Library Catalog
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1060 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Download Catalogue Des Tableaux Anciens Et Modernes Faiences Porcelaines Bronzes Dart Et Dameublement Pendules Sculptures Meubles Et Sieges Anciens Et De Style Tapisseries full books in PDF, epub, and Kindle. Read online free Catalogue Des Tableaux Anciens Et Modernes Faiences Porcelaines Bronzes Dart Et Dameublement Pendules Sculptures Meubles Et Sieges Anciens Et De Style Tapisseries ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1060 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
Publisher | : |
Total Pages | : 1054 |
Release | : 1960 |
Genre | : Art |
ISBN | : |
Author | : Gillian Wilson |
Publisher | : Getty Publications |
Total Pages | : 289 |
Release | : 2002-03-07 |
Genre | : Design |
ISBN | : 089236632X |
J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths’ work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions—among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.
Author | : Nelson-Atkins Museum of Art |
Publisher | : University of Washington Press |
Total Pages | : 496 |
Release | : 1996 |
Genre | : Art |
ISBN | : |
"This extraordinary book is the first in a projected series of specialized catalogues documenting the permanent collections of The Nelson-Atkins Museum of Art in Kansas City, Missouri. The collection of Italian paintings, a total of sixty works, is a representative one for the years 1300-1800 with significant examples from all major schools." "Each catalogue entry, written by Eliot W. Rowlands, includes a thorough and lively biography on the artist; complete technical notes and a detailed description; a fully documented commentary with a discussion of attribution, date, subject, and function; an exacting list of references that also summarizes the critical history of each work; and a full account of exhibition history and provenance. All the Italian paintings in the Nelson-Atkins collection are reproduced in full color, and there are over 200 black-and-white comparative illustrations."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : Royal Society of Arts (Great Britain) |
Publisher | : |
Total Pages | : 690 |
Release | : 1879 |
Genre | : Decorative arts |
ISBN | : |
Author | : National Gallery (Great Britain) |
Publisher | : National Gallery Catalogues |
Total Pages | : 632 |
Release | : 2018 |
Genre | : Art |
ISBN | : |
The impressive collection of 18th-century French paintings at the National Gallery, London, includes important works by Boucher, Chardin, David, Fragonard, Watteau, and many others. This volume presents over seventy detailed and extensively illustrated entries that expand our understanding of these paintings. Comprehensive research uncovers new information on provenance and on the lives of identified portrait sitters. Humphrey Wine explains the social and political contexts of many of the paintings, and an introductory essay looks at the attitude of 18th-century Britons to the French, as well as the market for 18th-century French paintings then in London salerooms. Published by National Gallery Company/Distributed by Yale University Press