Catalogue Of A Large Collection Of Music Valuable Full Scores Of Operas And Oratorios Modern Vocal Music Capital Concerted Instrumental Music By The Best Composers Sacred Music And Miscellaneous Music In All Classes Also Musical Instruments
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Auction catalogues of books
Author | : Puttick and Simpson (messrs.) |
Publisher | : |
Total Pages | : 866 |
Release | : 1846 |
Genre | : |
ISBN | : |
The Century of Song
Author | : |
Publisher | : |
Total Pages | : 224 |
Release | : 1897 |
Genre | : Choruses, Secular (Mixed voices, 4 parts) with piano |
ISBN | : |
Melodia Sacra
Author | : Benjamin Franklin Baker |
Publisher | : |
Total Pages | : 438 |
Release | : 1852 |
Genre | : Anthems |
ISBN | : |
Elijah in Full Score
Author | : Felix Mendelssohn |
Publisher | : Courier Corporation |
Total Pages | : 351 |
Release | : 2013-10-29 |
Genre | : Music |
ISBN | : 0486172589 |
One of the most frequently performed of all oratorios, filled with compelling drama and rich musical symbolism. Reprinted from an authoritative German edition, with German and English texts.
Secular Vocal Music
Author | : Francesco Barsanti |
Publisher | : A-R Editions, Inc. |
Total Pages | : 101 |
Release | : 2018-01-01 |
Genre | : Glees, catches, rounds, etc |
ISBN | : 0895798670 |
A latecomer to music and not particularly gifted as an executant on any instrument (a great handicap for any musician in an age when music appreciation was performer-centered rather than composer-centered), the Italian expatriate Francesco Barsanti (ca. 16901775) would seem doomed to failure, especially given his reportedly unassertive, even timid, personality; but his versatility, industry, and ability to win and retain a surprisingly large support network kept him afloat until the end. His ability to survive from day to day by carrying out a multitude of humdrum tasks gave him sufficient time and freedom to engage in what he did best and seemingly valued most: composing music. The compact but by no means negligible corpus of music he produced in a wide variety of genres makes him one of the most original and interesting composers active in eighteenth-century Britain. His instrumental music has already won some recognition in modern times, but his equally impressive vocal music, all produced in Britain, is so far virtually unknown. The present volume, which contains all Barsantis secular vocal music known to survive, together with a complementary volume containing his complete sacred vocal music, aims to bring these attractive works before the musicological community and the public at large.