Christine Odlund
Download Christine Odlund full books in PDF, epub, and Kindle. Read online free Christine Odlund ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Maja and Reuben Fowkes |
Publisher | : Thames & Hudson |
Total Pages | : 386 |
Release | : 2022-04-07 |
Genre | : Art |
ISBN | : 0500777845 |
Global awareness of climate change is increasing, and the scientific evidence is incontrovertible: an environmental crisis is upon us. Art and Climate Change presents an overview of ecologically conscious contemporary art that addresses the climate emergency, as artists across the world call for an active, collective engagement with the planet, and illuminate some of the structures that threaten humanitys survival. Across five chapters, curators Maja and Reuben Fowkes examine artworks that respond to the Anthropocene and its detrimental impact on our world, from scenes of nature decimated by ongoing extinction events and landscapes turned to waste by extraction, to art from marginalized communities most affected by the injustice of climate change. What guides the artists gathered together here is an ardent concern for the living, breathing subject of the Earth and all fellow terrestrials caught up in this fast-moving climate drama.
Author | : Rasmus Winther |
Publisher | : Cambridge University Press |
Total Pages | : 395 |
Release | : 2022-11-30 |
Genre | : Science |
ISBN | : 1107170400 |
Human evolutionary genomics illuminates fascinating philosophical questions about our individual identities and collective connections.
Author | : Maja Fowkes |
Publisher | : Thames & Hudson |
Total Pages | : 386 |
Release | : 2022-06-07 |
Genre | : Art |
ISBN | : 0500777853 |
An overview of ecologically conscious contemporary art that responds to today’s environmental crisis, from species extinction to climate change. Art and Climate Change collects a wide range of artistic responses to our current ecological emergency. When the future of life on Earth is threatened, creative production for its own sake is not enough. Through contemporary artworks, artists are calling for an active, collective engagement with the planet in order to illuminate some of the structures that threaten biological survival. Exploring the meeting point of decolonial reparation and ecological restoration, artists are remaking history by drawing on the latest ecological theories, scientific achievements, and indigenous worldviews to engage with the climate crisis. Across five chapters, authors Maja and Reuben Fowkes examine these artworks that respond to the Anthropocene and its detrimental impact on the planet’s climate, from scenes of nature decimated by ongoing extinction events and landscapes turned to waste by extraction, to art coming out of the communities most affected by the environmental injustice of climate change. Featuring a broad range of media, including painting, photography, conceptual, installation, and performance, this text also dives into eco-conscious art practices that have created a new kind of artistic community by stressing a common mission for creators all over the world. In this art history, the authors emphasize the importance of caring for and listening to marginalized and indigenous communities while addressing climate uncertainty, deforestation, toxicity, and species extinction. By proposing scenarios for sustainable futures, today’s artists are reshaping our planet’s history, as documented in this heavily illustrated book.
Author | : UNESCO |
Publisher | : UNESCO Publishing |
Total Pages | : 252 |
Release | : 2017-12-11 |
Genre | : Education |
ISBN | : 9231002562 |
"This Report demonstrates that innovative cultural policies implemented at regional and local levels have a positive impact on the whole of cultural governance. It highlights the strategic frameworks best adapted to the digital environment, the emergence of exchange platforms and the dynamism of artistic incubators in the global South. It also points to the persistent inequalities and underrepresentation of women in the culture sector, trade barriers on cultural goods and services from the global South and the vulnerability of artists at risk. By providing yet unpublished statistics and data in these areas, this Report is essential for developing and implementing public policies that are adapted to the evolving needs of the culture sector"--Foreword.
Author | : Richard Julin |
Publisher | : Skira |
Total Pages | : 0 |
Release | : 2016-11 |
Genre | : |
ISBN | : 9788857232089 |
A monograph devoted to the original Swedish artist and composer. This book is published on the occasion of the extensive solo exhibition by Christine Ödlund (the first large institutional presentation of her work in Sweden). Since the first solo exhibition at the alternative art space Ynglingagatan 1 in Stockholm in 1995, Ödlund has continued to create unique encounters between art, science and music. Her artistic practice includes a wide range of media including drawing, painting, sculpture, animation, installations with living plants, electroacoustic music, and more. Ödlund's artworks draw inspiration from fields such as theosophy, synesthesia and biology. For example, she has researched how plants, specifically stinging nettles, interact and communicate with one another at the Royal Institute of Technology's Department of Organic Chemistry in Stockholm. During the course of this exhibition, Ödlund will expand her study of sensory reactions, to a greater variety of plant species. The exhibition will present new sculptures, works on paper, and video works alongside large-scale site-specific installations with live plants that visitors will be able to step into. These various elements combine to create an all-encompassing experience. In what could be seen as a laboratory that cross-references science and esoteric knowledge, Ödlund opens up a holistic world where detailed studies of natural phenomena can be seen from very different perspectives.
