Caste Entrepreneurship And The Illusions Of Tradition
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| Author | : Geir Heierstad |
| Publisher | : Anthem Press |
| Total Pages | : 297 |
| Release | : 2017-01-02 |
| Genre | : Social Science |
| ISBN | : 1783085193 |
Caste, Entrepreneurship and the Illusions of Tradition is an ethnographic study of the potters of Kolkata’s Kumartuli, an analysis of their lives and the related commodification and instrumentalization of caste. This group of artisans turned artists do not display passive responses to colonial and capitalist encounters but engage actively with the modern and economic developments of society at large, redefining the concept of caste identity in the process. Caste, Entrepreneurship and the Illusions of Tradition suggests a new academic direction for the study of modern India, and of caste in particular, through an empirically grounded portrayal of the synthesis of traditional categories and contemporary realities.
| Author | : Geir Heierstad |
| Publisher | : Anthem Press |
| Total Pages | : 238 |
| Release | : 2017-01-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 1783085185 |
Caste, Entrepreneurship and the Illusions of Tradition is an ethnographic study of the potters of Kolkata’s Kumartuli, an analysis of their lives and the related commodification and instrumentalization of caste. This group of artisans turned artists do not display passive responses to colonial and capitalist encounters but engage actively with the modern and economic developments of society at large, redefining the concept of caste identity in the process. Caste, Entrepreneurship and the Illusions of Tradition suggests a new academic direction for the study of modern India, and of caste in particular, through an empirically grounded portrayal of the synthesis of traditional categories and contemporary realities.
| Author | : Masenya, Tlou Maggie |
| Publisher | : IGI Global |
| Total Pages | : 466 |
| Release | : 2023-08-03 |
| Genre | : Social Science |
| ISBN | : 166847025X |
Indigenous knowledge is regarded as undocumented cultural, local, traditional, and community knowledge produced and owned by local people in their specific communities. It is mainly preserved in the memories of elders and shared or passed on from generation to generation through oral communication, traditional practices, and demonstrations. This irreplaceable resource may be lost forever as a direct result of the pressures of modernization, colonization, and globalization. Concern over the loss of Indigenous knowledge has thus raised a need for the preservation and documentation of this knowledge in digital formats. Digital Preservation and Documentation of Global Indigenous Knowledge Systems determines how Indigenous knowledge can be documented and digitally preserved to benefit Indigenous knowledge owners and their communities and be accessible for future generations. The book provides the best practices, innovative strategies, theoretical and conceptual frameworks, and empirical research findings regarding the digital preservation and documentation of Indigenous knowledge systems worldwide. Covering topics such as digital media platforms, educational management, and knowledge systems, this premier reference source is a valuable and useful tool for students, information professionals, knowledge managers, records managers, Indigenous knowledge owners, Indigenous community leaders, librarians, archivists, computer scientists, information technology specialists, students and educators of higher education, researchers, and academicians.
| Author | : Adebowale Akande |
| Publisher | : Springer Nature |
| Total Pages | : 971 |
| Release | : 2022-12-08 |
| Genre | : Political Science |
| ISBN | : 3031135598 |
This handbook presents the roots of symbolic racism as partly in both anti-black antagonism and non-racial conservative attitudes and values, representing a new form of racism independent of older racial and political attitudes. By doing so, it homes in on certain historical incidents and episodes and presents a cogent analysis of anti-black, Jim Crowism, anti-people of color (Black, Latino, Native Americans), and prejudice that exists in the United States and around the world as a central tenet of racism. The book exposes the reader to the nature and practice of stereotyping, negative bias, social categorization, modern forms of racism, immigration law empowerment, racialized incarceration, and police brutality in the American heartland. It states that several centuries of white Americans’ negative socializing culture marked by widespread negative attitudes toward African Americans, are not eradicated and are still rife. Further, the book provides a panoramic view of trends of racial discrimination and other negative and desperate challenges that Black, Indigenous, and People of Color face across the world. Finally, the volume examines xenophobia, racism, prejudice, and stereotyping in different contexts, including topics such as Covid-19, religion and racism, information manipulation, and populism. The book, therefore, is a must-read for students, researchers, and scholars of political science, psychology, history, sociology, communications/media studies, diplomatic studies, and law in general, as well as ethnic and racial studies, American politics, global affairs, populism, and discrimination in particular.
