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| Author | : James Cagney |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 242 |
| Release | : 2005-03-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0385520263 |
This book is for the true fan of James Cagney. Mr. Cagney tells his story as no one can.
| Author | : Richard Schickel |
| Publisher | : Pavilion Books, Limited |
| Total Pages | : 186 |
| Release | : 1999 |
| Genre | : Motion picture actors and actresses |
| ISBN | : 9781862050235 |
This is an analysis of Cagney's screen characters and career. It recounts how he began his Hollywood career, and claims that he was the movies' symbol of the aspirations of America's urban second generation. Himself the child of immigrants, Cagney represented the spirit they believed could lift them out of the ghetto to power and prosperity. The drama of his first films, mostly comedies, revolved around the energetic assertion of his sprightly self in a world that was far from sprightly - Depression America.
| Author | : Sharon Gless |
| Publisher | : Simon and Schuster |
| Total Pages | : 320 |
| Release | : 2021-12-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 1501125974 |
Emmy Award–winning actress Sharon Gless tells all in this laugh-out-loud, juicy, “unforgettably memorable” (Lily Tomlin) memoir about her five decades in Hollywood, where she took on some of the most groundbreaking roles of her time. Anyone who has seen Sharon Gless act in Cagney & Lacey, Queer as Folk, Burn Notice, and countless other shows and movies, knows that she’s someone who gives every role her all. She holds nothing back in Apparently There Were Complaints, a hilarious, deeply personal memoir that spills all about Gless’s five decades in Hollywood. A fifth-generation Californian, Sharon Gless knew from a young age that she wanted to be an actress. After some rocky teenage years that included Sharon’s parents’ divorce and some minor (and not-so-minor) rebellion, Gless landed a coveted spot as an exclusive contract player for Universal Studios. In 1982, she stepped into the role of New York Police Detective Christine Cagney for the series Cagney & Lacey, which eventually reached an audience of 30 million weekly viewers and garnered Gless with two Emmy Awards. The show made history as the first hour-long drama to feature two women in the leading roles. Gless continued to make history long after Cagney & Lacey was over. In 2000, she took on the role of outrageous Debbie Novotny in Queer as Folk. Her portrayal of a devoted mother to a gay son and confidant to his gay friends touched countless hearts and changed the definition of family for millions of viewers. Apparently There Were Complaints delves into Gless’s remarkable career and explores Gless’s complicated family, her struggles with alcoholism, and her fear of romantic commitment as well as her encounters with some of Hollywood’s biggest names. Brutally honest and incredibly relatable, Gless puts it all out on the page in the same way she has lived—never with moderation.
| Author | : Doug Warren |
| Publisher | : Robson Books Limited |
| Total Pages | : 239 |
| Release | : 1986 |
| Genre | : Motion picture actors and actresses |
| ISBN | : 9780860514121 |
| Author | : Julie D'Acci |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 359 |
| Release | : 2000-11-09 |
| Genre | : Social Science |
| ISBN | : 0807860964 |
Defining Women explores the social and cultural construction of gender and the meanings of woman, women, and femininity as they were negotiated in the pioneering television series Cagney and Lacey, starring two women as New York City police detectives. Julie D'Acci illuminates the tensions between the television industry, the series production team, the mainstream and feminist press, various interest groups, and television viewers over competing notions of what women could or could not be--not only on television but in society at large. Cagney and Lacey, which aired from 1981 to 1988, was widely recognized as an innovative treatment of working women and developed a large and loyal following. While researching this book, D'Acci had unprecedented access to the set, to production meetings, and to the complete production files, including correspondence from network executives, publicity firms, and thousands of viewers. She traces the often heated debates surrounding the development of women characters and the representation of feminism on prime-time television, shows how the series was reconfigured as a 'woman's program,' and investigates questions of female spectatorship and feminist readings. Although she focuses on Cagney and Lacey, D'Acci discusses many other examples from the history of American television.
| Author | : Ellen Matney |
| Publisher | : Archway Publishing |
| Total Pages | : 426 |
| Release | : 2021-10-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781665710985 |
Everything was against him from the beginning; poor parents, a sickly infant, bullied as a child, directionless adult, but he still made it. He angered his studio, but fans adored him. What made Cagney, Cagney? You have seen his films, now meet the man. It was not the movies that made the man, it was the man who made the movies. --Ellen Matney
| Author | : James Cagney |
| Publisher | : Nomadic |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : Poetry |
| ISBN | : 9781955239073 |
The poems in BLACK STEEL MAGNOLIAS IN THE HOUR OF CHAOS THEORY interrogate identity, family, loneliness, and the expectations of masculinity. Using dreams, blues, and a chorus of voices, this collection of poems examines the complexities of intimacy for an adopted person trying to find balance between two families--one rattled by age and illness; the other, holding space for a son that doesn't exist. Poetry. Second Edition.
