Carnival In Venice
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Author | : Paolo Alei |
Publisher | : |
Total Pages | : 0 |
Release | : 1999-09-30 |
Genre | : Carnival |
ISBN | : 9781902889016 |
The Venice Carnival is recognized worldwide as a symbol of all that is lavish and original in costume and design. Set amongst the 18th-century palazzos and piazzas, the Carnival has a life of its own, each year being lead by a theme as dramatic as the seasons, cosmos, or fire and influenced by mythology, history and culture. This book offers an insight into this vibrant Italian carnival and is complemented by historical information and contemporary photography.
Author | : Lea Rawls |
Publisher | : |
Total Pages | : 209 |
Release | : 2018-03-23 |
Genre | : |
ISBN | : 9781980634676 |
The Carnival of Venice (Italian: Carnevale di Venezia) is an annual festival held in Venice, Italy. The Carnival ends with the Christian celebration of Lent, forty days before Easter, on Shrove Tuesday (Martedì Grasso or Mardi Gras), the day before Ash Wednesday. The festival is world-famous for its elaborate masks.It's said that the Carnival of Venice was started from a victory of the Venice Republic against the Patriarch of Aquileia, Ulrico di Treven in the year 1162. In the honour of this victory, the people started to dance and gather in San Marco Square. Apparently, this festival started on that period and became official in the Renaissance. It reappeared gradually in the nineteenth century, but only for short periods and above all for private feasts, where it became an occasion for artistic creations.After a long absence, the Carnival returned in 1979.[6] The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of its efforts. The redevelopment of the masks began as the pursuit of some Venetian college students for the tourist trade. Since then, approximately 3 million visitors come to Venice every year for the Carnival.[7] One of the most important events is the contest for la maschera più bella ("the most beautiful mask") which will be judged by a panel of international costume and fashion designers. Several distinct styles of mask are worn in the Venice Carnival, some with identifying names. People with different occupations wore different masks.
Author | : Gerald Hoberman |
Publisher | : |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Carnival |
ISBN | : 9781919939223 |
A unique cultural statement, a kaleidoscope of European sophistication, finery and fun. This portfolio showcases the Carnival in Venice, providing fresh insight into its delightful attributes. With an incisive eye for detail and the subtleties of colour, texture and humanity, it captures the spirit and humour of the Carnival.
Author | : J. C. Brown |
Publisher | : Artist's and Photographers' Press |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Carnival masks |
ISBN | : 9781904332831 |
Each year in Venice the weeks preceeding the privations of Lent are forgotten in the exuberant release of carnival. The dissolute behaviour of its citizens in the 18th century reached such depths that the use of masks was banned, but revived in the 1970s it has since become the prevailing image of Carnevale. In this elegantly- designed book the reader is offered a concise introduction to the history of the carnival and mask-wearing, illustrated by J.C. Brown's moody and evocative photos of Venetian masks and the beautiful city.
Author | : Drew Harris |
Publisher | : |
Total Pages | : 66 |
Release | : 2020-11-09 |
Genre | : Games & Activities |
ISBN | : 9781087926506 |
How long will it take you to finish all the puzzles? Inspiring, beautiful and creative. These urban artworks collected for your enjoyment. Study the pictures to spot the differences. All images are related to graffiti street art with devious changes. All color images with changes that you'll love searching for. Great book for relaxation for yourself or as a gift. 50 graffiti images Most images are medium to hard difficulty Two images per page Printed on 8.5 x 11 paper Each puzzle has 5 differences to find Answers are in the back of the book
Author | : Pericles Boutos |
Publisher | : |
Total Pages | : 116 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
The images in this book, taken at the Venice Carnival in 1996, 97, and 98 by the Greek photographer Pericles Boutos, illuminate and unmask this age-old Venetian tradition. Following in the footsteps of the great French-American tradition of photographers like Cartier-Bresson and Garry Winogrand, Boutos brings to the fore a Carnival which has lost, along with color, its very identity. That his images capture the contemporary reality of this much photographed spectacle without any cliche or shopworn excess is a testament to the photographer, who portrays with deceptive ease the behind-the-scenes rituals of the carnival's baroque proceedings.
Author | : Fred Hemke |
Publisher | : Southern Music Company |
Total Pages | : 0 |
Release | : 1986-04 |
Genre | : Music |
ISBN | : 9781581061451 |
Author | : |
Publisher | : |
Total Pages | : 796 |
Release | : 1901 |
Genre | : England |
ISBN | : |
Author | : Richard Garnett |
Publisher | : |
Total Pages | : 830 |
Release | : 1899 |
Genre | : Anthologies |
ISBN | : |
Author | : Jennifer C. Vaught |
Publisher | : Routledge |
Total Pages | : 208 |
Release | : 2016-04-08 |
Genre | : Literary Criticism |
ISBN | : 1317169662 |
Carnival and Literature in Early Modern England explores the elite and popular festive materials appropriated by authors during the English Renaissance in a wide range of dramatic and non-dramatic texts. Although historical records of rural, urban, and courtly seasonal customs in early modern England exist only in fragmentary form, Jennifer Vaught traces the sustained impact of festivals and rituals on the plays and poetry of sixteenth- and seventeenth-century English writers. She focuses on the diverse ways in which Shakespeare, Spenser, Marlowe, Dekker, Jonson, Milton and Herrick incorporated the carnivalesque in their works. Further, she demonstrates how these early modern texts were used-and misused-by later writers, performers, and inventors of spectacles, notably Mardi Gras krewes organizing parades in the American Deep South. The works featured here often highlight violent conflicts between individuals of different ranks, ethnicities, and religions, which the author argues reflect the social realities of the time. These Renaissance writers responded to republican, egalitarian notions of liberty for the populace with radical support, ambivalence, or conservative opposition. Ultimately, the vital, folkloric dimension of these plays and poems challenges the notion that canonical works by Shakespeare and his contemporaries belong only to 'high' and not to 'low' culture.