Chekhov--the Silent Voice of Freedom
| Author | : Valentine Tschebotarioff Bill |
| Publisher | : |
| Total Pages | : 286 |
| Release | : 1987 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Chekhov The Silent Voice Of Freedom
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Interpreting Chekhov
| Author | : Geoffrey Borny |
| Publisher | : ANU E Press |
| Total Pages | : 324 |
| Release | : 2006-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 1920942688 |
The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov's dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays. The author suggests that, by accepting that Chekhov's plays are synthetic tragi-comedies which juxtapose potentially tragic sub-texts with essentially comic texts, critics and directors are more likely to produce richer and more deeply satisfying interpretations of these works. Besides being of general interest to any reader interested in understanding Chekhov's work, the book is intended to be of particular interest to students of Drama and Theatre Studies and to potential directors of these subtle plays.
Autonomy
| Author | : Nicholas Brown |
| Publisher | : Duke University Press |
| Total Pages | : 215 |
| Release | : 2019-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 1478002670 |
In Autonomy Nicholas Brown theorizes the historical and theoretical argument for art's autonomy from its acknowledged character as a commodity. Refusing the position that the distinction between art and the commodity has collapsed, Brown demonstrates how art can, in confronting its material determinations, suspend the logic of capital by demanding interpretive attention. He applies his readings of Marx, Hegel, Adorno, and Jameson to a range of literature, photography, music, television, and sculpture, from Cindy Sherman's photography and the novels of Ben Lerner and Jennifer Egan to The Wire and the music of the White Stripes. He demonstrates that through their attention and commitment to form, such artists turn aside the determination posed by the demand of the market, thereby defeating the foreclosure of meaning entailed in commodification. In so doing, he offers a new theory of art that prompts a rethinking of the relationship between art, critical theory, and capitalism.
A Philosophy of Gun Violence
| Author | : Alan J. Reid |
| Publisher | : Springer Nature |
| Total Pages | : 206 |
| Release | : 2022-08-20 |
| Genre | : Philosophy |
| ISBN | : 3031110048 |
This book uses a philosophy of technology to demonstrate that guns are predisposed for an intentional use, making them inherently non-neutral artifacts. This argument rejects the often-cited value neutral thesis and instrumentalist view that “guns don’t kill people; people kill people”, and instead, explains the lethality of the gun through the lenses of affordance theory, behavioral design, and choice architecture. Ultimately, this book proposes an ethical and value-sensitive model for gun reform, which embodies the perspective of French philosopher Bruno Latour, who said, “You are different with a gun in your hand; the gun is different with you holding it.”
Narrative Theory
| Author | : Kent Puckett |
| Publisher | : Cambridge University Press |
| Total Pages | : 361 |
| Release | : 2016-11-07 |
| Genre | : Literary Criticism |
| ISBN | : 1316798887 |
Kent Puckett's Narrative Theory: A Critical Introduction provides an account of a methodology increasingly central to literary studies, film studies, history, psychology and beyond. In addition to introducing readers to some of the field's major figures and their ideas, Puckett situates critical and philosophical approaches towards narrative within a longer intellectual history. The book reveals one of narrative theory's founding claims - that narratives need to be understood in terms of a formal relation between story and discourse, between what they narrate and how they narrate it - both as a necessary methodological distinction and as a problem characteristic of modern thought. Puckett thus shows that narrative theory is not only a powerful descriptive system but also a complex and sometimes ironic form of critique. Narrative Theory offers readers an introduction to the field's key figures, methods and ideas, and it also reveals that field as unexpectedly central to the history of ideas.
