Browning and the Fictions of Identity
Author | : E. Warwick Slinn |
Publisher | : Springer |
Total Pages | : 182 |
Release | : 1982-07-08 |
Genre | : Literary Criticism |
ISBN | : 1349056820 |
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Author | : E. Warwick Slinn |
Publisher | : Springer |
Total Pages | : 182 |
Release | : 1982-07-08 |
Genre | : Literary Criticism |
ISBN | : 1349056820 |
Author | : David G. Riede |
Publisher | : Ohio State University Press |
Total Pages | : 236 |
Release | : 2005 |
Genre | : English poetry |
ISBN | : 0814210082 |
Perhaps because major Victorians like Thomas Carlyle and Matthew Arnold proscribed Romantic melancholy as morbidly diseased and unsuitable for poetic expression, critics have neglected or understated the central importance of melancholy in Victorian poetry. Allegories of One's Own Mind re-directs our attention to a mode that Arnold was rejecting as morbid but also acknowledging when he disparaged the widely current idea that the highest ambition of poetry should be to present an allegory of the poet's own mind. This book shows how early Victorian poets suffered from and railed against what they perceived to be a "disabling post-Wordsworthian melancholy"-we might refer to it as depression-and yet benefited from this self-absorbed or love-obsessed state, which ironically made them more productive. David G. Riede argues that the dominant thematic and formal concerns of the age, in fact, are embodied in the ambivalence of Carlyle, Arnold, and others, who pitted a Victorian ideology of duty, rationality, and high moral character against a still compelling Romantic cultivation of the deep self intuited as melancholy. Such ambivalence, in fact, is in itself constitutive of melancholy, long understood as the product of conscience raging against inchoate desire, and it constitutes the mood of the age's most important poetry, represented here in the major works of Alfred Tennyson, Elizabeth Barrett Browning, and even in the notoriously "optimistic" Robert Browning. David G. Riede is professor of English at The Ohio State University.
Author | : Sophie Ratcliffe |
Publisher | : OUP Oxford |
Total Pages | : 280 |
Release | : 2008-05-15 |
Genre | : Literary Criticism |
ISBN | : 019160819X |
What happens when we engage with fictional characters? How do our imaginative engagements bear on our actions in the wider world? Moving between the literary and the philosophical, Sophie Ratcliffe considers the ways in which readers feel when they read, and how they understand ideas of feeling. On Sympathy uses dramatic monologues based on The Tempest as its focus, and broaches questions about fictional belief, morality, and the dynamics between readers, writers, and fictional characters. The book challenges conventionally accepted ideas of literary identification and sympathy, and asks why the idea of sympathy has been seen as so important to liberal humanist theories of literary value. Individual chapters on Robert Browning, W. H. Auden, and Samuel Beckett, who all drew on Shakespeare's late play, offer new readings of some major works, while the book's epilogue tackles questions of contemporary sympathy. Ranging from the nineteenth century to the present day, this important new study sets out to clarify and challenge current assumptions about reading and sympathetic belief, shedding new light on the idea and ideal of sympathy, the workings of affect and allusion, and the ethics of reading.
Author | : Various Authors |
Publisher | : Routledge |
Total Pages | : 1000 |
Release | : 2021-02-25 |
Genre | : Literary Criticism |
ISBN | : 1317200500 |
This set reissues 4 books on Victorian poetry originally published between 1966 and 2003. The volumes focus predominantly on the works of Emily Dickinson, Elizabeth Barrett and Robert Browning. This set will be of particular interest to students of English literature.
