Cinema In Central Asia
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| Author | : Michael Rouland |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 414 |
| Release | : 2013-09-17 |
| Genre | : Performing Arts |
| ISBN | : 0857734210 |
Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers.
| Author | : Michael Rouland |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 318 |
| Release | : 2013-09-17 |
| Genre | : History |
| ISBN | : 0857722786 |
Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers.
| Author | : Peter Rollberg |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 467 |
| Release | : 2021-02-12 |
| Genre | : History |
| ISBN | : 1793641757 |
This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon. The author’s analysis places leading directors—Shaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet Khodzhikov, Mazhit Begalin—in their sociopolitical and cultural context.
| Author | : Gönül Dönmez-Colin |
| Publisher | : Intellect (UK) |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Motion picture industry |
| ISBN | : 9781841505497 |
Updated collections of recent interviews with filmmakers whose works represent trends in the film industries of Central Asia and the Middle East, these two new geospecific editions expand upon the earlier volume Cinemas of the Other: A Personal Journey with Film-Makers from the Middle East and Central Asia. Following an introduction delineating the histories of the film industries of the countries that make up the Middle East and Central Asia - including Iran, Turkey, and the Central Asian republics of Kazakhstan, Kyrgyzstan, Tajikstan, Turkmenistan and Uzbekistan - both books contain interviews stretching over a decade, which position the filmmakers and their creative concerns within the social or political context of their respective countries. The striking variety of approaches toward each interview creates a rich diversity of tone and opens the door to a better understanding of images of 'otherness' in film. In addition to transcripts of the interviews, each chapter also includes stills from important films discussed, biographical information about the filmmakers and filmographies of their works. Gönül Dönmez-Colin offers in these expanded editions a carefully researched and richly detailed firsthand account of the developments and trends in these regional film industries that is sure to be appreciated by film scholars and researchers of the Middle East and Central Asia.
| Author | : Cloé Drieu |
| Publisher | : Indiana University Press |
| Total Pages | : 327 |
| Release | : 2019-01-01 |
| Genre | : Social Science |
| ISBN | : 0253037867 |
This study examines the creation of the Soviet State in Central Asia through the lens of Uzbek cinema—from the collapse of the Russian Empire to WWII. Between the founding of Soviet Uzbekistan in 1924 and the Stalinist Terror of the late 1930s, a nationalist cinema emerged. In Cinema, Nation, and Empire in Uzbekistan Cloé Drieu argues that the Uzbek films of this period provide a perfect angle for viewing the complex history of domination, nationalism, and empire building within the Soviet sphere. By exploring all of film’s dimensions—including production, reception, and discourse—Drieu reveals how nation and empire were built up as institutional realities and as imaginary constructs. Combining research in the Uzbek and Russian State Archives and in-depth analyses of fourteen films, Drieu’s work examines the debates within the totalitarian and so-called revisionist schools that invigorated Soviet historiography. Revised and expanded from the original French, Cinema, Nation, and Empire in Uzbekistan helps us to understand how Central Asia, formerly part of the Russian Empire, was decolonized, only to suffer a new style of domination in the run-up to the Stalinist period and repression of the late 1930s.
| Author | : Aaron Han Joon Magnan-Park |
| Publisher | : Springer |
| Total Pages | : 742 |
| Release | : 2018-11-04 |
| Genre | : Performing Arts |
| ISBN | : 1349958220 |
This collection offers new approaches to theorizing Asian film in relation to the history, culture, geopolitics and economics of the continent. Bringing together original essays written by established and emerging scholars, this anthology transcends the limitations of national borders to do justice to the diverse ways in which the cinema shapes Asia geographically and imaginatively in the world today. From the revival of the Silk Road as the “belt and road” of a rising China to historical ruminations on the legacy of colonialism across the continent, the authors argue that the category of “Asian cinema” from Turkey to the edges of the Pacific continues to play a vital role in cutting-edge film research. This handbook will serve as an essential guide for committed scholars, students, and all those interested in the past, present, and possible future of Asian cinema in the 21st century.
| Author | : Sevket Akyildiz |
| Publisher | : Routledge |
| Total Pages | : 223 |
| Release | : 2013-10-15 |
| Genre | : Political Science |
| ISBN | : 1134495137 |
Focusing on Soviet culture and its social ramifications both during the Soviet period and in the post-Soviet era, this book addresses important themes associated with Sovietisation and socialisation in the Central Asian states of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan. The book contains contributions from scholars in a variety of disciplines, and looks at topics that have been somewhat marginalised in contemporary studies of Central Asia, including education, anthropology, music, literature and poetry, film, history and state-identity construction, and social transformation. It examines how the Soviet legacy affected the development of the republics in Central Asia, and how it continues to affect the society, culture and polity of the region. Although each state in Central Asia has increasingly developed its own way, the book shows that the states have in varying degrees retained the influence of the Soviet past, or else are busily establishing new political identities in reaction to their Soviet legacy, and in doing so laying claim to, re-defining, and reinventing pre-Soviet and Soviet images and narratives. Throwing new light and presenting alternate points of view on the question of the Soviet legacy in the Soviet Central Asian successor states, the book is of interest to academics in the field of Russian and Central Asian Studies.
| Author | : Adle, Chahryar |
| Publisher | : UNESCO Publishing |
| Total Pages | : 1008 |
| Release | : 2005-10-03 |
| Genre | : Political Science |
| ISBN | : 9231039857 |
This major six-volume project, co-published with Macmillan, covers the historical experience of the peoples and societies of the Caribbean region from the earliest times to the present day. The sixth volume brings this series to an end as it takes in the whole of the modern period from colonial conquest and domination to decolonization; the Cold War from start to finish; the disintegration of the Soviet Union; and the renewed instability in certain areas. Not only did the colonial regimes lay a new patina over the region, but nationalism remoulded all old identities into a series of new ones. That process of the twentieth century was perhaps the most transformative of all after the colonial subjugation of the nineteenth. While it has been the basis of remarkable stability in vast stretches of the region, it has been a fertile source of tension and even wars in other parts. The impact and the results of such changes have been astonishingly variable despite the proximity of these states to each other and their being subject to, or driven, by virtually the same compulsions.
| Author | : Alexander Morrison |
| Publisher | : Manchester University Press |
| Total Pages | : 339 |
| Release | : 2019-10-02 |
| Genre | : History |
| ISBN | : 1526129442 |
The 1916 Revolt was a key event in the history of Central Asia, and of the Russian Empire in the First World War. This volume is the first comprehensive re-assessment of its causes, course and consequences in English for over sixty years. It draws together a new generation of leading historians from North America, Japan, Europe, Russia and Central Asia, working with Russian archival sources, oral narratives, poetry and song in Kazakh and Kyrgyz. These illuminate in unprecedented detail the origins and causes of the revolt, and the immense human suffering which it entailed. They also situate the revolt in a global perspective as part of a chain of rebellions and disturbances that shook the world’s empires, as they crumbled under the pressures of total war.
| Author | : Rafis Abazov |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 325 |
| Release | : 2006-12-30 |
| Genre | : Social Science |
| ISBN | : 0313056188 |
The Central Asian Republics of Kazakhstan, Kyrgyzstan, Turkmenistan, Tajikistan, and Uzbekistan won their independence from the Soviet Union in 1991. Now they are emerging from the shadow of dominance and are subjects of intense interest from the West. The modern culture and customs of the various peoples in these geopolitical hotspots, straddling the far reaches of Europe into Asia, are revealed to a general audience for the first time. This will be the must-have volume for a broad, authoritative overview of these traditional civilizations as they cope with globalization.
