Canonical States Canonical Stages
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Author | : Mitchell Greenberg |
Publisher | : U of Minnesota Press |
Total Pages | : 266 |
Release | : 1994 |
Genre | : European drama |
ISBN | : 1452901082 |
Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible to scholars, students, researchers, and general readers. Rich with historical and cultural value, these works are published unaltered from the original University of Minnesota Press editions. The books offered through Minnesota Archive Editions are produced in limited quantities according to customer demand and are available through select distribution partners.
Author | : William Egginton |
Publisher | : State University of New York Press |
Total Pages | : 217 |
Release | : 2012-02-01 |
Genre | : Philosophy |
ISBN | : 0791487717 |
What is special, distinct, modern about modernity? In How the World Became a Stage, William Egginton argues that the experience of modernity is fundamentally spatial rather than subjective and proposes replacing the vocabulary of subjectivity with the concepts of presence and theatricality. Following a Heideggerian injunctive to search for the roots of epochal change not in philosophies so much as in basic skills and practices, he describes the spatiality of modernity on the basis of a close historical analysis of the practices of spectacle from the late Middle Ages to the early modern period, paying particular attention to stage practices in France and Spain. He recounts how the space in which the world is disclosed changed from the full, magically charged space of presence to the empty, fungible, and theatrical space of the stage.
Author | : Stephen M. Barnett |
Publisher | : Taylor & Francis |
Total Pages | : 504 |
Release | : 2007-04-27 |
Genre | : Science |
ISBN | : 1584887613 |
Describing the phase of an electromagnetic field mode or harmonic oscillator has been an obstacle since the early days of modern quantum theory. The quantum phase operator was even more problematic with the invention of the maser and laser in the 1950s and 1960s. This problem was not solved until the Pegg-Barnett formalism was developed in the 1980
Author | : Mitchell Greenberg |
Publisher | : U of Minnesota Press |
Total Pages | : 261 |
Release | : 1994 |
Genre | : Literary Criticism |
ISBN | : 0816624100 |
Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible to scholars, students, researchers, and general readers. Rich with historical and cultural value, these works are published unaltered from the original University of Minnesota Press editions. The books offered through Minnesota Archive Editions are produced in limited quantities according to customer demand and are available through select distribution partners.
Author | : Neni Panourgiá |
Publisher | : Fordham Univ Press |
Total Pages | : 256 |
Release | : 2009-08-25 |
Genre | : Social Science |
ISBN | : 0823229696 |
This book simultaneously tells a story—or rather, stories—and a history. The stories are those of Greek Leftists as paradigmatic figures of abjection, given that between 1929 and 1974 tens of thousands of Greek dissidents were detained and tortured in prisons, places of exile, and concentration camps. They were sometimes held for decades, in subhuman conditions of toil and deprivation. The history is that of how the Greek Left was constituted by the Greek state as a zone of danger. Legislation put in place in the early twentieth century postulated this zone. Once the zone was created, there was always the possibility—which came to be a horrific reality after the Greek Civil War of 1946 to 1949—that the state would populate it with its own citizens. Indeed, the Greek state started to do so in 1929, by identifying ever-increasing numbers of citizens as “Leftists” and persecuting them with means extending from indefinite detention to execution. In a striking departure from conventional treatments, Neni Panourgiá places the Civil War in a larger historical context, within ruptures that have marked Greek society for centuries. She begins the story in 1929, when the Greek state set up numerous exile camps on isolated islands in the Greek archipelago. The legal justification for these camps drew upon laws reaching back to 1871—originally directed at controlling “brigands”—that allowed the death penalty for those accused and the banishment of their family members and anyone helping to conceal them. She ends with the 2004 trial of the Revolutionary Organization 17 November. Drawing on years of fieldwork, Panourgiá uses ethnographic interviews, archival material, unpublished personal narratives, and memoirs of political prisoners and dissidents to piece together the various microhistories of a generation, stories that reveal how the modern Greek citizen was created as a fraught political subject. Her book does more than give voice to feelings and experiences suppressed for decades. It establishes a history for the notion of indefinite detention that appeared as a legal innovation with the Bush administration. Part of its roots, Panourgiá shows, lie in the laboratory that Greece provided for neo-colonialism after the Truman Doctrine and under the Marshall Plan.
