Buddy Bolden And The Last Days Of Storyville
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Author | : Danny Barker |
Publisher | : A&C Black |
Total Pages | : 185 |
Release | : 2001-09-01 |
Genre | : Social Science |
ISBN | : 0826419631 |
The first volume of Barker's memoirs, A Life in Jazz, followed him from New Orleans into the big bands of Cab Calloway and Benny Carter. He was working on this-the second volume-for some years before his death in 1994. Beginning with an extended portrait of Buddy Bolden as recalled by the likes of Jelly Roll Morton and Bunk Johnson as well as Barker himself, this book draws together a lifetime of stories and the vivid characters who populated "Storyville."Danny Barker (1909-1994) sang and played the guitar and banjo on over 1,000 jazz, swing, blues, and bebop records. He is a member of the Jazz Hall of Fame and recipient of the National Endowment for the Arts Music Master Award. Alyn Shipton is a writer and broadcaster on jazz. He is the editor of A Life in Jazz, the first volume of Danny Barker's memoirs.
Author | : Danny Barker |
Publisher | : A&C Black |
Total Pages | : 190 |
Release | : 2001-09-01 |
Genre | : Social Science |
ISBN | : 9780826457028 |
The first volume of Barker's memoirs, A Life in Jazz, followed him from New Orleans into the big bands of Cab Calloway and Benny Carter. He was working on this-the second volume-for some years before his death in 1994. Beginning with an extended portrait of Buddy Bolden as recalled by the likes of Jelly Roll Morton and Bunk Johnson as well as Barker himself, this book draws together a lifetime of stories and the vivid characters who populated "Storyville."Danny Barker (1909-1994) sang and played the guitar and banjo on over 1,000 jazz, swing, blues, and bebop records. He is a member of the Jazz Hall of Fame and recipient of the National Endowment for the Arts Music Master Award. Alyn Shipton is a writer and broadcaster on jazz. He is the editor of A Life in Jazz, the first volume of Danny Barker's memoirs.
Author | : Michael Ondaatje |
Publisher | : Vintage |
Total Pages | : 160 |
Release | : 2011-03-23 |
Genre | : Fiction |
ISBN | : 0307776611 |
Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.
Author | : Clyde Woods |
Publisher | : University of Georgia Press |
Total Pages | : 397 |
Release | : 2017-07-01 |
Genre | : Social Science |
ISBN | : 0820350907 |
Development Drowned and Reborn is a “Blues geography” of New Orleans, one that compels readers to return to the history of the Black freedom struggle there to reckon with its unfinished business. Reading contemporary policies of abandonment against the grain, Clyde Woods explores how Hurricane Katrina brought long-standing structures of domination into view. In so doing, Woods delineates the roots of neoliberalism in the region and a history of resistance. Written in dialogue with social movements, this book offers tools for comprehending the racist dynamics of U.S. culture and economy. Following his landmark study, Development Arrested, Woods turns to organic intellectuals, Blues musicians, and poor and working people to instruct readers in this future-oriented history of struggle. Through this unique optic, Woods delineates a history, methodology, and epistemology to grasp alternative visions of development. Woods contributes to debates about the history and geography of neoliberalism. The book suggests that the prevailing focus on neoliberalism at national and global scales has led to a neglect of the regional scale. Specifically, it observes that theories of neoliberalism have tended to overlook New Orleans as an epicenter where racial, class, gender, and regional hierarchies have persisted for centuries. Through this Blues geography, Woods excavates the struggle for a new society.
Author | : David Fulmer |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 0 |
Release | : 2003-07-01 |
Genre | : Fiction |
ISBN | : 0547416105 |
Storyville, 1907: In this raucous, bloody, red-light district, where two thousand scarlet women ply their trade in grand mansions and filthy dime-a-trick cribs, where cocaine and opium are sold over the counter, and where rye whiskey flows like an amber river, there's a killer loose. Someone is murdering Storyville prostitutes and marking each killing with a black rose. As Creole detective Valentin St. Cyr begins to unravel the murder against this extraordinary backdrop, he encounters a cast of characters drawn from history: Tom Anderson, the political boss who runs Storyville like a private kingdom; Lulu White, the district's most notorious madam; a young piano player who would come to be known as Jelly Roll Morton; and finally, Buddy Bolden, the man who all but invented jazz and is now losing his mind. No ordinary mystery, Chasing the Devil's Tail is a chilling portrait of musical genius and self-destruction, set at the very moment when jazz was born.
