Characteristics of Naturalism in Stephen Crane's "Maggie. A Girls of the Streets"

Characteristics of Naturalism in Stephen Crane's
Author: Andra Stefanescu
Publisher: GRIN Verlag
Total Pages: 8
Release: 2008-06-13
Genre: Literary Criticism
ISBN: 3638059626

Essay from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 10, University of Bucharest (Faculty of Foreign Languages and Literatures), course: English Literature, language: English, abstract: This essay takes a closer look at characteristics of Naturalism in Stephen Crane’s "Maggie.A girl of the streets.".

George's Mother

George's Mother
Author: Stephen Crane
Publisher:
Total Pages: 194
Release: 1896
Genre: American fiction
ISBN:

The Portable Stephen Crane

The Portable Stephen Crane
Author: Stephen Crane
Publisher: Penguin
Total Pages: 577
Release: 1977-07-28
Genre: Fiction
ISBN: 0140150684

“A man is born into the world with his own pair of eyes, and he is not responsible for his vision—he is merely responsible for his quality of personal honesty.” In the course of his tragically abbreviated career, Stephen Crane (1871–1900) saw things that his contemporaries preferred to overlook—the low life of New York’s Irish slums; the tedium, brutality, and chaos that were the true conditions of the Civil War; the ambiguous contract that binds a terrified man to his killer and the damned to their human judges. He communicated what he saw with the same laconic factuality that characterized his journalism and, in the process, laid the foundations for the unblinking realism of Hemingway and Dos Passos. The Portable Stephen Crane allows us to appreciate the full scope and power of this writer’s vision. It contains three complete novels—Maggie: A Girl of the Streets, George’s Mother, and Crane’s masterpiece, The Red Badge of Courage; nineteen short stories and sketches, including “The Blue Hotel” and “The Open Boat,” a barely fictionalized account of his own escape from shipwreck while covering the Cuban revolt against Spain; the previously unpublished essay “Above All Things”; letters and poems, plus a critical essay and notes by the noted Crane scholar Joseph Katz.

The Blue Hotel

The Blue Hotel
Author: Stephen Crane
Publisher: DigiCat
Total Pages: 51
Release: 2023-11-19
Genre: Fiction
ISBN:

This carefully crafted ebook: " The Blue Hotel + The Bride Comes to Yellow Sky + The Open Boat (3 famous stories by Stephen Crane)" is formatted for your eReader with a functional and detailed table of contents. This omnibus contains the 3 famous stories by Stephen Crane: The Blue Hotel The Bride Comes to Yellow Sky The Open Boat Stephen Crane (1871-1900) was an American novelist, short-story writer, and poet who is often called the first modern American writer. Crane was a correspondent in the Greek-Turkish War and the Spanish American War, penning numerous articles, war reports and sketches.

The Femme Fatale in American Literature

The Femme Fatale in American Literature
Author: Ghada Suleiman Sasa
Publisher:
Total Pages: 198
Release: 2008
Genre: Literary Collections
ISBN:

Characters in the literary tradition of American naturalism are usually perceived as passive, lacking in will, weak, and predetermined. They are constantly seen as the victims of heredity and environment, and their lives are shaped according to these strong forces that operate upon them. This interesting book examines the representation of female characters in American naturalism and argues that women in American naturalism are often represented as femmes fatales. Since heredity and environment are the determining factors in their lives, they are victims who have no control. However, with characters such as Trina Sieppe in Frank Norris's McTeague, Caroline Meeber in Theodore Dreiser's Sister Carrie, Edna Pontellier in Kate Chopin's The Awakening, and Helga Crane in Nella Larsen's Quicksand, these women victims gradually turn themselves into victimizers in order to conquer both heredity and environment. They consciously and deliberately use the only power they have that can help them overcome the naturalistic world in which they are entrapped--the power of the feminine. The book explains who exactly the femme fatale that has been born out of American naturalism is, and explores images of women in American realism who precede the femme fatale of American naturalism. This study examines characters like Trina Sieppe, Caroline Meeber, Edna Pontellier, and Helga Crane. It analyzes these women's backgrounds, their demeanors, their temperaments, their experiences, and their settings, and explains how and when each woman decides to use her sexuality. There is also a brief discussion of other femmes fatales in American naturalism, such as Stephen Crane's Maggie: A Girl of the Streets. Although the perception of women in nineteenth-century American literature has always had its place in discussions of literary texts, this book is unique in its argument that women in American naturalism are neither weak nor passive, but rather are strong and daring women who try diligently to find a means of fighting back. This book is an important addition to collections in literature and Women's studies.

