimental psychology, behavioral conditioning, and hypnosis, which have all played major roles in the histories of both film and psychiatry. It then goes on to discuss the recent rise in film therapy, drug treatments, treatment for drug abuse, and the closing of asylums, to show how shifts in treatment techniques, theories, and settings are foreshadowed and fossilized by film. Psychology and cinema are kindred cousins, born at the same time and developing together, so that each influences the other. From the mind-controlling villains that occupy early horror films and Cold War thrillers (like Caligari, Mabuse, and The Ipcress File), to the asylums that house numberless political allegories and personal dramas (in Shock Corridor, Spellbound, One Flew over the Cuckoo's Nest, and Girl Interrupted), to the drugs, phobias, and disorders that pervade so many of our favorite films (including, as a small sample, Vertigo, Night of the Hunter, Psycho, Rainman, Fight Club, Requiem for a Dream, and Batman Begins), there is no escaping either psychology in the movies, or the movies in psychology. By looking at the interactions between cinema and psychology, this book offers readers clear and basic insights into some of the most fundamental reasons why film is such an important influence upon our lives today. Movies and the Modern Psyche first describes the basic concepts of psychoanalysis, experimental psychology, behavioral conditioning, and hypnosis, which have all played major roles in the histories of both film and psychiatry. It then goes on to discuss the recent rise in film therapy, drug treatments, treatment for drug abuse, and the closing of asylums, to show how shifts in treatment techniques, theories, and settings are foreshadowed and fossilized by film.
| Author | : Sharon Packer |
| Publisher | : Praeger |
| Total Pages | : 224 |
| Release | : 2007-09-30 |
| Genre | : Performing Arts |
| ISBN | : |
By looking at the interactions between cinema and psychology, Packer offers readers clear and basic insights into some of the most fundamental reasons why film is such an important influence upon our lives today. Movies and the Modern Psyche first describes the basic concepts of psychoanalysis, experimental psychology, behavioral conditioning, and hypnosis, which have all played major roles in the histories of both film and psychiatry. It then goes on to discuss the recent rise in film therapy, drug treatments, treatment for drug abuse, and the closing of asylums, to show how shifts in treatment techniques, theories, and settings are foreshadowed and fossilized by film. Psychology and cinema are kindred cousins, born at the same time and developing together, so that each influences the other. From the mind-controlling villains that occupy early horror films and Cold War thrillers (like Caligari, Mabuse, and The Ipcress File), to the asylums that house numberless political allegories and personal dramas (in Shock Corridor, Spellbound, One Flew over the Cuckoo's Nest, and Girl Interrupted), to the drugs, phobias, and disorders that pervade so many of our favorite films (including, as a small sample, Vertigo, Night of the Hunter, Psycho, Rainman, Fight Club, Requiem for a Dream, and Batman Begins), there is no escaping either psychology in the movies, or the movies in psychology. By looking at the interactions between cinema and psychology, this book offers readers clear and basic insights into some of the most fundamental reasons why film is such an important influence upon our lives today. Movies and the Modern Psyche first describes the basic concepts of psychoanalysis, experimental psychology, behavioral conditioning, and hypnosis, which have all played major roles in the histories of both film and psychiatry. It then goes on to discuss the recent rise in film therapy, drug treatments, treatment for drug abuse, and the closing of asylums, to show how shifts in treatment techniques, theories, and settings are foreshadowed and fossilized by film.
| Author | : Fernando Espi Forcen |
| Publisher | : CRC Press |
| Total Pages | : 363 |
| Release | : 2016-10-14 |
| Genre | : Medical |
| ISBN | : 131535392X |
Descriptions of monsters, vampires, demonic possessions, and psychopaths in horror films have been inspired by psychiatric knowledge about mental illness, leading to several stereotyped models of horror that have prevailed through decades. Some scholars have proposed that horror films can be a teaching tool for psychopathology, but for the most part the genre has been underutilized as a learning tool. This book explores the idea of relating horror films to psychiatric ideas as a way of engaging people in learning.
| Author | : Steve Lopez |
| Publisher | : Penguin |
| Total Pages | : 207 |
| Release | : 2008-04-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 1440638276 |
The New York Times bestselling true story that inspired the major motion picture—an “unforgettable tale of hope, heart and humanity”(People). Journalist Steve Lopez discovered of Nathaniel Ayers, a former classical bass student at Julliard, playing his heart out on a two-string violin on Los Angeles’s Skid Row. Deeply affected by the beauty of Ayers’s music, Lopez took it upon himself to change the prodigy's life—only to find that their relationship would have a profound change on his own. “An intimate portrait of mental illness, of atrocious social neglect, and the struggle to resurrect a fallen prodigy.”—Mark Bowden, author of Black Hawk Down
| Author | : Joel E. Dimsdale |
| Publisher | : Yale University Press |
| Total Pages | : 301 |
| Release | : 2021-08-10 |
| Genre | : Psychology |
| ISBN | : 0300247176 |
A harrowing account of brainwashing’s pervasive role in the twentieth and twenty-first centuries This gripping book traces the evolution of brainwashing from its beginnings in torture and religious conversion into the age of neuroscience and social media. When Pavlov introduced scientific approaches, his research was enthusiastically supported by Lenin and Stalin, setting the stage for major breakthroughs in tools for social, political, and religious control. Tracing these developments through many of the past century’s major conflagrations, Dimsdale narrates how when World War II erupted, governments secretly raced to develop drugs for interrogation. Brainwashing returned to the spotlight during the Cold War in the hands of the North Koreans and Chinese. In response, a huge Manhattan Project of the Mind was established to study memory obliteration, indoctrination during sleep, and hallucinogens. Cults used the techniques as well. Nobel laureates, university academics, intelligence operatives, criminals, and clerics all populate this shattering and dark story—one that hasn’t yet ended.
| Author | : David Church |
| Publisher | : Edinburgh University Press |
| Total Pages | : 281 |
| Release | : 2021-02-01 |
| Genre | : Fiction |
| ISBN | : 1474475906 |
Horror’s longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror,' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.
| Author | : Eelco F. M. Wijdicks |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 385 |
| Release | : 2020 |
| Genre | : Medical |
| ISBN | : 0190685794 |
Cinema, MD follows the intersection of medicine and film and how filmmakers wrote a history of medicine over time, analyzing not only changing practices, changing morals, and changing expectations but also medical stereotypes, medical activism, and violations of patients' integrity and autonomy. Examining over 400 films with medical themes over a century of cinema, this book establishes the cultural, medical, and historical importance of the artform.
