Cahier Decriture Japprends A Ecrire
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La Douleur
Author | : Marguerite Duras |
Publisher | : HarperCollins |
Total Pages | : 200 |
Release | : 1986 |
Genre | : Authors, French |
ISBN | : |
The French Fictional Journal
Author | : Valerie Raoul |
Publisher | : |
Total Pages | : 198 |
Release | : 1980 |
Genre | : Literary Criticism |
ISBN | : |
Unlike other forms of fictional first-person narrative such as the memoir or epistolary novel, the French fictional journal or diary-novel has received inadequate critical attention. This is the first full-length analysis devoted to its particular features. Valerie Raoul bases her study on the premise that the interest of the fictional journal lies in its subjugation of one set of conventions, those of the diary, to another set, those of the novel, and the interference of each of those 'codes' in the function of the other. In this context she discusses more than fifty novels or short stories wholly or partly in diary form and written in France between 1800 and the present. In the first part of the book she deals with the fictivity of the diary-novel. Philippe Lejeune's work on the functioning of autobiography serves as a point of comparison to elucidate the distinctive reading pact involved in this aspect of first-person fiction. The second part analyses the internal communication model: on this intradiegetic level the fictional diarist is narrator, actor, and narrate. In the third part, an abstract model is developed to illustrate the functioning of the fictional journal as a bi-textual form of communication, in which the internal communications process is a mise en abyme of the external one between author, character, and reader. The personal narcissism of the 'intimiste' is seen to give way in the fictional 'journal intime' to narcissistic fiction, since diary-novels are always the narration of the production of a 'recit.' This book is an important investigation into the very nature of fiction and the meaning of the activity of writing. It not only fills an important gap in the appreciation of French prose, but also adds to the comprehension of personal narrative in particular and narrative discourse in general.
Black Skin, White Masks
Author | : Frantz Fanon |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Black race |
ISBN | : 9780745399546 |
Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.
Divagations
Author | : Stphane Mallarm |
Publisher | : Harvard University Press |
Total Pages | : 313 |
Release | : 2009-06-15 |
Genre | : Literary Criticism |
ISBN | : 0674032403 |
"This is a book just the way I don't like them," the father of French Symbolism, Stphane Mallarm, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarm's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarm captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarm arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarm remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.
Twilight
Author | : Stephenie Meyer |
Publisher | : Little, Brown Books for Young Readers |
Total Pages | : 379 |
Release | : 2007-07-18 |
Genre | : Young Adult Fiction |
ISBN | : 0316007447 |
Fall in love with the addictive, suspenseful love story between a teenage girl and a vampire with the book that sparked a "literary phenomenon" and redefined romance for a generation (New York Times). Isabella Swan's move to Forks, a small, perpetually rainy town in Washington, could have been the most boring move she ever made. But once she meets the mysterious and alluring Edward Cullen, Isabella's life takes a thrilling and terrifying turn. Up until now, Edward has managed to keep his vampire identity a secret in the small community he lives in, but now nobody is safe, especially Isabella, the person Edward holds most dear. The lovers find themselves balanced precariously on the point of a knife -- between desire and danger. Deeply romantic and extraordinarily suspenseful, Twilight captures the struggle between defying our instincts and satisfying our desires. This is a love story with bite. It's here! #1 bestselling author Stephenie Meyer makes a triumphant return to the world of Twilight with the highly anticipated companion, Midnight Sun: the iconic love story of Bella and Edward told from the vampire's point of view. "People do not want to just read Meyer's books; they want to climb inside them and live there." -- Time "A literary phenomenon." -- The New York Times
Counterpractice
Author | : Rakhee Balaram |
Publisher | : Manchester University Press |
Total Pages | : 433 |
Release | : 2022-03-08 |
Genre | : Art |
ISBN | : 1526125188 |
Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.
Nadja
Author | : André Breton |
Publisher | : Grove Press |
Total Pages | : 164 |
Release | : 1960 |
Genre | : Fiction |
ISBN | : 9780802150264 |
"Nadja, " originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life. The principal narrative is an account of the author's relationship with a girl in teh city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various "surreal" people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. "The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as "not so much a thing as a way things happen, " Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.