| Author | : Samir Kumar Das |
| Publisher | : Springer Nature |
| Total Pages | : 240 |
| Release | : 2021-05-21 |
| Genre | : Social Science |
| ISBN | : 9811602638 |
This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.
| Author | : Saswati Bhattacharya |
| Publisher | : Taylor & Francis |
| Total Pages | : 158 |
| Release | : 2022-06-24 |
| Genre | : Social Science |
| ISBN | : 1000598632 |
This book is an ethnographic study of clay idol-makers of Kumartuli in Kolkata, India. Much of the visibility and identity of Kolkata’s creative culture has been dependent upon the clay artists of Kumartuli for the last 100 years or so. This book explores the nature of the carefully constructed identity of these idol-makers as mritshilpis , or clay artists, who, as opposed to ordinary potters, work with their hands instead of a wheel. It looks at how the mritshilpis consciously embrace and expand their market based on this variation and elevated status as artists instead of artisans and studies the embeddedness of this identity within the commodity markets. It also shows that commodity markets, in this case the market of clay idols, are an outcome of trends of urbanisation, popular demand, corporatisation and commodification of culture, all of which have shaped the contours of clay idol-making as not only an occupation but a brand identity. Drawing on extensive fieldwork and in-depth interviews, the book highlights the larger structural relationship between urbanisation, indigenous occupational categories and identity politics. It will be indispensable to scholars and researchers of sociology, social anthropology, political studies, cultural history, urban economy, art history, urbanisation, cultural studies and urban sociology.
| Author | : Debapriya Chakrabarti |
| Publisher | : Taylor & Francis |
| Total Pages | : 201 |
| Release | : 2023-10-06 |
| Genre | : Business & Economics |
| ISBN | : 1000983803 |
This book emphasises the need to empower marginalised communities to contribute to decision-making processes within policy realms. It contributes to ongoing debates in the social sciences about infrastructure rights and citizenship, and it throws insight on human-infrastructure interactions in the informal neighbourhoods of the global South. The book delves into the complexities of caste, gender, class, and political identities and affiliations associated with the multiple factors of inclusion and exclusion particularly in the case of access to infrastructure in informal settlements in urban areas with an added productive function. This book is about how this historic inner-city, situated, religious idol-crafting community is transforming due to factors including access to physical and social infrastructure, local governance policies, socio-political hierarchies, and complexities of informal tenure. Drawing on sociocultural norms, and values of idol-crafting practices, it documents, analyses and presents the networks and relations of the neighbourhood through a spatial and material lens. Findings contribute to understanding how traditional practices of a crafting community are adapting, appropriating, producing, and reshaping informal spaces in Kumartuli. 'The book is aimed at academic audiences across the world researching creative industries, Kolkata’s regeneration agenda, and cultural tourism. It will be of interest to the wide disciplines of Urban Studies, Development Studies, Architecture and Planning, and Culture and Tourism Studies.
| Author | : Laura Savu Walker |
| Publisher | : Lexington Books |
| Total Pages | : 296 |
| Release | : 2015-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 1498522335 |
The Good Life and the Greater Good in a Global Context offers a timely contribution to the debates about the good life that surround us every day in the media, politics, the humanities, and social sciences. The authors’ examine the relationship between the good life and the greater good as represented across different genres, media, cultures, and disciplines. This enables them to develop a framework of values that transcends the overly rational and individualistic model of the good life advanced by neoliberalism and the “happiness industry.” Thus, over and against normative conceptualizations of the good life that reduce meaning to money, creativity to consumption, and compassion to self-help, the contributors propose an ethically charged philosophy of living that views the care for the self, for the other, and for the planet as the catalysts of true human flourishing. In addition to recovering the original usage of “the good life” from classical thought—especially the Aristotelian understanding of eudaimonia as living well and doing well—the essays gathered here highlight its entanglement with distinctly modern ideas of happiness, wellbeing, flourishing, progress, revolution, democracy, the American Dream, utopia, and sustainability. As such, the essays capture the breadth and depth of the conversation about the good life that is of central importance to how we relate to the past, engage the present, and envision the future.
| Author | : Partha Chatterjee |
| Publisher | : |
| Total Pages | : 24 |
| Release | : 1997 |
| Genre | : Bengal (India) |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 562 |
| Release | : 1993 |
| Genre | : Anthropology |
| ISBN | : |
Indexes current publications in anthropology, including material too ephemeral for its parent annual, the International bibliography of social and cultural anthropology, and has only limited coverage of monographs.
