Catalogue Of Japanese Art
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| Author | : Rachel Saunders |
| Publisher | : Harvard Art Museums |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : Art |
| ISBN | : 9780300250909 |
The sophistication and variety of painting in Japan's Edo period, as seen through a preeminent US collection Over more than four decades, Robert and Betsy Feinberg have assembled the finest private collection of Edo-period Japanese painting in the United States. The collection is notable for its size, its remarkable quality, and its comprehensiveness. It represents virtually every stylistic lineage of the Edo-period (1615-1868)--from the gorgeous decorative works of the Rinpa school to the luminous clarity of the Maruyama-Shijō school, from the "pictures of the floating world" (ukiyo-e) to the inky innovations of the so-called eccentrics--in addition to sculpture from the medieval and early modern periods. Hanging scrolls, folding screens, handscrolls, albums, and fan paintings: the objects are as breathtaking as they are varied. This catalogue's 12 contributors, including established names in the field alongside emerging voices, use the latest scholarship to offer sensitive close readings that bring these remarkable works to life. Distributed for the Harvard Art Museums
| Author | : Mika Yoshitake |
| Publisher | : Skira |
| Total Pages | : 224 |
| Release | : 2020-06-30 |
| Genre | : Art, Japanese |
| ISBN | : 9788857242439 |
Focusing on the themes of abject politics, transcending media, performativity, and satire and simulation, 'Parergon' presents the work of over twenty-five visual artists including Kodai Nakahara, Tatsuo Miyajima, Kazumi Nakamura, Yukie Ishikawa, Tsuyoshi Ozawa and Yukinori Yanagi in an array of media spanning painting, sculpture, duration performance, noise, video and photography.00The title makes reference to the gallery in Tokyo (Gallery Parergon, 1981-1987) that introduced many artists associated with the New Wave phenomenon, its name attributed to Jacques Derrida?s essay from 1978 which questioned the?framework? of art, influential to artists and critics during the period. Parergon brings together some of the most enigmatic works that were first generated during a rich two-decade period that are pivotal to the way we perceive and understand contemporary Japanese art today. In the aftermath of the conceptual reconsideration of the object and relationality spearheaded by Mono-ha in the 1970s, this era opened up new critical engagements with language and medium where artists explored expansions in installation, performance, and experimental multi-genre practices.00The book follows the exhibition at Blum & Poe which ran in two parts from February to May 2019 in Los Angeles.
| Author | : Chris Uhlenbeck |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Color prints, Japanese |
| ISBN | : 9780500239896 |
In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the café-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection.
| Author | : Melissa M. Rinne |
| Publisher | : Asian Art Museum |
| Total Pages | : 0 |
| Release | : 2013-07-09 |
| Genre | : Art |
| ISBN | : 9780939117611 |
Filled with over 100 vivid works of art and insightful essays, In the Moment is an extensive work, featuring several Japanese art forms and crafts. Inspired by an early love of Japanese aesthetics, tech entrepreneur and avid art collector Larry Ellison has assembled an impressive collection of Japanese art spanning some eleven hundred years of history. The current selection, which introduces the collection to the public for the first time, is organized into four areas: sculpture, painting, lacquer, and metalwork. Highlights include a remarkable wood figure of Shotoku Taishi at age two, dating to the late 1200s or early 1300s; painted screens showcasing the use of classical Japanese and Chinese themes by Kano school artists in the late 1500s and early 1600s; and whimsical paintings of animals by innovative masters active in Kyoto in the 1700s. The catalogue also features lacquers representing the Rinpa and Ritsuo traditions of craftsmanship and design; examples of the Japanese armor maker's art; and bronze vases and objects from the Meiji (1868–1912) and Taisho periods (1912–1926).
