Chinese Paintings of the Middle Qing Dynasty

Chinese Paintings of the Middle Qing Dynasty
Author: Jung Ying Tsao
Publisher:
Total Pages: 300
Release: 1987
Genre: Art
ISBN:

This is the first book that portrays the middle Qing painting. Examples of the works by 62 artists are illustrated in this volume.

Beyond Representation

Beyond Representation
Author: Wen Fong
Publisher: Metropolitan Museum of Art
Total Pages: 571
Release: 1992
Genre: Calligraphy, Chinese
ISBN: 0300057016

Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.

Beauty Revealed

Beauty Revealed
Author:
Publisher:
Total Pages: 136
Release: 2013
Genre: Art
ISBN:

This book brings together some of the worlds finest "meiren hua" (paintings of beautiful women), a genre of Chinese painting spanning the countrys last imperial dynasty (1644-1912). Often dismissed as decorative or misinterpreted as highbrow portraits of ladies, these enigmatic and relatively unexamined works are the subject of close scholarly scrutiny in this publication.

Three Thousand Years of Chinese Painting

Three Thousand Years of Chinese Painting
Author: Richard M. Barnhart
Publisher: Yale University Press
Total Pages: 422
Release: 1997-01-01
Genre: Art
ISBN: 0300094477

Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.

A General History of Chinese Art

A General History of Chinese Art
Author: Xifan Li
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 440
Release: 2022-10-03
Genre: Art
ISBN: 3110790939

This volume investigates the artistic development during the Qing Dynasty, the last of imperial Chinese dynasties, and shows the importance of opera and playwriting during this time period. Further analysis is dedicated to the development of scroll painting and the revival of calligraphy and seal carving. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.

Beyond Chinoiserie

Beyond Chinoiserie
Author: Petra ten-Doesschate Chu
Publisher: BRILL
Total Pages: 339
Release: 2018-11-01
Genre: Art
ISBN: 9004387838

The complex interweaving of different Western visions of China had a profound impact on artistic exchange between China and the West during the nineteenth century. Beyond Chinoiserie addresses the complexity of this exchange. While the playful Western “vision of Cathay” formed in the previous century continued to thrive, a more realistic vision of China was increasingly formed through travel accounts, paintings, watercolors, prints, book illustrations, and photographs. Simultaneously, the new discipline of sinology led to a deepening of the understanding of Chinese cultural history. Leading and emerging scholars in the fields of art history, literary studies and material culture, have authored the ten essays in this book, which deal with artistic relations between China and the West at a time when Western powers’ attempts to extend a sphere of influence in China led to increasingly hostile political interactions.

Ancient Chinese Art

Ancient Chinese Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Total Pages: 97
Release: 1987
Genre: Art
ISBN: 0870994832

Chinese Landscape Painting as Western Art History

Chinese Landscape Painting as Western Art History
Author: James Elkins
Publisher: Hong Kong University Press
Total Pages: 208
Release: 2010-06-01
Genre: Art
ISBN: 9622090001

This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings. He argues that the search for optimal comparisons is itself a modern, Western interest, and that art history as a discipline is inherently Western in several identifiable senses. Although he concentrates on art history in this book, and on Chinese painting in particular, these issues bear implications for Sinology in general, and for wider questions about humanistic inquiry and historical writing. Jennifer Purtle's Foreword provides a useful counterpoint from the perspective of a Chinese art specialist, anticipating and responding to other specialists’ likely reactions to Elkins's hypotheses.

Art in China

Art in China
Author: Craig Clunas
Publisher: Oxford University Press, USA
Total Pages: 260
Release: 1997
Genre: Art
ISBN: 9780192842077

China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s,examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a fewspecialists, and will be totally new to a general audience.

Possessing the Past

Possessing the Past
Author: 國立故宮博物院
Publisher: Metropolitan Museum of Art
Total Pages: 666
Release: 1996
Genre: Art
ISBN: 0810964945

A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR