Carleton's Traits and Stories and the 19th Century Anglo-Irish Tradition

Carleton's Traits and Stories and the 19th Century Anglo-Irish Tradition
Author: Barbara Hayley
Publisher: Irish Literary Studies
Total Pages: 454
Release: 1983
Genre: Fiction
ISBN:

Tracing each story from its original appearance to Carleton's last revisions, this book discusses his alterations and their relationship to the writer's changing attitudes and skills and to the literary climate in which he wrote. Some of his most startling alterations concern passages removed or rewritten to avoid offending the current religious views of his market. The text deals chronologically with each edition of the collection and an appendix contains full transcriptions of all alterations to each story. Irish Literary Studies Series No. 12.

Anglo-Irish

Anglo-Irish
Author: Julian Moynahan
Publisher: Princeton University Press
Total Pages: 303
Release: 2017-03-14
Genre: Literary Criticism
ISBN: 1400887380

In their day, the Anglo-Irish were the ascendant minority--Protestant, loyalist, privileged landholders in a recumbent, rural, and Catholic land. Their world is vanished, but shades of the Anglo-Irish linger in the big-house estates of Ireland and in the imaginative writings of this realm. In this first comprehensive study of their literature, Julian Moynahan rediscovers the unity of their greatest writings, from Maria Edgeworth's Castle Rackrent through Yeats's poetry to Bowen's The Last September and Samuel Beckett's Watt. Throughout he challenges postcolonial assumptions, arguing that the Anglo-Irish since 1800 were indelibly Irish, not mere colonial servants of Imperial Britain. Moynahan begins in 1800 with the Act of Union, when the Anglo-Irish become Irish. Just as the fortunes of this community begin to wane, its literary power unfolds. The Anglo-Irish produce a haunting, memorable body of writings that explore a unique yet always Irish identity and destiny. Moynahan's exploration of the literature reveals women writers--Maria Edgeworth, Edith Somerville, Martin Ross, and Elizabeth Bowen--as a generative and major force in the development of this literary imagination. Along the way, he attends closely to the Gothic and to the mystery writing of C. R. Maturin and J. S. Le Fanu, and provides in-depth revaluations of William Carleton and Charles Lever. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Folklore and the Fantastic in Nineteenth-Century British Fiction

Folklore and the Fantastic in Nineteenth-Century British Fiction
Author: Jason Marc Harris
Publisher: Routledge
Total Pages: 248
Release: 2016-04-15
Genre: Literary Criticism
ISBN: 1317134656

Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.

Carleton's Traits and Stories and the 19th Century Anglo-Irish Tradition

Carleton's Traits and Stories and the 19th Century Anglo-Irish Tradition
Author: Barbara Hayley
Publisher: Rowman & Littlefield Publishers
Total Pages: 456
Release: 1983
Genre: Ireland
ISBN:

Tracing each story from its original appearance to Carleton's last revisions, this book discusses his alterations and their relationship to the writer's changing attitudes and skills and to the literary climate in which he wrote. Some of his most startling alterations concern passages removed or rewritten to avoid offending the current religious views of his market. The text deals chronologically with each edition of the collection and an appendix contains full transcriptions of all alterations to each story. Irish Literary Studies Series No. 12.

A History of Verse Translation from the Irish, 1789-1897

A History of Verse Translation from the Irish, 1789-1897
Author: Robert Welch
Publisher: Rowman & Littlefield
Total Pages: 226
Release: 1988
Genre: History
ISBN: 9780861402496

This study surveys the course of verse translation from the Irish, starting with the notorious Macpherson controversy and ending with the publication of George Sigerson's Bards of the Gael and Gall in 1897. Professor Welch considers some of the problems and challenges relating to the translation of Irish verse into English in the context of translation theory and ideas about cultural differentiation. Throughout the book, we see again and again the dilemma of poets who must be faithful to the spirit or the form of Irish verse, but who rarely have the ability to capture both. The relationship between Irish and English in the nineteenth century was, necessarily, a critical one, and the translators were often working at the centre of the crisis, whether they were aware of it or not. As Celticism evolved into nationalism and heroic idealism, these influences can be clearly seen in the development of verse translation from the Irish.

The Irish through British Eyes

The Irish through British Eyes
Author: Edward Lengel
Publisher: Bloomsbury Publishing USA
Total Pages: 198
Release: 2002-05-30
Genre: History
ISBN: 031301244X

The mainstream British attitude toward the Irish in the first half of the 1840s was based upon the belief in Irish improvability. Most educated British rejected any notion of Irish racial inferiority and insisted that under middle-class British tutelage the Irish would in time reach a standard of civilization approaching that of Britain. However, the potato famine of 1846-1852, which coincided with a number of external and domestic crises that appeared to threaten the stability of Great Britain, led a large portion of the British public to question the optimistic liberal attitude toward the Irish. Rhetoric concerning the relationship between the two peoples would change dramatically as a result. Prior to the famine, the perceived need to maintain the Anglo-Irish union, and the subservience of the Irish, was resolved by resort to a gendered rhetoric of marriage. Many British writers accordingly portrayed the union as a natural, necessary and complementary bond between male and female, maintaining the appearance if not the substance of a partnership of equals. With the coming of the famine, the unwillingness of the British government and public to make the sacrifices necessary, not only to feed the Irish but to regenerate their island, was justified by assertions of Irish irredeemability and racial inferiority. By the 1850s, Ireland increasingly appeared not as a member of the British family of nations in need of uplifting, but as a colony whose people were incompatible with the British and needed to be kept in place by force of arms.

Traveling Irishness in the Long Nineteenth Century

Traveling Irishness in the Long Nineteenth Century
Author: Marguérite Corporaal
Publisher: Springer
Total Pages: 260
Release: 2017-07-20
Genre: Literary Criticism
ISBN: 3319525271

Exploring the effects of traveling, migration, and other forms of cultural contact, particularly within Europe, this edited collection explores the act of traveling and the representation of traveling by Irish men and women from diverse walks of life in the period between Grattan’s Parliament (1782) and World War I (1914). This was a period marked by an increasing physical and cultural mobility of Irish throughout Britain, Continental Europe, the Americas, and the Pacific. Travel was undertaken for a variety of reasons: during the Romantic period, the ‘Grand Tour’ and what is now sometimes referred to as medical tourism brought Irish artists and intellectuals to Europe, where cultural exchanges with other writers, artists, and thinkers inspired them to introduce novel ideas and cultural forms to their Irish audiences. Showing this impact of the nineteenth-century Irish across national borders and their engagement with global cultural and linguistic traditions, the volume will provide novel insights into the transcultural spheres of the arts, literature, politics, and translation in which they were active.

A History of the Irish Short Story

A History of the Irish Short Story
Author: Heather Ingman
Publisher: Cambridge University Press
Total Pages: 579
Release: 2009-05-14
Genre: Literary Criticism
ISBN: 113947412X

Though the short story is often regarded as central to the Irish canon, this text was the first comprehensive study of the genre for many years. Heather Ingman traces the development of the modern short story in Ireland from its beginnings in the nineteenth century to the present day. Her study analyses the material circumstances surrounding publication, examining the role of magazines and editors in shaping the form. Ingman incorporates recent critical thinking on the short story, traces international connections, and gives a central part to Irish women's short stories. Each chapter concludes with a detailed analysis of key stories from the period discussed, featuring Joyce, Edna O'Brien and John McGahern, among others. With its comprehensive bibliography and biographies of authors, this volume will be a key work of reference for scholars and students both of Irish fiction and of the modern short story as a genre.