| Author | : Robert T. Singer |
| Publisher | : Yale University Press |
| Total Pages | : 480 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780300077964 |
Shows and describes Edo-period art, including screens, armor, woodblock prints, pottery, and kimonos
| Author | : Anne Nishimura Morse |
| Publisher | : Lund Humphries Publishers |
| Total Pages | : 287 |
| Release | : 2004 |
| Genre | : Art, Japanese |
| ISBN | : 9780853319061 |
From the late nineteenth to the early twentieth century, Japan was a vital world center for postcard art. Art of the Japanese Postcard presents 300 full-color examples of these cards, culled from the vast Leonard A. Lauder Collection. Authoritative essays by leading scholars of Japanese art and culture, plus a statement by the collector himself, highlight the design, development, and cultural function of these rarely studied, but highly influential and visually exciting, expressions of graphic genius. From the late nineteenth to the early twentieth century, Japan was a vital world centre for postcard art. More than just casual mail pieces, these postcards were often designed by prominent artists and had a visual impact that belied their modest format. Remarkably beautiful examples of graphic design in their own right, they also recorded the shifting definitions of 'East' and 'West' at a time when such European currents as Art Nouveau began to show up in Japanese visual productions. Art of the Japanese Postcard presents 350 full-color examples of these cards, culled from the vast Leonard A. Lauder Collection. printing, but also for the insight they provide into contemporary Japanese artistic practices - insights not relayed in standard histories that focus on painting and sculpture - as well as for the fluid interplay of European and Japanese modes. Authoritative essays by leading scholars of Japanese art and culture, plus a statement by the collector himself, highlight the design, development, and cultural function of these rarely studied, but highly influential and visually exciting, expressions of graphic genius.
| Author | : Rachel Saunders |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Art, Japanese |
| ISBN | : 9780300250893 |
Accompanies an exhibition of the same name held at the Harvard Art Museums, Cambridge, Massachusetts, February 14-July 26, 2020.
| Author | : John T. Carpenter |
| Publisher | : University of Washington Press |
| Total Pages | : 262 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
Designed for Pleasure is a dazzling probe of Japan's famous "floating world" of spectacle and entertainment. From luxury paintings of the pleasure qurters to Hokusai's iconic "Red Fugi," Designed for Pleasure presents a focused examinatin of the priod's fascinating networks of art, literature, and fashion, proving that the artists and the publishers and patrons who engaged them not only morrored the tastes of their energetic times, they created a unifying cultural legacy. Contributors include John T. Carpenter, Timothy Clark, Julie Nelson Davis, Allen Hockley, Donald Jenkins, David Pollack, Sarah E. Thompson, and David Boyer Waterhouse.
| Author | : John T. Carpenter |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 218 |
| Release | : 2012 |
| Genre | : Art, Japanese |
| ISBN | : 1588394719 |
Exhibition of paintings, lacquerwork, ceramics, textiles, calligraphy, and other media all in the Rinpa style from 1600 to the present day.
| Author | : |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 2020-11-09 |
| Genre | : |
| ISBN | : |
"An Ode to Tom" is a catalogue for an exhibition by the Japanese homoerotic artists Goh Mishima, Gengoroh Tagame, and Jiraiya at The Container, Tokyo. The catalogue is fully bilingual (Japanese / English) and includes an introduction by the gallery director, Shai Ohayon, among a reflection by Georgie Ichikawa, the chair person of Mr. Gay Japan about LGBTQ rights in Japan, and illustrations from the artists. The exhibition was curated as a satellite exhibition for Japan's first exhibition of the iconic homoerotic artist Tom of Finland (also curated by Ohayon), and presents contemporary Japanese art that was influenced by Tom's works and activist work. The publication explores two generations of contemporary homoerotic Japanese artists and the visual and philosophical development of their practice. The exhibition at The Container in Tokyo, took place 21 September-30 November, 2020. The Container is a contemporary exhibition space in Nakameguro, Tokyo. The space opened in March 2011 to create a site that encourages people to engage with art installations and works, where the emphasis is on curation and the accessibility of contemporary art and ideas to the general public. As the name suggests, the physical space is no more than a constructed shipping container (485x180x177cm), made to measurements of old Japanese shipping containers, in one of Tokyo's most beloved and trendy neighbourhoods, Nakameguro. The Container invites Japanese and international artists to make site-specific installations four times a year. Each installation remains on view to the public for two-and-a- half months. Since 2013, The Container also started to publish full-colour, bilingual (Jap/Eng) exhibition catalogues, available online and at the gallery. The exhibition space receives extensive international coverage, including ArtAsiaPacific, Artforum, Hyperallergic, Glass Magazine, Art & Antiques Magazine, Ocula, Port Magazine, Dazed & Confused, Blouin Artinfo, Art-iT, Bijutsu-Techo/BT, CNN, NHK, WIRED, The Japan Times, The Sunday Times, travel guides and in-flight magazines, to mention only a few. www.the-container.com