Author | : William Shakespeare |
Publisher | : W. W. Norton & Company |
Total Pages | : 226 |
Release | : 2017 |
Genre | : Drama |
ISBN | : 0393623394 |
“I wanted an edition of Othello that had the necessary footnotes, background material, and a good selection of recent critical articles that would be accessible to students and would spark class discussions. This was it.” —Deborah Montuori, Shippensburg University This Norton Critical Edition includes: ·The First Folio text (1623). · An introduction, explanatory footnotes, note on the text, and textual notes by Edward Pechter. · Fifteen illustrations. · Giraldi Cinthio’s sixteenth-century story in its entirety, which Shakespeare used for both the plot and many details of Othello. · A generous selection of interpretive responses to Othello from its origins to the present day, including—new to the Second Edition—those by Stanley Cavell and Lois Potter. Edward Pechter’s popular theatrical and critical overview of Othello has been significantly expanded. · An updated Selected Bibliography.
Author | : Roxanne Decker Lalande |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 236 |
Release | : 2000 |
Genre | : Biography & Autobiography |
ISBN | : 9780838638248 |
"The purpose of this edition is to bring together for the first time a significant number of critical analyses on Marie-Catherine Desjardins by prominent scholars in a full-length study devoted to the full range of genres. The essays in this volume analyze a reasonable range of the author's works - novels, plays, letters, short stories - and demonstrate an impressive knowledge of the historical contexts - biographical, literary, social, and political - influencing Villedieu. The authors engage in textual analysis informed by relevant scholarship on Desjardins and on other seventeenth-century writers."--Jacket.
Author | : William J. Kennedy |
Publisher | : JHU Press |
Total Pages | : 398 |
Release | : 2004-12-01 |
Genre | : Literary Criticism |
ISBN | : 0801881269 |
Drawing upon poststructuralist theories of nationalism and national identity developed by such writers as Etienne Balibar, Emmanuel Levinas, Julia Kristeva, Antonio Negri, and Slavoj Zizek, noted Renaissance scholar William J. Kennedy argues that the Petrarchan sonnet serves as a site for early modern expressions of national sentiment in Italy, France, England, Spain, and Germany. Kennedy pursues this argument through historical research into Renaissance commentaries on Petrarch's poetry and critical studies of such poets as Lorenzo de' Medici, Joachim du Bellay and the Pléiade brigade, Philip and Mary Sidney, and Mary Wroth. Kennedy begins with a survey of Petrarch's poetry and its citation in Italy, explaining how major commentators tried to present Petrarch as a spokesperson for competing versions of national identity. He then shows how Petrarch's model helped define social class, political power, and national identity in mid-sixteenth-century France, particularly in the nationalistic sonnet cycles of Joachim Du Bellay. Finally, Kennedy discusses how Philip Sidney and his sister Mary and niece Mary Wroth reworked Petrarch's model to secure their family's involvement in forging a national policy under Elizabeth I and James I . Treating the subject of early modern national expression from a broad comparative perspective, The Site of Petrarchism will be of interest to scholars of late medieval and early modern literature in Europe, historians of culture, and critical theorists.
Author | : Philip Lorenz |
Publisher | : Fordham Univ Press |
Total Pages | : 393 |
Release | : 2013-06-26 |
Genre | : Drama |
ISBN | : 0823251306 |
The Tears of Sovereignty is a comparative study of the representation of the concept of sovereignty in paradigmatic plays of early modern English and Spanish drama. It argues that baroque drama produces the critical terms through which contemporary philosophical criticism continues to think through the problems of sovereignty today.
Author | : Jennifer Eun-Jung Row |
Publisher | : Northwestern University Press |
Total Pages | : 340 |
Release | : 2022-04-15 |
Genre | : Literary Criticism |
ISBN | : 0810144727 |
Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage explores how seventeenth-century French theater represents queer desire. In this book, the first queer theoretical treatment of canonical French theater, Jennifer Eun-Jung Row proposes that these velocities, moments of unseemly haste or strategic delay, sparked new kinds of attachments, intimacies, and erotics. Rather than rely on fixed identities or analog categories, we might turn to these affectively saturated moments of temporal sensation to analyze queerness in the premodern world. The twin innovations of precise, portable timepieces and the development of the theater as a state institution together ignited new types of embodiments, orderly and disorderly pleasures, and normative and wayward rhythms of life. Row leverages a painstakingly formalist and rhetorical analysis of tragedies by Jean Racine and Pierre Corneille to show how the staging of delay or haste can critically interrupt the normative temporalities of marriage, motherhood, mourning, or sovereignty—the quotidian rhythms and paradigms so necessary for the biopolitical management of life. Row’s approach builds on the queer turn to temporality and Elizabeth Freeman’s notion of the chronobiopolitical to wager that queerness can also be fostered by the sensations of disruptive speed and slowness. Ultimately, Row suggests that the theater not only contributed to the glitter of Louis XIV’s absolutist spectacle but also ignited new forms of knowing and feeling time, as well as new modes of loving, living, and being together.