The Unknown Craftsman

The Unknown Craftsman
Author: Muneyoshi Yanagi
Publisher: Kodansha International
Total Pages: 254
Release: 1989
Genre: Art
ISBN: 9780870119484

Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical.

The Grain of the Clay

The Grain of the Clay
Author: Allen S. Weiss
Publisher: Reaktion Books
Total Pages: 247
Release: 2016-09-15
Genre: Art
ISBN: 1780236905

Ceramics give pleasure to our everyday lives, from the beauty of a vase’s elegant curves to the joy of a meal served upon a fine platter. Ceramics originate in a direct engagement with the earth and maintain a unique place in the history of the arts. In this book, Allen S. Weiss sharpens our perception of and increases our appreciation for ceramics, all the while providing a critical examination of how and why we collect them. Weiss examines the vast stylistic range of ceramics and investigates both the theoretical and personal reasons for viewing, using, and collecting them. Relating ceramics to other arts and practices—especially those surrounding food—he explores their different uses such as in the celebrated tea ceremony of Japan. Most notably, he considers how works previously viewed as crafts have found their rightful way into museums, as well as how this new-found engagement with finely wrought natural materials may foster an increased ecological sensitivity. The result is a wide-ranging and sensitive look at a crucial part of our material culture.

Confrontational Ceramics

Confrontational Ceramics
Author: Judith S. Schwartz
Publisher: Herbert Press
Total Pages: 264
Release: 2008
Genre: Art
ISBN:

"This book looks at the use of ceramics as a tool for confrontation, where artists use this ancient and most plastic of media to make provocative commentaries about the inequities of the human condition. It is a massive overview of the ceramic scene from this perspective, showcasing representative artist' work juxtaposed against their statements, to provide the contexts for the issues against which they rail."--[book cover].

The Ceramics Reader

The Ceramics Reader
Author: Kevin Petrie
Publisher: Bloomsbury Visual Arts
Total Pages: 616
Release: 2020-09-17
Genre: Art
ISBN: 9781350198944

The Ceramics Reader is an impressive editorial collection of essays and text extracts, covering every discipline within ceramics, past and present. Tackling such fundamental questions as “why are ceramics important?”, the book also considers the field from a range of perspectives – as a cultural activity or metaphor, as a vehicle for propaganda, within industry and museums, and most recently as part of the ‘expanded field’ as a fine art medium and hub for ideas. Newly commissioned material features prominently alongside existing scholarship, to ensure an international and truly comprehensive look at ceramics.

Slab Techniques

Slab Techniques
Author: Ian Marsh
Publisher: A&C Black
Total Pages: 113
Release: 2010-08-01
Genre: Art
ISBN: 1408110075

A practical handbook exporing the possibilities of ceramic work using slabs.

Sloppy Craft

Sloppy Craft
Author: Elaine Cheasley Paterson
Publisher: Bloomsbury Publishing
Total Pages: 340
Release: 2015-09-24
Genre: Design
ISBN: 1472533070

Sloppy Craft: Postdisciplinarity and the Crafts brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' – craft that is messy or unfinished looking in its execution or appearance, or both. The contributors address 'sloppiness' in contemporary art and craft practices including painting, weaving, sewing and ceramics, consider the importance of traditional concepts of skill, and the implications of sloppiness for a new 21st century emphasis on inter- and postdisciplinarity, as well as for activist, performance, queer and Aboriginal practices. In addition to critical essays, the book includes a 'conversation' section in which contemporary artists and practitioners discuss challenges and opportunities of 'sloppy craft' in their practice and teaching, and an afterword by Glenn Adamson.