Camera Obtrusa
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| Author | : Kazuo Hara |
| Publisher | : |
| Total Pages | : 412 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
An authentic visionary of cinema, Japanese filmmaker Hara Kazuo has spent the past four decades pioneering a stark documentary style that challenged the mores of postwar Japanese society. His works feature dramatic narratives and characters--radicals, outcasts and those on the margins--who struggle against adversity: "I make bitter films. I hate mainstream society," Kazuo has avowed. Camera Obtrusa is the first English-language publication addressing his work. Composed as a straightforward handbook, the volume offers Kazuo's technical notes on his groundbreaking filmmaking. As such, it is invaluable to students and scholars, but it is also peppered with anecdotes from the freewheeling filmmaker's life. Camera Obtrusa also includes the full production notes to Kazuo's controversial and award-winning film, The Emperor's Naked Army Marches On (1987), a filmography and a foreword by distinguished Japanese film historian, Abé Markus Nornes.
| Author | : Joel Schlemowitz |
| Publisher | : Routledge |
| Total Pages | : 264 |
| Release | : 2019-05-10 |
| Genre | : Art |
| ISBN | : 0429997035 |
Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory, and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming, single-frame time lapse, the long take, camera movement, workings of the lens, and the use of in-camera effects such as double exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in-camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined, along with the work of a range of experimental filmmakers including Stan Brakhage, Rudy Burckhardt, Paul Clipson, Christopher Harris, Peter Hutton, Takahiko Iimura, Marie Losier, Rose Lowder, Jonas Mekas, Marie Menken, Margaret Rorison, Guy Sherwin, and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history, methods, and concepts inherent to experimental uses of the camera, while providing students with a solid foundation of techniques and practices to foster their development as filmmakers. Supplemental material, including links to films cited in the book, can be found at www.experimentalfilmmaking.com.
| Author | : Yu Kiki Tianqi Yu |
| Publisher | : Edinburgh University Press |
| Total Pages | : 309 |
| Release | : 2018-11-14 |
| Genre | : History |
| ISBN | : 1474442102 |
'My' Self on Camera is the first book to explore first person narrative documentary in China's post-Mao era. Since the emergence of the individual as an ever more important social figure in China, this mode of independent filmmaking and cultural practice has become increasingly significant. Combining the approach of cultural ethnography, interviews, and textual analysis of selected films, this study examines the motivations, key aesthetic features and ethical tensions of presenting the self on camera, as well as the socio-political, cultural and technical conditions surrounding its practice. This book problematises how the sense of self and subjectivities are understood in contemporary China, and provides illuminating new insights on the changing notion of the individual through cinema.
| Author | : Ken Provencher |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 245 |
| Release | : 2018-01-11 |
| Genre | : Performing Arts |
| ISBN | : 1501319663 |
From the 1970s onward, “exploitation cinema” as a concept has circulated inside and outside of East Asian nations and cultures in terms of aesthetics and marketing. However, crucial questions about how global networks of production and circulation alter the identity of an East Asian film as “mainstream” or as “exploitation” have yet to be addressed in a comprehensive way. Exploiting East Asian Cinemas serves as the first authoritative guide to the various ways in which contemporary cinema from and about East Asia has trafficked across the somewhat-elusive line between mainstream and exploitation. Focusing on networks of circulation, distribution, and reception, this collection treats the exploitation cinemas of East Asia as mobile texts produced, consumed, and in many ways re-appropriated across national (and hemispheric) boundaries. As the processes of globalization have decoupled products from their nations of origin, transnational taste cultures have declared certain works as “art” or “trash,” regardless of how those works are received within their native locales. By charting the routes of circulation of notable films from Japan, China, and South Korea, this anthology contributes to transnationally-accepted formulations of what constitutes “East Asian exploitation cinema.”
