Calderón de la Barca: Los Cabellos de Absalón

Calderón de la Barca: Los Cabellos de Absalón
Author: Gwynne Edwards
Publisher: Elsevier
Total Pages: 169
Release: 2014-05-17
Genre: Drama
ISBN: 1483138194

Calderon de la Barca: Los Cabellos de Absalon is a part of a small yet important body of genuinely tragic plays written by Pedro Calderon de la Barca, one of the greatest tragic dramatis of the Golden Age. The book begins with a short biography of the life of Pedro Calderon de la Barca and how it influenced his works. It also discusses his greatest works: Los Cabellos de Absalon – its comparison with La Venganza de Tamar; its interpretation; the text; summary of verse forms used; and select bibliography for further reading. The book also includes an untranslated Spanish version of the play itself. The text will appeal to literary experts and historians who want to learn more about the life of Pedro Calderon de la Barca, his work Los Cabellos de Absalon, its comparison to Tirso's La Venganza de Tamar, and the interpretation of his play.

Los cabellos de Absalón

Los cabellos de Absalón
Author: Pedro Calderón de la Barca
Publisher: Linkgua Digital
Total Pages: 0
Release: 2011-08-31
Genre: Literary Collections
ISBN: 9788498164473

One of Calderón's most well known religious comedies, Los cabellos de Absalón is a classic of Spanish theater.

A Companion to Calderón de la Barca

A Companion to Calderón de la Barca
Author: Roy Norton
Publisher: Boydell & Brewer
Total Pages: 414
Release: 2021
Genre: Literary Criticism
ISBN: 1855663155

The first comprehensive study of Calderón in EnglishPedro Calderón de la Barca (1600-1681) is one of the most important dramatists - many would say the single most important dramatist - of the Spanish Golden Age. Spain''s dominant and most prestigious playwright for much of the seventeenth century, his work is still regularly staged and translated, influential in more recent times on writers as diverse as Schiller, Shelley and Lorca. The author of around 120 plays (not counting his numerous Corpus Christi autos) in a variety of styles, Calderón is most famous for his stirring dramas, characterized by rhetorically powerful poetry, dramatic structures carefully calibrated to produce poignant echoes, and the fizzing intellectual energy they apply to the age''s ontological, eschatological and political preoccupations. His plays succeed in combining these perennial concerns with compelling plots subtle enough to defy definitive interpretation. As this volume seeks to show, however, Calderón''s comedies deserve equal recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.ual recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.ual recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.ual recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.an, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.

The Calderonian Stage

The Calderonian Stage
Author: Manuel Delgado
Publisher: Bucknell University Press
Total Pages: 302
Release: 1997
Genre: Literary Criticism
ISBN: 9780838753316

"This collection of essays invites the contemporary reader to consider the works of Pedro Calderon de la Barca (1600-81), who became the most important and influential dramatist of the second period of the Spanish Golden Age, just as Lope de Vega (1562-1635) was for the preceding generation. A follower of Lope in his youth, Calderon, as a mature playwright, developed a drama all of his own, a drama that was highly conceptual, tightly knit, symbolic, and, in many cases, spectacular. Calderon's artistry in verbal and visual symbolism made the performance of his works a feast for both the senses and the intellect." "Until now, many of Calderon's critics have focused their attention on how the poetic devices, particularly metaphors and symbols, appearing in his plays represent his philosophy or his ideas. But as some scholars of Spanish Golden Age drama have argued, the study of Calderon's theater must take into account not only the literary text, but also the physical conditions of the stage, the elements used in the representation - decor, costumes, lighting, music - and the house dynamics at each performance. In other words, each play must be considered as a composition of the soul and body, of poetry and spectacle, in which both elements support, complement, and explain one another in performance." "This is the task that has been undertaken by the contributors to this volume. By focusing on the relationship between text and performance, they have highlighted several areas that are often overlooked in traditional text-based approaches. From different perspectives, they show how Calderon gives concrete shape to the concepts and tales from the Bible, theology, mythology, the Corpus Hermeticum, emblematic literature, philosophy, and realities of civic and domestic origin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Ambiguous Antidotes

Ambiguous Antidotes
Author: Hilaire Kallendorf
Publisher: University of Toronto Press
Total Pages: 361
Release: 2017-01-01
Genre: Drama
ISBN: 1487502133

In Ambiguous Antidotes, Hilaire Kallendorf explores the receptions of Virtues in the realm of moral philosophy and the artistic production it influenced during the Spanish Gold Age.

The Positive Image of the Jew in the 'comedia'

The Positive Image of the Jew in the 'comedia'
Author: Andrew Herskovits
Publisher: Peter Lang
Total Pages: 356
Release: 2005
Genre: Drama
ISBN: 9783039105229

Argues, contrary to most scholarly opinion, that while on the explicit level they are anti-Jewish, in a covert manner the dramatic works of the Spanish Golden Age present a positive image of the Jews. Works by Rojas, Cervantes, and, especially, Lope de Vega are shown to have used coded writing and techniques of dissimulation to subvert the dominant anti-Jewish ideology of the day, embodied in the actions of the Inquisition and in the "limpieza de sangre" statutes. A reason for the indirect approach was that the writers, who were influenced by Christian Humanism rather than by any putative Converso origin, themselves sought to escape interrogation by the Inquisition. One technique used was to replace the Converso by the figure of a persecuted woman or by a biblical, legendary, or foreign Jew. Defending the Jews was an aspect of espousal of justice for all.

Reason and the Passions in the 'Comedias' of Calderón

Reason and the Passions in the 'Comedias' of Calderón
Author: David Jonathan Hildner
Publisher: John Benjamins Publishing
Total Pages: 133
Release: 1982-01-01
Genre: Literary Criticism
ISBN: 9027280568

Introduction In 1675, six years before the death of Calderon, Benedict de Spinoza began to circulate cautiously among his friends and colleagues in the Netherlands the manuscripts of what was to be published posthumously as the Ethics.

Staging the Spanish Golden Age

Staging the Spanish Golden Age
Author: Kathleen Jeffs
Publisher: Oxford University Press
Total Pages: 265
Release: 2018-04-13
Genre: Literary Criticism
ISBN: 0192551396

In this volume, Kathleen Jeffs draws on first-hand experience of the Royal Shakespeare Company's rehearsal room for the 2004-05 Spanish Golden Age season to put forth a collaborative model for translating, rehearsing, and performing Spanish Golden Age drama. Building on the RSC season, the volume offers methodologies for translation and communication that can feed the creative processes of actors and directors, while maintaining an ethos of fidelity with regards to the original texts. It argues that collaboration between academics and theatre practitioners was instrumental in the success of the season and that the work carried out has repercussions for critical debate of Comedia. The volume posits a model for future productions of the Comedia in English, one that recognizes the need for the languages of the scholar and the theatre artist to be made mutually intelligible by the use of collaborative strategies, mediated by a consultant or dramaturg proficient in both tongues. This model applies more generally to theatrical collaborations involving a translator, writer and director, and will be useful for translation and performance processes in any language.

A History of Spanish Golden Age Drama

A History of Spanish Golden Age Drama
Author: Henry K. Ziomek
Publisher: University Press of Kentucky
Total Pages: 323
Release: 2021-05-11
Genre: Literary Criticism
ISBN: 0813183561

Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.