Library Catalog

Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Total Pages: 992
Release: 1960
Genre: Art
ISBN:

Does War Belong in Museums?

Does War Belong in Museums?
Author: Wolfgang Muchitsch
Publisher: transcript Verlag
Total Pages: 225
Release: 2014-04-30
Genre: Art
ISBN: 3839423066

Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - and what images would be desirable?

Florence, Berlin and Beyond

Florence, Berlin and Beyond
Author: Lynn Catterson
Publisher: Studies in the History of Coll
Total Pages: 572
Release: 2020
Genre: Art
ISBN: 9789004419902

Forming a collection -- Transacting an entire collection -- Dealers for dealers -- (No longer) obscure agents -- Issues of attribution.

The Armourer and His Craft

The Armourer and His Craft
Author: Charles John Ffoulkes
Publisher: Cosimo, Inc.
Total Pages: 258
Release: 2008-12-01
Genre: Reference
ISBN: 1605204110

As soon as the armed man realized that iron and steel were the best defences for his body, he would naturally insist that some sort of a guarantee should be given him of the efficacy of the goods supplied by his armourer. This system of proving armour would be effected by using those weapons commonly in use, and these, in the early times, were the sword, the axe, the lance, the bow, and the crossbow. The latter seems to have been the more common forms of proof, though as late as the seventeenth century we have evidence that armour was proved with the "estramaon" or sword blow. -from "The Proof of Armour" Not a history of defensive armor but rather a guide to the actual making of armor, as well as the regulations that governed the artisans who made it, this is a fascinating-and practical-handbook on the production, selling, and wearing metal traditional medieval body armor. First published in 1912, this classic book-by British historian and author CHARLES JOHN FFOULKES (1868-1947), curator of London's Royal Armouries-draws on records of the time to detail the tools and appliances of the trade, the decoration and cleaning of armor, the use of leather and fabrics, and much more to offer a complete reference for readers of period fiction and history, wargamers, costumers, and anyone fascinated by the craft of the armorer. This replica of the 1912 edition is complete with all of the original diagrams, illustrations, and photos.