Byzantine Thought And Art
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Author | : Richard Krautheimer |
Publisher | : Yale University Press |
Total Pages | : 566 |
Release | : 1992-01-01 |
Genre | : Architecture |
ISBN | : 9780300052947 |
By now a classic, it presents in a single volume a coherent overall view of the history and the changing character of Early Christian and Byzantine architecture, from Rome and Milan to North Africa, from Constantinople to Greece and the Balkans, and from Egypt and Jerusalem to the villages and monasteries of Syria, Asia Minor, Armenia, and Mesopotamia.
Author | : Liz James |
Publisher | : Cambridge University Press |
Total Pages | : 246 |
Release | : 2010-10-18 |
Genre | : Art |
ISBN | : 9780521168762 |
Art and Text in Byzantine Culture explores the relationship between images and words, and examines the different types of interactions between pictures and texts in Byzantine art. Byzantium is the only major world power to have experienced political upheaval on a vast scale as a result of an argument about art. Consequently, the dynamic between art and text in Byzantium is essential to understanding Byzantine art and culture. It allows us to explore the close linking of image and word in a society where the correct relationship between the two was critical to the well-being of the state. Composed of specially-commissioned essays written by an international team of scholars, this volume analyzes how the Byzantines wrote about art, how images and text work together in Byzantine art, and how the words written on Byzantine artworks contribute to their meaning.
Author | : Henry Maguire |
Publisher | : Oxford University Press |
Total Pages | : 219 |
Release | : 2012-08-16 |
Genre | : Art |
ISBN | : 0199766606 |
Nature and Illusion is the first extended study of the portrayal of nature in Byzantine art and literature. It provides a new view of Byzantine art in relation to the medieval art of Western Europe.
Author | : Anna Usacheva |
Publisher | : Brill Schoningh |
Total Pages | : 278 |
Release | : 2021 |
Genre | : Christian heresies |
ISBN | : 9783506703392 |
This volume explores the long-standing tensions between such notions as soul and body, spirit and flesh, in the context of human immortality and bodily resurrection. The discussion revolves around late antique views on the resurrected human body and the relevant philosophical, medical and theological notions that formed the background for this topic. Soon after the issue of the divine-human body had been problematized by Christianity, it began to drift away from vast metaphysical deliberations into a sphere of more specialized bodily concepts, developed in ancient medicine and other natural sciences. To capture the main trends of this interdisciplinary dialogue, the contributions in this volume range from the 2nd to the 8th centuries CE, and discuss an array of figures and topics, including Justin, Origen, Bar Daisan, and Gregory of Nyssa.
Author | : Bissera V |
Publisher | : Penn State Press |
Total Pages | : 346 |
Release | : |
Genre | : Art |
ISBN | : 0271035846 |
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author | : Anthony Kaldellis |
Publisher | : Harvard University Press |
Total Pages | : 309 |
Release | : 2015-02-02 |
Genre | : History |
ISBN | : 0674967402 |
Although Byzantium is known to history as the Eastern Roman Empire, scholars have long claimed that this Greek Christian theocracy bore little resemblance to Rome. Here, in a revolutionary model of Byzantine politics and society, Anthony Kaldellis reconnects Byzantium to its Roman roots, arguing that from the fifth to the twelfth centuries CE the Eastern Roman Empire was essentially a republic, with power exercised on behalf of the people and sometimes by them too. The Byzantine Republic recovers for the historical record a less autocratic, more populist Byzantium whose Greek-speaking citizens considered themselves as fully Roman as their Latin-speaking “ancestors.” Kaldellis shows that the idea of Byzantium as a rigid imperial theocracy is a misleading construct of Western historians since the Enlightenment. With court proclamations often draped in Christian rhetoric, the notion of divine kingship emerged as a way to disguise the inherent vulnerability of each regime. The legitimacy of the emperors was not predicated on an absolute right to the throne but on the popularity of individual emperors, whose grip on power was tenuous despite the stability of the imperial institution itself. Kaldellis examines the overlooked Byzantine concept of the polity, along with the complex relationship of emperors to the law and the ways they bolstered their popular acceptance and avoided challenges. The rebellions that periodically rocked the empire were not aberrations, he shows, but an essential part of the functioning of the republican monarchy.
Author | : Asaf Friedman |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 173 |
Release | : 2019-05-24 |
Genre | : Art |
ISBN | : 1527535053 |
The Byzantine era was a time of the formation of the Abrahamic religions and a battleground for people’s hearts and minds. This book shows that, during the time of the Byzantine Empire, the synagogues in Palaestina developed a visual language adhering to traditional literary sources. Until now, scholars believed that Judaism was oblivious to all art forms, regarding them as mere “decoration.” This book shows that, contrary to those beliefs, Jewish art was, in fact, flourishing in this period. The visual language that emerged is a trope that utilizes literal and figurative readings to arrive at an inquisitive mixture—a probing language that facilitates learning. It is a visual language of “becoming,” of inward introspection and outward scrutiny. This new analysis goes beyond the limits of compositional rules, and requires an analytical, as well as emotive, thought process, to form a cultural interpretation that reveals the hidden language. This means that some parts of Judaism and some parts of Christianity were in agreement despite the commandment of “Thou shalt not make unto thee any graven image,” and operated under the assumption that paintings were not necessarily the creation of idols. Thus, we see that the modern movements of art and architecture were not the first to deal with images through themes such as abstraction and denotation. The language developed during the Byzantine period could rival the best of such visual languages.
Author | : Gary Vikan |
Publisher | : |
Total Pages | : 58 |
Release | : 1982 |
Genre | : Art and religion |
ISBN | : |
Author | : Ellen C. Schwartz |
Publisher | : Oxford University Press |
Total Pages | : 665 |
Release | : 2021-11-19 |
Genre | : History |
ISBN | : 0197572200 |
Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.
Author | : Robert S. Nelson |
Publisher | : Routledge |
Total Pages | : 444 |
Release | : 2007 |
Genre | : Art, Byzantine |
ISBN | : |
Written over nearly three decades, the fifteen essays involve the three a's of the title, art, agency, and appreciation. The first refers to the general subject matter of the book, Byzantine art, chiefly painting, of the twelfth through the fourteenth centuries, the second to its often human-like agency, and the last to its historical reception. The series begins with art works themselves and with the imagery and iconography of church decoration and manuscript illumination, shifts to the ways that objects act in the world and affect their beholders, and concludes with more general appreciations of Byzantine art in case studies from the thirteenth century to the present.