| Author | : John McCabe |
| Publisher | : Knopf |
| Total Pages | : 701 |
| Release | : 2013-05-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0307830993 |
John McCabe's participation in the writing of James Cagney's autobiography, the many years of friendship that followed, and an intense period of interview and discussion in preparation for a musical comedy based on Cagney's life--a show that never saw the light of day--make him Cagney's ideal biographer. And, indeed, he has written a searching chronicle of this major actor's life and career, packed with history and anecdote, and profusely illustrated. Cagney came from a poor Irish-American New York family but once he found his métier as an actor, it was not long before he was recognized as a brilliantly energetic and powerful phenomenon. After the tremendous impact of Public Enemy--in which he notoriously pushed half a grapefruit into Mae Clarke's face--he was typecast as a gangster because of the terrifying violence that seemed to be pent up within him. Years of pitched battle with Warner Brothers finally liberated him from those roles, and he went on to star in such triumphs as the musicals Yankee Doodle Dandy (winning the 1942 Oscar for best actor) and Love Me or Leave Me. Even so, one of his greatest later roles involved a return to crime--as the psychopathic killer in the terrifying White Heat. He retired from films in 1961 after making Billy Wilder's One, Two, Three, only to return twenty years later for Ragtime. But however much Cagney personified violence and explosive energy on the screen, in life he was a quiet, introspective, and deeply private man, a poet, painter, and environmentalist, whose marriage to his early vaudeville partner was famously loyal and happy. His story is one of the few Hollywood biographies that reflect a fulfilled life as well as a spectacular career.
| Author | : James L. Neibaur |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 229 |
| Release | : 2014-10-03 |
| Genre | : Performing Arts |
| ISBN | : 1442242205 |
One of the biggest stars of the golden age of Hollywood, James Cagney appeared in more than sixty films throughout his career. In addition to starring in the classics White Heat, Mister Roberts, and One, Two, Three, Cagney received the Academy Award for his performance as George M. Cohan in Yankee Doodle Dandy. From his debut in Sinner’s Holiday to one of his many gangster portrayals in The Roaring Twenties, the actor appeared in more than thirty films of the 1930s. Though he started out in supporting roles, Cagney quickly became a leading man and by the end of the decade, he was a box-office star. In James Cagney Films of the 1930s, James L. Neibaur reviews the first decade of the great actor’s work. A film-by-film look at Cagney’s movies during this pivotal period, this book traces the actor’s transition from a song-and-dance man on stage to a tough guy on screen. Although Cagney occasionally was able to deviate from studio typecasting—in such films as Footlight Parade and A Midsummer Night’s Dream—his most notable roles were in gangster dramas like The Public Enemy and Angels with Dirty Faces. Throughout this book, Neibaur provides readers with plot summaries, production details, and critical and commercial reception of each film. For fans of the actor’s work, James Cagney Films of the 1930s is an invaluable resource that will also appeal to anyone interested in movie-making during one of Hollywood’s greatest eras.
| Author | : Penelope Cagney |
| Publisher | : John Wiley & Sons |
| Total Pages | : 269 |
| Release | : 2013-02-25 |
| Genre | : Business & Economics |
| ISBN | : 1118417267 |
A practical guide to the challenges and successes of global fundraising, written by an international team of highly respected philanthropy professionals and edited by two of the leading nonprofit thinkers, Global Fundraising is the first book to genuinely offer a global overview of philanthropy with an internationalist perspective. As the world becomes more interdependent, and economies struggle, global philanthropy continues to increase. More than that, nonprofits are taking up roles that have traditionally been filled by the government—including social welfare, healthcare, and human rights. Global Fundraising provides complete coverage of the implications of this growth for nonprofit culture and how it drives changes in fundraising practices. Organized into thematic chapters—a mixture of geographic and topical issues—it places North American philanthropy in a wider context It features a companion website with a variety of online tools and materials The book includes contributions by international leading experts Matt Ide, Mair Bosworth, Usha Menon, Anup Tiwari, Paula Guillet de Monthoux, Angela Cluff, Norma Galafassi, Mike Muchilwa, Tariq Cheema, Lu Bo and Nan Fang, Masataka Uo, Chris Carnie, Sean Triner, Andrea McManus, Marcelo Inniarra, Ashley Baldwin, Rebecca Mauger, YoungWoo Choi, R.F. Shangraw, Jr., Sudeshna Mukherjee, and Anca Zaharia. The book skillfully tracks how the world of fundraising is changing rapidly due to a number of factors including: continuing growth of great wealth; non-profit innovation emerging everywhere; growth of indigenous NGOs; increased professionalism in fundraising; and the value and role of new and social technologies. Written by a team of philanthropy leaders, Global Fundraising offers timely coverage of fundraising around the world. A must-have for INGO leaders and anyone, anywhere, interested in the future of philanthropy and effective fundraising practices.
