Catalogue Of Exhibition
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Special Exhibition Catalogue
Author | : City Art Museum of St. Louis |
Publisher | : |
Total Pages | : 384 |
Release | : 1910 |
Genre | : Art |
ISBN | : |
Illustrated Catalogue of the Post-exposition Exhibition
Author | : San Francisco Art Association |
Publisher | : |
Total Pages | : 214 |
Release | : 1916 |
Genre | : Art |
ISBN | : |
Catalogue of the Inaugural Exhibition June 6-September 20, 1916
Author | : Cleveland Museum of Art |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : Art |
ISBN | : 9781022083110 |
This catalogue documents the Cleveland Museum of Art's inaugural exhibition in 1916, featuring a diverse array of artworks from all over the world. It provides valuable insights into the history of art exhibition in the United States. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Illustrated Catalogue
Author | : National Academy of Design (U.S.). |
Publisher | : |
Total Pages | : 142 |
Release | : 1915 |
Genre | : Art |
ISBN | : |
Display & Art History
Author | : Thomas W. Gaehtgens |
Publisher | : Getty Publications |
Total Pages | : 112 |
Release | : 2011 |
Genre | : Art |
ISBN | : 1606060929 |
This richly illustrated book examines the making of one of the earliest modern catalogues--La galerie électorale de Dusseldorff. Published in 1778, the revolutionary two-volume publication showcases one of the most important European painting collections of the eighteenth century, reflecting a pivotal moment in the history of art as well as the history of the art museum. In two essays, the authors analyze the process by which the catalogue was produced and shed light on the historical and cultural context that gave rise to an innovative and didactic way of displaying paintings--and, by extension, to art history as a discipline. The volume accompanies an exhibition of the same name to be held at the Getty Research Institute from May 31 to August 21, 2011.