Building Theatre Patronage
Author | : John Francis Barry |
Publisher | : |
Total Pages | : 488 |
Release | : 1927 |
Genre | : Advertising |
ISBN | : |
A how-to manual explaining how to make your cinema popular.
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Author | : John Francis Barry |
Publisher | : |
Total Pages | : 488 |
Release | : 1927 |
Genre | : Advertising |
ISBN | : |
A how-to manual explaining how to make your cinema popular.
Author | : Irving Pichel |
Publisher | : |
Total Pages | : 98 |
Release | : 1920 |
Genre | : Theater architecture |
ISBN | : |
Author | : Bill Nichols |
Publisher | : Univ of California Press |
Total Pages | : 770 |
Release | : 1976 |
Genre | : Film criticism |
ISBN | : 9780520054097 |
VOLUME 2: "Movies and Methods," Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity--from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. -- Publisher description.
Author | : Gene Leitermann |
Publisher | : Taylor & Francis |
Total Pages | : 550 |
Release | : 2017-02-17 |
Genre | : Performing Arts |
ISBN | : 1317496876 |
This book introduces the concepts of theater planning, and provides a detailed guide to the process and the technical requirements particular to theater buildings. Part I is a guide to the concepts and practices of architecture and construction, as applied to performing arts buildings. Part II is a guide to the design of performing arts buildings, with detailed descriptions of the unique requirements of these buildings. Each concept is illustrated with line drawings and examples from the author’s extensive professional practice. This book is written for students in Theatre Planning courses, along with working practitioners.
Author | : Irving Pichel |
Publisher | : |
Total Pages | : 80 |
Release | : 2015-07-22 |
Genre | : Architecture |
ISBN | : 9781331975908 |
Excerpt from On Building a Theatre: Stage Construction and Equipment for Small Theatres, Schools and Community Buildings About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Irving Pichel |
Publisher | : |
Total Pages | : 78 |
Release | : 200? |
Genre | : Theater architecture |
ISBN | : |
Author | : Paul Whitfield White |
Publisher | : Cambridge University Press |
Total Pages | : 340 |
Release | : 2006-12-14 |
Genre | : Drama |
ISBN | : 9780521034302 |
During the past quarter of a century, the study of patronage-theatre relations in early modern England has developed considerably. This, however, is an extensive, wide-ranging and representative 2002 study of patronage as it relates to Shakespeare and the theatrical culture of his time. Twelve distinguished theatre historians address such questions as: What important functions did patronage have for the theatre during this period? How, in turn, did the theatre impact and represent patronage? Where do paying spectators and purchasers of printed drama fit into the discussion of patronage? The authors also show how patronage practices changed and developed from the early Tudor period to the years in which Shakespeare was the English theatre's leading artist. This important book will appeal to scholars of Renaissance social history as well as those who focus on Shakespeare and his playwriting contemporaries.