Cinema In An Age Of Terror
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Author | : Brad Sykes |
Publisher | : McFarland |
Total Pages | : 313 |
Release | : 2018-04-30 |
Genre | : Performing Arts |
ISBN | : 1476672415 |
Set in the American Southwest, "desert terror" films combine elements from horror, film noir and road movies to tell stories of isolation and violence. For more than half a century, these diverse and troubling films have eluded critical classification and analysis. Highlighting pioneering filmmakers and bizarre production stories, the author traces the genre's origins and development, from cult exploitation (The Hills Have Eyes, The Hitcher) to crowd-pleasing franchises (Tremors, From Dusk Till Dawn) to quirky auteurist fare (Natural Born Killers, Lost Highway) to more recent releases (Bone Tomahawk, Nocturnal Animals). Rare stills, promotional materials and a filmography are included.
Author | : Bryan Senn |
Publisher | : McFarland |
Total Pages | : 529 |
Release | : 2015-09-03 |
Genre | : Performing Arts |
ISBN | : 1476610894 |
From the grindhouse oddities to major studio releases, this work details 46 horror films released during the genre's golden era. Each entry includes cast and credits, a plot synopsis, in-depth critical analysis, contemporary reviews, time of release, brief biographies of the principal cast and crew, and a production history. Apart from the 46 main entries, 71 additional "borderline horrors" are examined and critiqued in an appendix.
Author | : Sophia A. McClennen |
Publisher | : Comparative Cultural Studies |
Total Pages | : 348 |
Release | : 2010 |
Genre | : Political Science |
ISBN | : 9781557535689 |
Written in the context of critical dialogues about the war on terror and the global crisis in human rights violations, authors of this collected volume discuss aspects of terror with regard to human rights events across the globe, but especially in the United States, Latin America, and Europe. Their discussion and reflection demonstrate that the need to question continuously and to engage in permanent critique does not contradict the need to seek answers, to advocate social change, and to intervene critically. With contributions by scholars, activists, and artists, the articles collected here offer strategies for intervening critically in debates about the connections between terror and human rights as they are taking place across contemporary society. The work presented in the volume is intended for scholars, as well as undergraduate and graduate students in the fields of the humanities and social sciences, including political science, sociology, history, literary study, cultural studies, and cultural anthropology.
Author | : Michael F. O'Riley |
Publisher | : U of Nebraska Press |
Total Pages | : 0 |
Release | : 2010-06-01 |
Genre | : Performing Arts |
ISBN | : 0803228090 |
Films such as The Battle of Algiers, Days of Glory, Caché, and recent works by Maghrebien filmmakers all exemplify, in different ways, how this focus on victimization can become a problematic perspective - one in fact seeking to occupy ideological territory. Their return of colonial history to our contemporary context, although frequently problematic, enables us to see how victimization is very much about territory - cultural, spatial, and ideological - and how resistance to new forms of imperialist warfare and terror today must be located outside these haunting images from colonial history. Although such images of victimization ultimately only return as spectacular acts that draw our attention away from the cyclical contest over territory that they embody, those images nonetheless have the last word."--BOOK JACKET.
Author | : Terence McSweeney |
Publisher | : Edinburgh University Press |
Total Pages | : 352 |
Release | : 2016-12-05 |
Genre | : Performing Arts |
ISBN | : 1474413838 |
American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.
Author | : Stephen Morton |
Publisher | : Palgrave MacMillan |
Total Pages | : 256 |
Release | : 2008-05-29 |
Genre | : Philosophy |
ISBN | : |
This book focuses on the relationship between literary culture, power, society and war. It assesses the critical importance of Michel Foucault's lecture series Society Must Be Defended for contemporary debates about war and terror in literary and cultural studies, as well as social and political thought.
Author | : Jeff Birkenstein |
Publisher | : A&C Black |
Total Pages | : 258 |
Release | : 2010-05-13 |
Genre | : Social Science |
ISBN | : 1441119051 |
A collection of analyses focusing on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events.
Author | : Strobe Talbott |
Publisher | : Basic Books |
Total Pages | : 262 |
Release | : 2009-07-21 |
Genre | : History |
ISBN | : 0786749997 |
Momentous events have a way of connecting individuals both to history and to one another. So it was on September 11. Even before more than 4000 people died in less than two hours, there were farewell messages from the sky. In their last minutes, doomed passengers used cell phones to reach loved ones. A short time later, office workers trapped high in the burning towers called spouses, children, parents. Never had so many had the means to say good-bye. During the hours afterward, the survivors scrambled to make contact with family and friends. "Are you all right?" they asked. As the enormity of it all began to sink in, the question hanging in the air was, Were we all right? Since September 11, many have noted a humbling irony: the more time we'd spent in the old world and the better we thought we understood its organizing principles, the less ready we were for the new one. Suddenly, familiar terms and concepts were inadequate, starting with the word terrorism itself. The dictionary defines it as violence, particularly against civilians, carried out for a political purpose. September 11 certainly qualified. But American's earlier encounters with terrorism neither anticipated nor encompassed this new manifestation. Commentators instantly evoked Pearl Harbor, that other bolt-from-the-blue raid, sixty years before, as the closest thing to a precedent. But there really was none. This was something new under the sun.
Author | : Harvey Fenton |
Publisher | : |
Total Pages | : 342 |
Release | : 2001 |
Genre | : Performing Arts |
ISBN | : |
Documenting the heyday of independent horror film,production in Britain, 'ten Years of Terror' is an,encyclopaedic record of this era featuring a,stunning selection of film stills and truly great,promotional artwork. Films covered include: 'the,Wicker Man', 'A Clockwork Orange', 'the Devils','Countess Dracula', 'Alien', 'the Omen', 'Killer's,Moon', 'the Rocky Horror Picture Show', 'tales,From the Crypt', 'Frankenstein and the Monster,from Hell' and more! With 48 full-colour pages.,'Gruesomely beautiful and frighteningly good!' -,Hotdog (Book of the Month)
Author | : Todd A. Comer |
Publisher | : McFarland |
Total Pages | : 216 |
Release | : 2013-02-11 |
Genre | : Performing Arts |
ISBN | : 0786472073 |
This collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, including theatrical films by directors such as Steven Spielberg, Darren Aronofsky, Quentin Tarantino and Spike Lee, and post-cinematic works by Wafaa Bilal, Douglas Gordon and Peter Tscherkassky, among others. All of the essays are written with an eye to what may be the central concept of our time, the sublime. The sublime--that which can be thought but not represented (the "unpresentable")--provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism and the limits of freedom. Such essays take the pulse of our cultural moment, while also providing the reader with a sense of the nature of the sublime in critical work, and how it continues to evolve conceptually in the 21st century.