| Author | : Klaus K. Y. Hammering |
| Publisher | : Cornell University Press |
| Total Pages | : 289 |
| Release | : 2024-08-15 |
| Genre | : History |
| ISBN | : 1501776444 |
The lives of the men depicted in Perilous Wagers take place in the squalor of Tokyo's old day-laborer district, San'ya, where they can be found eking out a living from occasional construction work and welfare handouts, permanently displaced from their hometowns to metropolitan Tokyo. Although San'ya has nearly vanished during the past twenty years, its import persists as a black market where its small population of male day-laborers can be contracted for the most undesirable of tasks, without consideration for their health or safety. In this context, Hammering's book examines classic ethnographic themes of labor, exchange, value, honor, shame, temporality, desire, gender, and personhood. It explores how one group of day-laborers embodied a transgressive masculinity intimately intertwined with honorable mobster values of old, and how they created dignity and sociality under abject conditions of life. Perilous Wagers tracks these underdog values across construction sites, non-profit organizations, hospitals, bunkhouses, and illegal gambling dens, giving imaginative life to a stigmatized, forgotten social world.
| Author | : Serena J. Rivera |
| Publisher | : Routledge |
| Total Pages | : 210 |
| Release | : 2020-04-21 |
| Genre | : Literary Criticism |
| ISBN | : 1000071731 |
(In)digestion in Literature and Film: A Transcultural Approach is a collection of essays spanning diverse geographic areas such as Brazil, Eastern Europe, France, Ireland, Italy, Japan, Mexico, South Korea, Taiwan and the United States. Despite this geographic variance, they all question disordered eating practices represented in literary and filmic works. The collection ultimately redefines disorder, removing the pathology and stigma assigned to acts of non-normative eating. In so doing, the essays deem taboo practices of food consumption, rejection and avoidance as expressions of resistance and defiance in the face of restrictive sociocultural, political, and economic normativities. As a result, disorder no longer equates to "out of order", implying a sense of brokenness, but is instead envisioned as an act against the dominant of order of operations. The collection therefore shifts critical focus from the eater as the embodiment of disorder to the problematic norms that defines behaviors as such.
| Author | : Andrew Campana |
| Publisher | : Univ of California Press |
| Total Pages | : 244 |
| Release | : 2024-12-03 |
| Genre | : History |
| ISBN | : 0520399218 |
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Expanding Verse explores experimental poetic practice at key moments of transition in Japan's media landscape from the 1920s to the present. Andrew Campana centers hybrid poetic forms in modern and contemporary Japan--many of which have never been examined in detail before--including the cinepoem, the tape recorder poem, the protest performance poem, the music video poem, the online sign language poem, and the augmented reality poem. Drawing together approaches from literary, media, and disability studies, he contends that poetry actively aimed to disrupt the norms of media in each era. For the poets in Expanding Verse, poetry was not a medium in and of itself but a way to push back against what new media technologies crystallized and perpetuated. Their aim was to challenge dominant conceptions of embodiment and sensation, as well as who counts as a poet and what counts as poetry. Over and over, poetic practice became a way to think about each medium otherwise, and to find new possibilities at the edge of media.
| Author | : Hyon Joo Yoo |
| Publisher | : Lexington Books |
| Total Pages | : 167 |
| Release | : 2012-04-25 |
| Genre | : Performing Arts |
| ISBN | : 0739175351 |
In Cinema at the Crossroads: Nation and the Subject in East Asian Cinema, Hyon Joo Yoo argues that East Asian experiences of colonialism and postcolonialism call for a different conceptualization of postcoloniality, subjectivity, and the nation. Through its analyses of Japanese, Korean, and Taiwanese cinemas, this engaging study of cinema and culture charts the ways in which national cinemas visualize colonial and postcolonial conditions that derive from the history of Japanese colonialism and the post-war alliance between Japan and the United States. What does it mean to rethink postcolonial studies through East Asian cinema and experience? Yoopursues this question by bringing an East Asian postcolonial framework, the notion of film as a manifestation of national culture, and the methodology of psychoanalysis to bear on a failed hegemonic subject. Cinema at the Crossroads is a profound look into how cinema and national culture intertwine with hegemony and power.
| Author | : Isolde Standish |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 210 |
| Release | : 2011-06-02 |
| Genre | : Performing Arts |
| ISBN | : 1441125183 |
A superb new study of Japanese culture in the post-war period, focusing on a handful of filmmakers who created movies for a politically conscious audience.
| Author | : Brian Winston |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 847 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1838718745 |
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.
