Charlie Chaplin And The Nazis
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| Author | : Norbert Aping |
| Publisher | : McFarland |
| Total Pages | : 484 |
| Release | : 2023-12-15 |
| Genre | : Performing Arts |
| ISBN | : 1476649405 |
Until recently, it was assumed that the Nazis agitated against Chaplin from 1931 to 1933, and then again from 1938, when his plan to make The Great Dictator became public. This book demonstrates that Nazi agitation against Chaplin was in fact a constant from 1926 through the Third Reich. When The Gold Rush was released in the Weimar Republic in 1926, the Nazis began to fight Chaplin, whom they alleged to be Jewish, and attempted to expose him as an intellectual property thief whose fame had faded. In early 1935, the film The Gold Rush was explicitly banned from German theaters. In 1936, the NSDAP Main Archives opened its own file on Chaplin, and the same year, he became entangled in the machinery of Nazi press control. German diplomats were active on a variety of international levels to create a mood against The Great Dictator. The Nazis' dehumanizing attacks continued until 1944, when an opportunity to capitalize on the Joan Barry scandal arose. This book paints a complicated picture of how the Nazis battled Chaplin as one of their most reviled foreign artists.
| Author | : Steven J. Ross |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 435 |
| Release | : 2017-10-24 |
| Genre | : History |
| ISBN | : 1620405644 |
A 2018 FINALIST FOR THE PULITZER PRIZE “[Hitler in Los Angeles] is part thriller and all chiller, about how close the California Reich came to succeeding” (Los Angeles Times). No American city was more important to the Nazis than Los Angeles, home to Hollywood, the greatest propaganda machine in the world. The Nazis plotted to kill the city's Jews and to sabotage the nation's military installations: Plans existed for murdering twenty-four prominent Hollywood figures, such as Al Jolson, Charlie Chaplin, and Louis B. Mayer; for driving through Boyle Heights and machine-gunning as many Jews as possible; and for blowing up defense installations and seizing munitions from National Guard armories along the Pacific Coast. U.S. law enforcement agencies were not paying close attention--preferring to monitor Reds rather than Nazis--and only attorney Leon Lewis and his daring ring of spies stood in the way. From 1933 until the end of World War II, Lewis, the man Nazis would come to call “the most dangerous Jew in Los Angeles,” ran a spy operation comprised of military veterans and their wives who infiltrated every Nazi and fascist group in Los Angeles. Often rising to leadership positions, they uncovered and foiled the Nazi's disturbing plans for death and destruction. Featuring a large cast of Nazis, undercover agents, and colorful supporting players, the Los Angeles Times bestselling Hitler in Los Angeles, by acclaimed historian Steven J. Ross, tells the story of Lewis's daring spy network in a time when hate groups had moved from the margins to the mainstream.
| Author | : Simon Louvish |
| Publisher | : Interlink Books |
| Total Pages | : 0 |
| Release | : 2016-09-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781566560115 |
An essential volume for understanding Chaplin’s body of work. An Everyman who expressed the defiant spirit of freedom, Charlie Chaplin was first lauded and later reviled in the America that made him Hollywood’s richest man. He was a figure of multiple paradoxes. Simon Louvish’s book looks afresh at the “mask behind the man.” Louvish charts the tale of the Tramp himself through his films, from the early Mack Sennett shorts through the major features (The Gold Rush, City Lights, Modern Times, The Great Dictator, et al.). He retrieves Chaplin as the iconic London street kid who carried the “surreal” antics of early British music hall triumphantly onto the Hollywood screen. Louvish also looks anew at Chaplin’s and the Tramp’s social and political ideas—the challenge to fascism, defiance of the McCarthyite witch hunts, eventual “exile,” and last mature disguises as the serial killer Monsieur Verdoux and the dying English clown Calvero in Limelight. This book is an epic journey, summing up the roots of comedy and its appeal to audiences everywhere, who reveled in the clown’s raw energy, his ceaseless struggle against adversity, and his capacity to represent our own fears, foibles, dreams, inner demons and hopes.
| Author | : Michael Munn |
| Publisher | : Skyhorse Publishing, Inc. |
| Total Pages | : 259 |
| Release | : 2013-05-09 |
| Genre | : History |
| ISBN | : 1626362831 |
In Nazi Germany, the cult of celebrity was the embodiment of Hitler’s style of cultural governance. Hitler’s rise to power owed much to the creation of his own celebrity, and the country’s greatest stars, whether they were actors, writers, or musicians, could be one of only two things. If they were compliant, they were lauded and awarded status symbols for the regime; but if they resisted—or were simply Jewish—they were traitors to be interned and murdered. This fascinating analysis offers a shocking portrait of a Hitler shaped by aspirations to Hollywood-style fame, of the correlation between art and ambition, of films used as weapons, and of sexual predilections. The Führer believed he was an artist, not a politician, and in his Germany politics and culture became one. His celebrity was cultivated and nurtured by Joseph Goebbels, Germany’s supreme head of culture. Hitler and Goebbels enjoyed the company of beautiful female film stars, and Goebbels had his own “casting couch.” In Germany’s version of Hollywood there were scandals, starlets, secret agents, premieres, and party politics. The Third Reich would launch filmmaker and actress Leni Riefenstahl to prominence by making her its own glorifying documentarian, most famously in The Triumph of the Will, the innovative propaganda film starring Hitler and widely considered to be one of the greatest movies ever made. It is no coincidence that Eva Braun, Hitler’s longtime partner and wife for the two days leading up to their joint suicide, was a photographer, and in fact shot most of the surviving photographs and film footage of her lover. This book reveals previously unpublished information about the “Hitler film,” which Goebbels envisaged as “the greatest story ever told,” although it was ultimately trumped by the dictator’s own, real-life Wagnerian finale.
