Catalogue of Copyright Entries, Vol. 1

Catalogue of Copyright Entries, Vol. 1
Author: Library Of Congress
Publisher: Forgotten Books
Total Pages: 564
Release: 2017-12-12
Genre:
ISBN: 9780331291087

Excerpt from Catalogue of Copyright Entries, Vol. 1: Books; Dramatic Compositions; Maps and Charts; Index; July-December, 1906 Cincinnati musical festival association. 17th biennial music festival at Cincinnati, Ma 1, 2, 3, 4, 5, 1906. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Catalogue of Copyright Entries, Vol. 1

Catalogue of Copyright Entries, Vol. 1
Author: Library Of Congress
Publisher: Forgotten Books
Total Pages: 794
Release: 2017-12-11
Genre: Reference
ISBN: 9780260610645

Excerpt from Catalogue of Copyright Entries, Vol. 1: Part 1, Books, Dramatic Compositions, Maps and Charts, Index; July-December, 1906, October 4, 1906 The second violin, by Grace S. Richmond illustrated by B. J. Rosen myer. New York, Doubleday, Page company, 1906. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.