Author | : Gary Krist |
Publisher | : Crown |
Total Pages | : 450 |
Release | : 2014-10-28 |
Genre | : History |
ISBN | : 0770437079 |
From bestselling author Gary Krist, a vibrant and immersive account of New Orleans’ other civil war, at a time when commercialized vice, jazz culture, and endemic crime defined the battlegrounds of the Crescent City Empire of Sin re-creates the remarkable story of New Orleans’ thirty-years war against itself, pitting the city’s elite “better half” against its powerful and long-entrenched underworld of vice, perversity, and crime. This early-20th-century battle centers on one man: Tom Anderson, the undisputed czar of the city's Storyville vice district, who fights desperately to keep his empire intact as it faces onslaughts from all sides. Surrounding him are the stories of flamboyant prostitutes, crusading moral reformers, dissolute jazzmen, ruthless Mafiosi, venal politicians, and one extremely violent serial killer, all battling for primacy in a wild and wicked city unlike any other in the world.
Author | : Luca Cerchiari |
Publisher | : UPNE |
Total Pages | : 957 |
Release | : 2012 |
Genre | : Music |
ISBN | : 1611682983 |
The critical role of Europe in the music, personalities, and analysis of jazz
Author | : Danny Barker |
Publisher | : Springer |
Total Pages | : 247 |
Release | : 2016-07-27 |
Genre | : Music |
ISBN | : 1349099368 |
As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,
Author | : Eric Criss |
Publisher | : LSU Press |
Total Pages | : 241 |
Release | : 2023-11-01 |
Genre | : History |
ISBN | : 0807181218 |
Although relatively unknown today, Martin Behrman dominated New Orleans politics in the early twentieth century, serving as mayor from 1904 to 1920 and again in 1925 for a brief period before his death. His political organization—loosely referred to as “The Regulars,” “The Old Regulars,” or “The Choctaw Club”—was in complete control of the city during a period of rapid change. Behrman’s model of government, often called "Behrmanism" by detractors, was a pragmatic hybrid of machine politics, progressive reform, populism, and federalism that eventually found its way into Franklin Roosevelt’s New Deal and Huey Long’s political platform. The Boss of New Orleans is a masterful examination of Behrman’s remarkable life and political career, during which he rose from the orphaned son of immigrant parents to the Crescent City’s undisputed leader. As mayor, he blended consensus building with the exercise of raw power in ways that few politicians of the era could match, allowing him to navigate numerous controversial events, including the implementation of national prohibition and the forced closure of Storyville, the city’s red-light district. Behrman successfully managed the city’s last epidemic of yellow fever and built new schools and infrastructure that moved New Orleans along the path of modernity, earning a reputation as a hard-working, detail-oriented manager of city and machine affairs. As Criss demonstrates, with the singular—and deeply troubling—exception of the disenfranchisement of Black voters, Behrman led an era of truly progressive change in the Crescent City.
Author | : Matt Miller |
Publisher | : Univ of Massachusetts Press |
Total Pages | : 232 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 1558499369 |
Over the course of the twentieth century, African Americans in New Orleans helped define the genres of jazz, rhythm and blues, soul, and funk. In recent decades, younger generations of New Orleanians have created a rich and dynamic local rap scene, which has revolved around a dance-oriented style called "bounce." Hip-hop has been the latest conduit for a "New Orleans sound" that lies at the heart of many of the city's best-known contributions to earlier popular music genres. Bounce, while globally connected and constantly evolving, reflects an enduring cultural continuity that reaches back and builds on the city's rich musical and cultural traditions. In this book, the popular music scholar and filmmaker Matt Miller explores the ways in which participants in New Orleans's hip-hop scene have collectively established, contested, and revised a distinctive style of rap that exists at the intersection of deeply rooted vernacular music traditions and the modern, globalized economy of commercial popular music. Like other forms of grassroots expressive culture in the city, New Orleans rap is a site of intense aesthetic and economic competition that reflects the creativity and resilience of the city's poor and working-class African Americans.