Author | : James Hutson |
Publisher | : Springer Nature |
Total Pages | : 291 |
Release | : |
Genre | : |
ISBN | : 3031580451 |
Author | : Carl Abrahamsson |
Publisher | : Simon and Schuster |
Total Pages | : 526 |
Release | : 2024-10-01 |
Genre | : Body, Mind & Spirit |
ISBN | : 1644118491 |
• Explores the author’s extensive connections with infamous occultists and organizations, including Genesis P-Orridge and Thee Temple Ov Psychick Youth, Anton LaVey and the Church of Satan, and the Ordo Templi Orientis • Details the underlying occult impulses and magical experiences guiding the author’s artistic journey, his experiences in psychedelic culture and the punk subculture, and his experimentation with sex magic, occulture, and sigil magic What does it mean to live a life as an occultist? There may be no single answer, but for Carl Abrahamsson, it has entailed work in music, art, and film as well as deep engagement with renowned occult figures and organizations for more than 40 years. Illustrating the possibilities of a life infused with magic, Abrahamsson reflects on his decades spent in the company of some of the most unconventional thinkers of the late 20th and early 21st centuries. He reveals his involvement with psychedelic culture, the punk subculture, and numerous occult figures and organizations, including Genesis P-Orridge and Thee Temple Ov Psychick Youth, Anton LaVey’s Church of Satan, the Ordo Templi Orientis, and a branch of the American Golden Dawn. Interwoven with his occult experiences and meetings with infamous practitioners of magic, Abrahamsson describes his evolution as a multidisciplinary artist, always imbuing his diverse artistic practice with a developing occult philosophy. He also details his ongoing efforts to disseminate the occult arts via publishing companies like Psychick Release, Looking Glass Press, Edda Publishing, Trapart Books, and the occultural journal The Fenris Wolf—as well as fieldwork in Tibet, Nepal, and India through the Institute of Comparative Magico-anthropology. Through each encounter and reflection on the magical, shamanic, and mystical practices that structured his own life, Abrahamsson illuminates how it’s possible to experience a life of wisdom and miracles.
Author | : Sarah Victoria Turner |
Publisher | : Fulgur Press |
Total Pages | : 160 |
Release | : 2019-08-20 |
Genre | : Art |
ISBN | : 9781527228818 |
When the occult came to the American West: individualism and magic in the art of California, from Agnes Pelton to Jess "It is in America that the transformation will take place, and has already silently commenced." With these words, written in The Secret Doctrine in 1888, occultist philosopher Helena Blavatsky drew a direct connection between the Theosophical Society and the dynamic energy of 19th-century Americanism. Blavatsky and her successors identified the American West as the perfect site for a rebirth and re-enchantment of humanity, drawing those seeking spiritual fulfilment outside of organized religion to the dramatic landscapes of California, Arizona, Utah and New Mexico--places which have long beckoned searchers of all kinds. The syncretic nature of Theosophy allowed for and even encouraged individualism in belief, making Theosophy a good fit for the notions of freedom and personal agency that characterized the American West in the popular imaginary. Among those drawn to the American West seeking spiritual answers in the early 20th century were artists. In 2014, the Nora Eccles Harrison Museum at Utah State University staged the first exhibition to explore artistic responses to this confluence of enchanted thought and the American West. Building on this precedent, Enchanted Modernities: Theosophy, the Arts and the American West is the first publication devoted to studying these relationships in art and music. Through a series of color plates, contextual essays, interviews and interpretations of individual works by artists such as the Dynaton group (Wolfgang Paalen, Gordon Onslow Ford, Lee Mullican), Oskar Fischinger, Emil Bisttram, Lawren Harris, Raymond Jonson, Agnes Pelton, Wolfgang Paalen, Beatrice Wood, Dane Rudhyar and Jess, Enchanted Modernities explores the role of Theosophical thought in redefining the relationship between enchantment and modernism, and fostering lively cultural networks in a region that that has long captured the world's imagination.
Author | : Cristina Rivera Garza |
Publisher | : New York Review of Books |
Total Pages | : 130 |
Release | : 2018-10-01 |
Genre | : Fiction |
ISBN | : 0997366699 |
Fairy tale meets detective drama in this David Lynch–like novel by a writer Jonathan Lethem calls “one of Mexico's greatest . . . we are just barely beginning to catch up to what she has to offer.” A fairy tale run amok, The Taiga Syndrome follows an unnamed Ex-Detective as she searches for a couple who has fled to the far reaches of the earth. A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down—that she wants to be found. He hires the Ex-Detective, who sets out with a translator into a snowy, hostile forest where strange things happen and translation betrays both sense and one’s senses. Tales of Hansel and Gretel and Little Red Riding Hood haunt the Ex-Detective’s quest into a territory overrun with the primitive excesses of Capitalism—accumulation and expulsion, corruption and cruelty—though the lessons of her journey are more experiential than moral: that just as love can fly away, sometimes unloving flies away as well. That sometimes leaving everything behind is the only thing left to do.
Author | : Daniel Birnbaum |
Publisher | : Walther Konig Verlag |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art, Modern |
ISBN | : 9783863353438 |
Hilma af Klint was an abstract pioneer who eschewed representational painting as early as 1906. Her radical spiritual imagery strives to provide insights into the different dimensions of existence. Besides Hilma af Klint's important and radical abstract paintings, she left behind a plethora of notebooks and drawings. Taking one of these, 'A Work on Flowers, Mosses and Lichen', as a starting point, nine contemporary artists were invited to response to Hilma af Klint and her legacy. Hilma af Klint did not want her works to be seen until several decades after her death.