| Author | : Thomas Doherty |
| Publisher | : Columbia University Press |
| Total Pages | : 449 |
| Release | : 2013-04-02 |
| Genre | : History |
| ISBN | : 0231535147 |
Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).
| Author | : Ron Rosenbaum |
| Publisher | : Random House |
| Total Pages | : 1309 |
| Release | : 2000-09-18 |
| Genre | : Social Science |
| ISBN | : 037550592X |
In 1998, Ron Rosenbaum published Explaining Hitler, a national bestseller and one of the most acclaimed books of the year, hailed by Michiko Kakutani in The New York Times as "lucid and exciting . . . a provocative work of cultural history that is as compelling as it is thoughtful, as readable as it is smart." Time called it "brilliant . . . restlessly probing, deeply intelligent." The acclaim came as no surprise to those who have been reading Ron Rosenbaum's journalism, published widely in America's best magazines for three decades. The man known to readers of his New York Observer column as "The Edgy Enthusiast" has distinguished himself as a writer with extraordinary range, an ability to tell stories that are frequently philosophical, comical, and suspenseful all at once. In this classic collection of three decades of groundbreaking nonfiction, Rosenbaum takes readers on a wildly original tour of the American landscape, deep into "the secret parts" of the great mysteries, controversies, and enigmas of our time. These are intellectual adventure stories that reveal: ¸ The occult rituals of Skull and Bones, the legendary Yale secret society that has produced spies, presidents, and wanna-bes, including George Bush and his son George W. (that's the author, with skull, on the cover, in front of the Skull and Bones crypt) ¸ The Secrets of the Little Blue Box, the classic story of the birth of hacker culture ¸ The Curse of the Dead Sea Scrolls; "The Great Ivy League Nude Posture Photo Scandal"; the underground realms of "unorthodox" cancer-cure clinics in Mexico; the mind of Kim Philby, "the spy of the century"; the unsolved murder of JFK's mistress; and the mysteries of "Long Island, Babylon" ¸ Sharp, funny (sometimes hilarious) cultural critiques that range from Elvis to Elisabeth Kübler-Ross, Bill Gates to Oliver Stone, Thomas Pynchon to Mr. Whipple, J. D. Salinger to the Zagat Guide, Helen Vendler to Isaac Bashevis Singer ¸ And a marriage proposal to Rosanne Cash Forcefully reported, brilliantly opinionated, and elegantly phrased, The Secret Parts of Fortune will endure as a vital record of American culture from 1970 to the present.
| Author | : Steve Hulett |
| Publisher | : Theme Park Press |
| Total Pages | : |
| Release | : 2018-05-08 |
| Genre | : |
| ISBN | : 9781683901365 |
From Animation to Arbitration. In *Mouse in Transition*, the prequel to this book, Steve Hulett told the story of his ten years at Disney Feature Animation. Now Hulett recounts his next twenty years in the animation industry, away from the drawing board and into the trenches as a union representative.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2003 |
| Genre | : |
| ISBN | : |
In Chaplin's satire on Nazi Germany, dictator Adenoid Hynkel has a double ... a poor Jewish barber ... who one day is mistaken for Hynkel.
| Author | : Frederick James Simonelli |
| Publisher | : University of Illinois Press |
| Total Pages | : 246 |
| Release | : 1999 |
| Genre | : Antisemitism |
| ISBN | : 9780252022852 |
The founder of the American Nazi party and its leader until he was murdered in 1967,George Lincoln Rockwell was one of the most significant extremist strategists and ideologists of the postwar period. His influence has only increased since his death. A powerful catalyst and innovator, Rockwell broadened his constituency beyond the core Radical Right by articulating White Power politics in terms that were subsequently appropriated by the one-time klansman David Duke. He played a major role in developing Holocaust revisionism, now an orthodoxy of the Far Right. He also helped politicize Christian Identity, America's most influential right-wing religious movement, and welded together an international organization of neo-Nazis. All of these extremist movements continue to thrive today. Frederick Simonelli's biography of this powerful and enigmatic figure draws on primary sources of extraordinary depth, including declassified FBI files and manuscripts and other materials held by Rockwell's family and associates. The first objective assessment of the American Nazi party and an authoritative study of the roots of neo-nazism, neo-fascism, and White Power extremism in postwar America, American Fuehrer is shocking and absorbing reading.
| Author | : Donna Rifkind |
| Publisher | : Other Press, LLC |
| Total Pages | : 561 |
| Release | : 2020-01-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 1590517229 |
National Jewish Book Award Finalist The little-known story of screenwriter Salka Viertel, whose salons in 1930s and 40s Hollywood created a refuge for a multitude of famous figures who had escaped the horrors of World War ll. Hollywood was created by its “others”; that is, by women, Jews, and immigrants. Salka Viertel was all three and so much more. She was the screenwriter for five of Greta Garbo's movies and also her most intimate friend. At one point during the Irving Thalberg years, Viertel was the highest-paid writer on the MGM lot. Meanwhile, at her house in Santa Monica she opened her door on Sunday afternoons to scores of European émigrés who had fled from Hitler—such as Thomas Mann, Bertolt Brecht, and Arnold Schoenberg—along with every kind of Hollywood star, from Charlie Chaplin to Shelley Winters. In Viertel's living room (the only one in town with comfortable armchairs, said one Hollywood insider), countless cinematic, theatrical, and musical partnerships were born. Viertel combined a modern-before-her-time sensibility with the Old-World advantages of a classical European education and fluency in eight languages. She combined great worldliness with great warmth. She was a true bohemian with a complicated erotic life, and at the same time a universal mother figure. A vital presence in the golden age of Hollywood, Salka Viertel is long overdue for her own moment in the spotlight.
