Catalogue Des Tableaux Modernes Aquarelles Pastels Dessins Estampes
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Library Catalog of the Metropolitan Museum of Art, New York
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1046 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Vlaminck: Catalogue critique des peintures et céramiques de la période fauve
Author | : Maurice de Vlaminck |
Publisher | : Wildenstein institute |
Total Pages | : 612 |
Release | : 2008 |
Genre | : Art criticism |
ISBN | : |
Portraits by Degas
Author | : Jean Sutherland Boggs |
Publisher | : Univ of California Press |
Total Pages | : 328 |
Release | : |
Genre | : |
ISBN | : |
Catalog of the Library of the Museum of Modern Art: Han
Author | : Museum of Modern Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 708 |
Release | : 1976 |
Genre | : Art |
ISBN | : |
Library Catalog
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1038 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Nineteenth- and Twentieth-century Paintings
Author | : Richard R. Brettell |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 482 |
Release | : 2009 |
Genre | : Painting, Modern |
ISBN | : 1588393496 |
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.