Characterization Techniques and Naturalism in Stephen Crane`s "Maggie: A Girl of the Streets"

Characterization Techniques and Naturalism in Stephen Crane`s
Author: Maria Melanie Meyer
Publisher: GRIN Verlag
Total Pages: 15
Release: 2010-12-24
Genre: Literary Collections
ISBN: 364078443X

Essay from the year 2009 in the subject American Studies - Literature, grade: 1,3, University of Leipzig (Institut für Anglistik), course: Written Academic Discourse, language: English, abstract: Scholars classify Stephen Crane’s novel Maggie: A Girl of the Streets as a “blend of realism and naturalism” (Keenan 937). Set in the Bowery district of 19th century Manhattan, it vividly conveys the poor living conditions of the lower classes. Due to rising immigration rates and urbanization during the so-called ‘Gilded Age’, the social character of New York had undergone dramatic transformations. Thus, the realistic description of the heroine’s poor living conditions in Crane’s Maggie serves as a vivid illustration of the urban 19th century “residential segregation according to [. . .] social class” (Shi and Tindall 780). Despite its evident realistic elements, Crane’s novel cannot merely be categorized as a work of realism. In fact, the dominant techniques of characterization militate in favour of its categorization as a naturalistic novel rather than a realistic one.

The Red Badge of Courage

The Red Badge of Courage
Author: Stephen Crane
Publisher: D. Appleton
Total Pages: 264
Release: 1900
Genre: United States
ISBN:

A depiction of the American Civil War. It features a young recruit who overcomes initial fears to become a hero on the battlefield.

The Morgesons

The Morgesons
Author: Elizabeth Stoddard
Publisher: IndyPublish.com
Total Pages: 276
Release: 1862
Genre: Fiction
ISBN:

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

An Episode of War

An Episode of War
Author: Stephen Crane
Publisher: Harper Collins
Total Pages: 13
Release: 2009-04-28
Genre: Fiction
ISBN: 0061915351

Though best known for The Red Badge of Courage, his classic novel of men at war, in his tragically brief life and career Stephen Crane produced a wealth of stories—among them "The Monster," "The Upturned Face," "The Open Boat," and the title story—that stand among the most acclaimed and enduring in the history of American fiction. This superb volume collects stories of unique power and variety in which impressionistic, hallucinatory, and realistic situations alike are brilliantly conveyed through the cold, sometimes brutal irony of Crane's narrative voice.

Naturalism in Stephen Crane's 'Maggie - a Girl of the Streets'

Naturalism in Stephen Crane's 'Maggie - a Girl of the Streets'
Author: Kristina Eichhorst
Publisher: GRIN Verlag
Total Pages: 29
Release: 2012-02
Genre: Language Arts & Disciplines
ISBN: 365612289X

Seminar paper from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 2,0, Ernst Moritz Arndt University of Greifswald, language: English, abstract: When Mark Twain published his Adventures of Huckleberry Finn in 1884, it was seen as the most important representative of a new literary movement: the realistic literature. Though not everyone thought of the novel as a "masterpiece" from the beginning on, it became more popular and significant in the following decades. Ernest Hemingway even called it "the one book that all modern American literature comes from" (Bloom 2004:2). Taken at face value, this statement implies that also Stephen Crane's Maggie - A Girl of the Streets has been influenced by Twain's writing. Since both authors belong to the same period in American literature they naturally adopted literary styles, topics and devices that were typical for that era. Though both novels belong to the realistic period they vary in certain aspects. Unique to Crane's novel are the use of language and the determinism that accompanies the story. These aspects are the central subjects of this paper. It states that language, the characters and the aspect of determinism make Maggie a rather naturalistic than realistic novel. To understand the difference between both terms a review gives the characteristics of realism and separates naturalism as an independent literary form. The two main aspects that make Maggie a naturalistic novel are being examined separately afterwards. Here, the novel itself shall be the main source. At first, determinism is detected in the novel and it shall explain how the characters' fate is shaped throughout the story. Afterwards, aspects of naturalistic language and animal metaphors are examined. The conclusion gives a brief summary of the findings and offers further considerations on the topic and the novel.