Calligraphy And Power In Contemporary Chinese Society
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Author | : Yuehping Yen |
Publisher | : Routledge |
Total Pages | : 285 |
Release | : 2004-08-02 |
Genre | : History |
ISBN | : 113437061X |
This unusual and interesting book is a fascinating account of the world of Chinese writing. It examines Chinese space and the political and social use of writing as propaganda, a publicity booster and as a ladder for social climbing.
Author | : Youhe Zeng |
Publisher | : Chinese University Press |
Total Pages | : 460 |
Release | : 1993 |
Genre | : Art |
ISBN | : 9789622014268 |
Chinese calligraphy has been an independent visual art form for thousands of years. Its wonderful aesthetics has inspired the art of Chinese painting since the second century B.C. Before pen and pencil were introduced to China, millions practiced the art of writing in ink. In the twentieth century, the art of calligraphy has not only fascinated modern Chinese who are part of this continuous tradition, but has also captured the interest and imagination of the world. This is the first proper history of Chinese calligraphy in English.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 210 |
Release | : 2013 |
Genre | : Art |
ISBN | : 1588395049 |
"Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." --
Author | : Chang Tan |
Publisher | : Cornell University Press |
Total Pages | : 240 |
Release | : 2024-02-15 |
Genre | : Art |
ISBN | : 1501773208 |
The Minjian Avant-Garde studies how experimental artists in China mixed with, brought changes to, and let themselves be transformed by minjian, the volatile and diverse public of the post-Mao era. Departing from the usual emphasis on art institutions, global markets, or artists' communities, Chang Tan proposes a new analytical framework in the theories of socially engaged art that stresses the critical agency of participants, the affective functions of objects, and the versatility of the artists in diverse sociopolitical spheres. Drawing from hitherto untapped archival materials and interviews with the artists, Tan challenges the views of Chinese artists as either dissidents or conformists to the regime and sees them as navigators and negotiators among diverse political discourses and interests. She questions the fetishization of marginalized communities among practitioners of progressive art and politics, arguing that the members of minjian are often more complex, defiant, and savvy than the elites would assume. The Minjian Avant-Garde critically assesses the rise of populism in both art and politics and show that minjian could constitute either a democratizing or a coercive force. This book was published with generous support from the George Dewey and Mary J. Krumrine Endowment.
Author | : Richard Curt Kraus |
Publisher | : Univ of California Press |
Total Pages | : 230 |
Release | : 1991-07-24 |
Genre | : Art |
ISBN | : 9780520072855 |
Explores the interplay of politics and the art of writing in China today to explain the complex relationship between tradition and modernity in Chinese culture.
Author | : Suoqiao Qian |
Publisher | : World Scientific |
Total Pages | : 249 |
Release | : 2020-12-15 |
Genre | : History |
ISBN | : 1786349019 |
Understanding China and the Chinese is of paramount importance in today's world. With China's rapid economic growth and increasing political influence, there has been significant interest in learning the Chinese language around the world. While we constantly hear about China in political and economic terms, we rarely come across a book that explains what Chinese culture or a Chinese person is like today.This book offers a critical overview of Chinese culture intended for college students as well as for general readers interested in the topic. While 'Chinese culture' is often deployed in terms of kung fu, Confucius or calligraphy, this book refers to the traditional and modern experiences out of which contemporary Chinese people have grown. Internationally renowned scholar in China Studies, Professor Qian Suoqiao invites readers to join him on an exciting intellectual journey to critically explore important issues including history, language, governmentality, self-cultivation, aesthetics of life, nationalism, cosmopolitanism, communism, the rise of China and her soft power which contribute to the formation of what we call 'Chinese'.
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Author | : Wendan Li |
Publisher | : |
Total Pages | : 284 |
Release | : 2010-05-31 |
Genre | : Art |
ISBN | : |
The work covers three major areas: 1) descriptions of Chinese characters and their components, including stroke types, layout patterns, and indications of sound and meaning; 2) basic brush techniques; and 3) the social, cultural, historical, and philosophical underpinnings of Chinese calligraphy---all of which are crucial to understanding and appreciating this art form. --
Author | : Jing Tsu |
Publisher | : Penguin |
Total Pages | : 337 |
Release | : 2022-01-18 |
Genre | : History |
ISBN | : 0735214743 |
PULITZER PRIZE FINALIST A New York Times Notable Book of 2022 What does it take to reinvent a language? After a meteoric rise, China today is one of the world’s most powerful nations. Just a century ago, it was a crumbling empire with literacy reserved for the elite few, as the world underwent a massive technological transformation that threatened to leave them behind. In Kingdom of Characters, Jing Tsu argues that China’s most daunting challenge was a linguistic one: the century-long fight to make the formidable Chinese language accessible to the modern world of global trade and digital technology. Kingdom of Characters follows the bold innovators who reinvented the Chinese language, among them an exiled reformer who risked a death sentence to advocate for Mandarin as a national language, a Chinese-Muslim poet who laid the groundwork for Chairman Mao's phonetic writing system, and a computer engineer who devised input codes for Chinese characters on the lid of a teacup from the floor of a jail cell. Without their advances, China might never have become the dominating force we know today. With larger-than-life characters and an unexpected perspective on the major events of China’s tumultuous twentieth century, Tsu reveals how language is both a technology to be perfected and a subtle, yet potent, power to be exercised and expanded.
Author | : Jan Van Bremen |
Publisher | : Routledge |
Total Pages | : 491 |
Release | : 2004-08-02 |
Genre | : History |
ISBN | : 113427100X |
Asian Anthropology raises important questions regarding the nature of anthropology and particularly the production and consumption of anthropological knowledge in Asia. Instead of assuming a universal standard or trajectory for the development of anthropology in Asia, the contributors to this volume begin with the appropriate premise that anthropologies in different Asian countries have developed and continue to develop according to their own internal dynamics. With chapters written by an international group of experts in the field, Asian Anthropology will be a useful teaching tool and a valuable resource for scholars working in Asian anthropology.