Catalogue Of The Exhibition Of Eduardo Chillida
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Author | : |
Publisher | : Ediciones Polígrafa S.A. |
Total Pages | : 338 |
Release | : 2020-03-24 |
Genre | : Art |
ISBN | : 9788434313859 |
A deluxe appreciation of Eduardo Chillida's public sculpture The outdoor public works of Basque sculptor Eduardo Chillida (1924-2002), which are installed in various cities around the world, are protrayed here in stunning black-and-white photography, highlighting the intensity of his monumentally scaled abstract sculptures. In most cases, the architectural, urban or landscape setting determines many elements of the sculpture, and the artist strives to relate his design to the external environment in which it is placed. Here, both the details of each sculpture and its setting are featured. Chillida: Open-Air Sculptures begins with an essay by Italian art critic Giovanni Carandente that tracks Chilida's origins and inspirations, and also analyzes his civic and social themes. The volume also features a wide selection of the artist's own writings, included on inserted pages printed on an alternative paper stock. Chilida's lucid meditations on sculpture outline his intentions and desires, bringing us closer to the work itself.
Author | : Ordovas (Gallery) |
Publisher | : |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Sculpture, Spanish |
ISBN | : 9780993084331 |
Author | : Eduardo Chillida |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : |
ISBN | : 9780957028753 |
Author | : Eduardo Chillida |
Publisher | : Motorbooks |
Total Pages | : 60 |
Release | : 1995 |
Genre | : Drawing |
ISBN | : |
Author | : Eduardo Chillida |
Publisher | : La Fabrica |
Total Pages | : 124 |
Release | : 2019-09-17 |
Genre | : Art |
ISBN | : 9788417769109 |
The writings of Eduardo Chillida (1924-2002), the entirety of which are collected in this volume, represent a revealing series of reflections on art and culture by the deeply influential Spanish sculptor, originally intended either for his private use or as public lectures. Edited in collaboration with Chillida's family, the texts include tributes to such figures as Bach, Joan Miró, Gabriel Aresti, Pío Baroja, Joan Brossa, María Zambrano and Mark Rothko, alongside discussions of the most difficult artistic questions that Chillida faced throughout his career, covered here in his acceptance speech for his induction to the Real Academia de Bellas Artes de San Fernando. Also discussed are metaphysical themes of perception, knowledge and religion, all of which informed his sculpture's approach to materiality as a kind of "realism," and made his body of work one of the most significant in abstract sculpture.
Author | : Andrew Mitchell |
Publisher | : Stanford University Press |
Total Pages | : 142 |
Release | : 2010-07-16 |
Genre | : Philosophy |
ISBN | : 0804775761 |
In the 1950s and 60s, Martin Heidegger turned to sculpture to rethink the relationship between bodies and space and the role of art in our lives. In his texts on the subject—a catalog contribution for an Ernst Barlach exhibition, a speech at a gallery opening for Bernhard Heiliger, a lecture on bas-relief depictions of Athena, and a collaboration with Eduardo Chillida—he formulates his later aesthetic theory, a thinking of relationality. Against a traditional view of space as an empty container for discrete bodies, these writings understand the body as already beyond itself in a world of relations and conceive of space as a material medium of relational contact. Sculpture shows us how we belong to the world, a world in the midst of a technological process of uprooting and homelessness. Heidegger suggests how we can still find room to dwell therein. Filled with illustrations of works that Heidegger encountered or considered, Heidegger Among the Sculptors makes a singular contribution to the philosophy of sculpture.
Author | : Pittsburgh International Exhibition of Contemporary Painting and Sculpture |
Publisher | : |
Total Pages | : 120 |
Release | : 1970 |
Genre | : Art, Modern |
ISBN | : |
Author | : Eduardo Chillida |
Publisher | : |
Total Pages | : 140 |
Release | : 1990 |
Genre | : Art, Modern |
ISBN | : |
Author | : Eduardo Chillida |
Publisher | : Hirmer Verlag GmbH |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Art, Spanish |
ISBN | : 9783777460314 |
One of the most important sculptors of his generation, Basque artist Eduardo Chillida (1924-2002) created monumental public sculptures that adorn buildings and public places worldwide. From Eulogy to the Horizon to Toleranceby Dialogue to the eighty-ton weathered steel work De Musica, which stands in front of the Meyerson Symphony Center in Dallas, Chillida's work has enjoyed wide critical acclaim for its ability to convey tensions in space. The first English-language book to consider Chillida's entire career, Eduardo Chillida begins with the artist's earliest work in Paris in the late 1940s and continues on to his return to the Basque Country, where he moved away from the clay and plaster studies of the human form that had been the focus of his work and began creating the large-scale metal sculptures for which he is best known. Among the most powerful of these metal works is Wind Combs, three segments of steel anchored to the rocks at the edge of the San Sebastian Bay. Later in his career, Chillida experimented with other media, including alabaster and wood. Also included in this book is a creative dialogue entered into in the 1960s with the German philosopher Martin Heidegger, who discovered an affinity with Chillida's exploration of space. Presented here are more than two hundred full-color images--selected by the artist's son, Ignacio Chillida--that form a rich and varied exploration of the entire scope of Chillida's career.
Author | : Frances Carey |
Publisher | : |
Total Pages | : 260 |
Release | : 1990 |
Genre | : Avant garde art |
ISBN | : |
"This study, the first devoted primarily to the non-commercial printmaking of the period, begins with the earliest abstract prints by artists such as Edward Wadsworth and David Bomberg. Outstanding among the achievements of the 1920s and 1930s are the spare linocuts of Ben Nicholson, the striking evocations of speed and modernity by Claude Flight and Cyril Power, the adventurous blueprints of John Banting, and the Surrealist engravings of Stanley Hayter, while the 1940s and 1950s saw the monotypes of Robert Colquhoun, Alan Davie and William Gear, the etchings of Lucian Freud and Richard Hamilton, and the remarkable variety of work produced by the St. Ives group. The survey draws to a close with the experimental screenprints and lithographs of the sculptors Reg Butler, Eduardo Paolozzi, William Turnbull and Michael Sandle. Over 230 prints are discussed and illustrated, and biographies and bibliographical information given for each of the 65 artists represented". -Back cover.