Church Music In America
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| Author | : John Ogasapian |
| Publisher | : Mercer University Press |
| Total Pages | : 306 |
| Release | : 2007 |
| Genre | : Music |
| ISBN | : 9780881460261 |
The history of American church music is a particularly fascinating and challenging subject, if for no other reason than because of the variety of diverse religious groups that have immigrated and movements that have sprung up in American. Indeed, for the first time in modern history-possibly the only time since the rule of medieval Iberia under the Moors-different faiths have co-existed here with a measure of peace- sometimes ill-humored, occasionally hostile, but more often amicable or at least tolerant-influencing and even weaving their traditions into the fabric of one another's worship practices even as they competed for converts in the free market of American religion. This overview traces the musical practices of several of those groups from their arrival on these shores up to the present, and the way in which those practices and traditions influenced each other, leading to the diverse and multi-hued pattern that is American church music at the beginning of the twenty-first century. The tone is non-technical; there are no musical examples, and the musical descriptions are clear and concise. In short, it is a book for interested laymen as well as professional church musicians, for pastors and seminarians as well as students of American religious culture and its history.
| Author | : Richard Rice |
| Publisher | : |
| Total Pages | : 342 |
| Release | : 2020-03-28 |
| Genre | : Religion |
| ISBN | : 9781087902029 |
| Author | : James Abbington |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009-03 |
| Genre | : Music |
| ISBN | : 9781579997670 |
Readings in African American Church Music and Worship features important articles and essays on music and worship written by some of the most influential voices of the past century, including W. E. B. DuBois, Wendell P. Whalum, V. Michael McKay, Wyatt Tee Walker, J. Wendell Mapson Jr., and others.
| Author | : Nola Reed Knouse |
| Publisher | : University Rochester Press |
| Total Pages | : 374 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : 158046260X |
The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship, and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Music of the Moravian Church demonstrates the varied roles that music played in one of America's most distinctive ethno-cultural populations, and presents many distinctive pieces that performers and audiences continue to find rewarding. Contributors: Alice M. Caldwell, C. Daniel Crews, Lou Carol Fix, Pauline M. Fox, Albert H. Frank, Nola Reed Knouse, Laurence Libin, Paul M. Peucker, and Jewel A. Smith. Nola Reed Knouse, director of the Moravian Music Foundation since 1994, is active as a flautist, composer, and arranger. She is the editor of The Collected Wind Music of David Moritz Michael.
| Author | : Nathaniel Duren Gould |
| Publisher | : |
| Total Pages | : 254 |
| Release | : 1853 |
| Genre | : Church music |
| ISBN | : |
| Author | : Nathaniel Duren Gould |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 1853 |
| Genre | : Church music |
| ISBN | : |
| Author | : Edward Dickinson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-05-10 |
| Genre | : Music |
| ISBN | : 9789357954198 |
Music in the History of the Western Church; With an Introduction on Religious Music Among Primitive and Ancient Peoples, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
| Author | : Andrew Gant |
| Publisher | : Profile Books |
| Total Pages | : 605 |
| Release | : 2015-09-24 |
| Genre | : Music |
| ISBN | : 1782830502 |
Andrew Gant's compelling account traces English church music from Anglo-Saxon origins to the present. It is a history of the music and of the people who made, sang and listened to it. It shows the role church music has played in ordinary lives and how it reflects those lives back to us. The author considers why church music remains so popular and frequently tops the classical charts and why the BBC's Choral Evensong remains the longest-running radio series ever. He shows how England's church music follows the contours of its history and is the soundtrack of its changing politics and culture, from the mysteries of the Mass to the elegant decorum of the Restoration anthem, from stern Puritanism to Victorian bombast, and thence to the fractured worlds of the twentieth century as heard in the music of Vaughan Williams and Britten. This is a book for everyone interested in the history of English music, culture and society.
| Author | : Marcell Silva Steuernagel |
| Publisher | : Routledge |
| Total Pages | : 287 |
| Release | : 2021-03-14 |
| Genre | : Religion |
| ISBN | : 1000344789 |
This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework. Scholars who address religious music making in general, and Christian church music in particular, use "performance" in a variety of ways, creating confusion around the term. A systematized performance vocabulary for the study of church music can support interdisciplinary investigations of Christian congregational music making in today’s complex, interconnected world. From the perspective of performance theory, all those involved in church musicking are performing, be it from platform or pew. The book employs a hybrid methodology that combines ethnographic research and theory from ritual studies, ethnomusicology, theology, and church music scholarship to establish performance studies as a possible "next step" in church music studies. It demonstrates the feasibility of studying church music as performance by analyzing ethnographic case studies using a developmental framework based on the concepts of ritual, embodiment, and play/change. This book offers a fresh perspective on Christian congregational music making. It will, therefore, be a key reference work for scholars working in Congregational Music Studies, Ethnomusicology, Ritual Studies and Performance Studies, as well as practitioners interested in examining their own church music practices.
| Author | : Thomas Day |
| Publisher | : Crossroad Publishing |
| Total Pages | : 0 |
| Release | : 1992 |
| Genre | : Religion |
| ISBN | : 9780824511531 |
This book is about the culture of American Christianity and what it does to our understanding of God, self, and community as reflected in the way Christians worship.