Performing Emotions
| Author | : Peta Tait |
| Publisher | : Taylor & Francis |
| Total Pages | : 208 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351912119 |
In Performing Emotions, Peta Tait's central argument is that performing emotions in realism is also performing gender identity. This study integrates scholarship on realist drama, theatre and approaches to acting, with interdisciplinary theories of emotion, phenomenology and gender theory. With chapters devoted to masculinity and femininity specifically, as well as to emotions generally, it investigates social beliefs about emotions through Chekhov's four major plays in translation, and English language commentaries on Constantin Stanislavski's direction (of the play's first productions) and his approaches to acting, and Olga Knipper's acting of the central women characters. Tait demonstrates how theatrical emotions are predicated on embodied social performances and create cultural spaces of emotions. Performing Emotions investigates how sexual difference impacts on the representations of emotions. The book develops an accumulative analysis of the meanings of emotions in twentieth century realist drama, theatre and acting.
The Cherry Orchard
| Author | : Anton Chekhov |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 155 |
| Release | : 2016-12-15 |
| Genre | : Drama |
| ISBN | : 1350013609 |
'Frayn's translation, which strikes me as splendidly lucid and alive . . . will be acted again and again' New Statesman In Chekhov's tragi-comedy - perhaps his most popular play - the Gayev family is torn by powerful forces deeply rooted in history and the society in which they live. Their estate is hopelessly in debt: urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, they struggle to act decisively. Originally published to coincide with Peter Hall's National Theatre production in 1978, this edition features the revised translation staged by Sam Mendes at the Aldwych Theatre, London, in 1989, starring Judi Dench and Ronald Pickup. Commentary and notes by Nick Worrall
The Centrality of Crime Fiction in American Literary Culture
| Author | : Alfred Bendixen |
| Publisher | : Taylor & Francis |
| Total Pages | : 314 |
| Release | : 2017-06-26 |
| Genre | : Literary Criticism |
| ISBN | : 1317190718 |
This collection of essays by leading scholars insists on a larger recognition of the importance and diversity of crime fiction in U.S. literary traditions. Instead of presenting the genre as the property of Dashiell Hammett and Raymond Chandler, this book maps a larger territory which includes the domains of Mark Twain, F. Scott Fitzgerald, William Faulkner, Richard Wright, Flannery O’Connor, Cormac McCarthy and other masters of fiction.The essays in this collection pay detailed attention to both the genuine artistry and the cultural significance of crime fiction in the United States. It emphasizes American crime fiction’s inquiry into the nature of democratic society and its exploration of injustices based on race, class, and/or gender that are specifically located in the details of American experience.Each of these essays exists on its own terms as a significant contribution to scholarship, but when brought together, the collection becomes larger than the sum of its pieces in detailing the centrality of crime fiction to American literature. This is a crucial book for all students of American fiction as well as for those interested in the literary treatment of crime and detection, and also has broad appeal for classes in American popular culture and American modernism.
The Incorporeal Corpse
| Author | : Jason B. Dorwart |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 159 |
| Release | : 2022-09-23 |
| Genre | : Performing Arts |
| ISBN | : 1793645086 |
In this book, Jason B. Dorwart contends that the material presence of visible disability disrupts the framing devices that provide safe distancing for theatre’s fictive nature. Conceptions of disability that place the disabled body into a permanently liminal space between life and death are directly at odds with theatrical performances, which are geared toward moving through liminality into a new point of stasis. Dorwart reveals how this contradiction leads to performance practices that work to marginalize and eliminate the presence of disabled bodies of both character and actor, as disabled characters have historically been written with different character arcs than nondisabled characters and with the assumption that they would be played by nondisabled actors. As more disabled actors gain exposure in film and theatre, the difference in how disabled characters are written is also increasingly affected by whether the role is intended for a disabled or nondisabled actor. These performances are enacting new means to performatively and figuratively reincorporate or eliminate the liminal disabled body. The Incorporeal Corpse demonstrates how recent plays and films try to rectify this tension between the permanence of disability and the transitory nature of performance. Scholars of theatre, disability studies, and performance studies will find this book of particular interest.
Prose Fiction: An Introduction to the Semiotics of Narrative
| Author | : Ignasi Ribó |
| Publisher | : Open Book Publishers |
| Total Pages | : 119 |
| Release | : 2019-12-13 |
| Genre | : Education |
| ISBN | : 1783748125 |
This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.