Author | : Sara Upstone |
Publisher | : Routledge |
Total Pages | : 217 |
Release | : 2016-10-04 |
Genre | : Literary Criticism |
ISBN | : 1317914805 |
This book takes a post-racial approach to the representation of race in contemporary British fiction, re-imagining studies of race and British literature away from concerns with specific racial groups towards a more sophisticated analysis of the contribution of a broad, post-racial British writing. Examining the work of writers from a wide range of diverse racial backgrounds, the book illustrates how contemporary British fiction, rather than merely reflecting social norms, is making a radical contribution towards the possible future of a positively multi-ethnic and post-racial Britain. This is developed by a strategic use of the realist form, which becomes a utopian device as it provides readers with a reality beyond current circumstances, yet one which is rooted within an identifiable world. Speaking to the specific contexts of British cultural politics, and directly connecting with contemporary debates surrounding race and identity in Britain, the author engages with a wide range of both mainstream and neglected authors, including Ian McEwan, Zadie Smith, Julian Barnes, John Lanchester, Alan Hollinghurst, Martin Amis, Jon McGregor, Andrea Levy, Bernardine Evaristo, Hanif Kureishi, Kazuo Ishiguro, Hari Kunzru, Nadeem Aslam, Meera Syal, Jackie Kay, Maggie Gee, and Neil Gaiman. This cutting-edge volume explores how contemporary fiction is at the centre of re-thinking how we engage with the question of race in twenty-first-century Britain.
Author | : Browning Society (London, England) |
Publisher | : |
Total Pages | : 212 |
Release | : 1986 |
Genre | : |
ISBN | : |
Author | : Fatih Öztürk |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 149 |
Release | : 2022-07-18 |
Genre | : Literary Criticism |
ISBN | : 152758609X |
This book provides the reader with an extensive social, historical, and theoretical background to dystopian fiction so that the underlying reasons for the emergence of the genre in the early 20th century are clarified. It offers a multifaceted approach to the representation of the individual in dystopian fiction by referring to the historical events that have affected the process. The book bases its argument on the theories of such groundbreaking theoreticians as Sigmund Freud, Jacques Lacan, Louis Althusser, and Michel Foucault, and sheds light on how the oppressive governments have employed psychological, linguistic, ideological, and discursive devices to manipulate people and create subjected beings. By including work from a woman author, the book also serves to highlight how the ongoing process is perceived from a feminist stance.
Author | : Mark Hawkins-Dady |
Publisher | : Routledge |
Total Pages | : 1024 |
Release | : 2012-12-06 |
Genre | : Reference |
ISBN | : 1135314179 |
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Author | : Fiona Sampson |
Publisher | : W. W. Norton & Company |
Total Pages | : 291 |
Release | : 2021-08-17 |
Genre | : Biography & Autobiography |
ISBN | : 1324002964 |
Finalist for the 2022 Plutarch Award Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography A Washington Post Best Book of 2021 “An elegant act of rehabilitation.”—New York Times Book Review, Editors’ Choice A "nuanced and insightful" (New Statesman) portrait of Britain’s most famous female poet, a woman who invented herself and defied her times. "How do I love thee? Let me count the ways." With these words, Elizabeth Barrett Browning has come down to us as a romantic heroine, a recluse controlled by a domineering father and often overshadowed by her husband, Robert Browning. But behind the melodrama lies a thoroughly modern figure whose extraordinary life is an electrifying study in self-invention. Born in 1806, Barrett Browning lived in an age when women could not attend a university, own property after marriage, or vote. And yet she seized control of her private income, defied chronic illness and disability, became an advocate for the revolutionary Italy to which she eloped, and changed the course of cultural history. Her late-in-life verse novel masterpiece, Aurora Leigh, reveals both the brilliance and originality of her mind, as well as the challenges of being a woman writer in the Victorian era. A feminist icon, high-profile activist for the abolition of slavery, and international literary superstar, Barrett Browning inspired writers as diverse as Emily Dickinson, George Eliot, Rudyard Kipling, Oscar Wilde, and Virginia Woolf. Two-Way Mirror is the first biography of Barrett Browning in more than three decades. With unique access to the poet’s abundant correspondence, “astute, thoughtful, and wide-ranging guide” (Times [UK]) Fiona Sampson holds up a mirror to the woman, her art, and the art of biography itself.
Author | : Barbara Browning |
Publisher | : Coffee House Press |
Total Pages | : 176 |
Release | : 2017-04-17 |
Genre | : Fiction |
ISBN | : 1566894778 |
In the midst of Occupy, Barbara Andersen begins spamming people indiscriminately with ukulele covers of sentimental songs. A series of inappropriate intimacies ensued, including an erotically charged correspondence and then collaboration with an extraordinarily gifted and troubled musician living in Germany.